#1 of 5 Austin Powers in Goldmember (2002)
2002 · Action, Adventure
$296.9M worldwide · 94% of the chart's total
Austin Powers in Goldmember (2002) is the highest-grossing comedy movie released in week 30 of 2002 (Jul 21–27), with $296.9M worldwide, ahead of The Country Bears (2002) at $18M and Who Is Cletis Tout? (2002) at $280.5K. 5 comedy films released that week report a worldwide gross, $315.4M in all, 73% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 38% on Week 29, 2002, whose releases took $229.2M. By language, English leads with $315.3M across 4 comedy releases.
#1 of 5 Austin Powers in Goldmember (2002)
2002 · Action, Adventure
$296.9M worldwide · 94% of the chart's total
Austin Powers in Goldmember (2002) leads with $296.9M, 94% of the total. The top 5 together took $315.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2002 (Jul 21–27).
Jul 26, 2002 US and Canada: $17M Rest of the world: $1M Worldwide: $18M
Jul 26, 2002 US and Canada: $252.7K Rest of the world: $27.8K Worldwide: $280.5K
Jul 25, 2002 US and Canada: – Rest of the world: – Worldwide: $128.3K
Jul 26, 2002 US and Canada: – Rest of the world: – Worldwide: $20.8K Of the top 5, The Country Bears (2002) earned the biggest share at home (94% in the US & Canada), while Austin Powers in Goldmember (2002) made 28% of its gross abroad. Across all 5 films, $230.6M (73%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 30 releases took $315.4M. The biggest of these 9 weeks is week 27 (Jun 30–Jul 6) with $509.9M, led by Men in Black II (2002).
Of these 10 years, Week 30, 2002 earned the most: $315.4M from 5 films, led by Austin Powers in Goldmember (2002).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 1993 Jul 18–24 2 films | 2 | $41.5M | – | Coneheads (1993) $21.3M |
| Week 30, 1994 Jul 17–23 No films | 0 | – | – | – |
| Week 30, 1995 Jul 23–29 1 film | 1 | $24.7M | – | Operation Dumbo Drop (1995) $24.7M |
| Week 30, 1996 Jul 21–27 No films | 0 | – | – | – |
| Week 30, 1997 Jul 20–26 2 films | 2 | $24.4M | – | Good Burger (1997) $23.7M |
| Week 30, 1998 Jul 19–25 2 films · −52% | 2 | $11.7M | −52% | Wrongfully Accused (1998) $9.6M |
| Week 30, 1999 Jul 18–24 3 films · +1140% | 3 | $145M | +1140% | Inspector Gadget (1999) $134.4M |
| Week 30, 2000 Jul 16–22 1 film · −87% | 1 | $18.4M | −87% | Loser (2000) $18.4M |
| Week 30, 2001 Jul 22–28 5 films · −33% | 5 | $12.4M | −33% | Bread and Tulips (2001) $9.7M |
| Week 30, 2002 Jul 21–27 5 films · +2451% | 5 | $315.4M | +2451% | Austin Powers in Goldmember (2002) $296.9M |
52 weeks of 2002 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $509.9M, led by Men in Black II (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Austin Powers in Goldmember (2002) leads with $296.9M worldwide, $213.3M of it in the US & Canada. Next come The Country Bears (2002) at $18M and Who Is Cletis Tout? (2002) at $280.5K.
5 comedy films released in week 30 of 2002 (Jul 21–27) report a worldwide gross, $315.4M in all, or $63.1M per film on average. Week 29, 2002 releases took $229.2M.
None. 1 film crossed $100 million, led by Austin Powers in Goldmember (2002) with $296.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2002 (Jul 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.