#1 of 6 2002 · Comedy
$12.5M worldwide · 47% of the chart's total
Sorority Boys (2002) is the highest-grossing comedy movie released in week 12 of 2002 (Mar 17–23), with $12.5M worldwide, ahead of Son of the Bride (2002) at $8.8M and Jungle Juice (2002) at $3.9M. 6 comedy films released that week report a worldwide gross, $26.5M in all, 41% of it from the US & Canada. That is down 95% on Week 11, 2002, whose releases took $495.7M. By language, English leads with $12.9M across 2 comedy releases.
#1 of 6 2002 · Comedy
$12.5M worldwide · 47% of the chart's total
Sorority Boys (2002) leads with $12.5M, 47% of the total. The top 5 together took $26.4M, 99% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2002 (Mar 17–23).
Mar 22, 2002 US and Canada: $10.2M Rest of the world: $2.3M Worldwide: $12.5M
Mar 22, 2002 US and Canada: $624.8K Rest of the world: $8.1M Worldwide: $8.8M
Mar 22, 2002 US and Canada: – Rest of the world: – Worldwide: $3.9M
Mar 22, 2002 US and Canada: – Rest of the world: – Worldwide: $800.6K
Mar 22, 2002 US and Canada: $46.4K Rest of the world: $349.7K Worldwide: $396.1K
Mar 21, 2002 US and Canada: – Rest of the world: – Worldwide: $165.2K Of the top 6, Sorority Boys (2002) earned the biggest share at home (81% in the US & Canada), while Son of the Bride (2002) made 93% of its gross abroad. Across all 6 films, $10.9M (41%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 12 releases took $26.5M. The biggest of these 9 weeks is week 11 (Mar 10–16) with $495.7M, led by Ice Age (2002).
Of these 10 years, Week 12, 1997 earned the most: $302.7M from 2 films, led by Liar Liar (1997). Week 12, 2002 took $26.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 1993 Mar 14–20 1 film | 1 | $42.3M | – | Teenage Mutant Ninja Turtles III (1993) $42.3M |
| Week 12, 1994 Mar 13–19 4 films · +174% | 4 | $116M | +174% | Naked Gun 33 1/3: The Final Insult (1994) $51.1M |
| Week 12, 1995 Mar 19–25 2 films · −74% | 2 | $30.2M | −74% | Major Payne (1995) $30.1M |
| Week 12, 1996 Mar 17–23 4 films · −13% | 4 | $26.2M | −13% | Flirting with Disaster (1996) $14.7M |
| Week 12, 1997 Mar 16–22 2 films · +1057% | 2 | $302.7M | +1057% | Liar Liar (1997) $302.7M |
| Week 12, 1998 Mar 15–21 3 films · −83% | 3 | $52.4M | −83% | Primary Colors (1998) $52.1M |
| Week 12, 1999 Mar 14–20 2 films · +83% | 2 | $96M | +83% | Forces of Nature (1999) $93.9M |
| Week 12, 2000 Mar 12–18 1 film · −100% | 1 | $13.7K | −100% | Soft Fruit (2000) $13.7K |
| Week 12, 2001 Mar 18–24 4 films · +717908% | 4 | $98M | +717908% | Heartbreakers (2001) $57.8M |
| Week 12, 2002 Mar 17–23 6 films · −73% | 6 | $26.5M | −73% | Sorority Boys (2002) $12.5M |
52 weeks of 2002 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $509.9M, led by Men in Black II (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Sorority Boys (2002) leads with $12.5M worldwide, $10.2M of it in the US & Canada. Next come Son of the Bride (2002) at $8.8M and Jungle Juice (2002) at $3.9M.
6 comedy films released in week 12 of 2002 (Mar 17–23) report a worldwide gross, $26.5M in all, or $4.4M per film on average. Week 11, 2002 releases took $495.7M.
None. The biggest, Sorority Boys (2002), earned $12.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2002 (Mar 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.