#1 of 7 2005 · Drama, Comedy
$17.5M worldwide · 77% of the chart's total
Roll Bounce (2005) is the highest-grossing comedy movie released in week 39 of 2005 (Sep 18–24), with $17.5M worldwide, ahead of Love Me Tomorrow (2005) at $3.3M and L’Anniversaire (2005) at $1.1M. 7 comedy films released that week report a worldwide gross, $22.7M in all, 77% of it from the US & Canada. That is down 80% on Week 38, 2005, whose releases took $112.1M. By language, English leads with $18.2M across 5 comedy releases.
#1 of 7 2005 · Drama, Comedy
$17.5M worldwide · 77% of the chart's total
Roll Bounce (2005) leads with $17.5M, 77% of the total. The top 5 together took $22.6M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 39 of 2005 (Sep 18–24).
Sep 23, 2005 US and Canada: $17.4M Rest of the world: $140.4K Worldwide: $17.5M
Sep 23, 2005 US and Canada: – Rest of the world: – Worldwide: $3.3M
Sep 21, 2005 US and Canada: – Rest of the world: – Worldwide: $1.1M
Sep 23, 2005 US and Canada: $23.1K Rest of the world: $584.1K Worldwide: $607.2K
Sep 23, 2005 US and Canada: $72.2K Rest of the world: Worldwide: $72.2K
Sep 23, 2005 US and Canada: $36.1K Rest of the world: Worldwide: $36.1K
Sep 23, 2005 US and Canada: $12.6K Rest of the world: Worldwide: $12.6K Of the top 7, Dorian Blues (2005) earned the biggest share at home (100% in the US & Canada), while Dear Wendy (2005) made 96% of its gross abroad. Across all 7 films, $17.5M (77%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 39 releases took $22.7M. The biggest of these 9 weeks is week 41 (Oct 2–8) with $322.2M, led by Wallace & Gromit: The Curse of the Were-Rabbit (2005).
Of these 10 years, Week 39, 2002 earned the most: $313.3M from 9 films, led by Sweet Home Alabama (2002). Week 39, 2005 took $22.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 39, 1996 Sep 22–28 2 films | 2 | $24.5M | – | Secrets & Lies (1996) $13.4M |
| Week 39, 1997 Sep 21–27 3 films · +78% | 3 | $43.7M | +78% | Soul Food (1997) $43.7M |
| Week 39, 1998 Sep 20–26 4 films · −91% | 4 | $4.1M | −91% | Pecker (1998) $2.3M |
| Week 39, 1999 Sep 19–25 4 films · +146% | 4 | $10.1M | +146% | Jakob the Liar (1999) $5M |
| Week 39, 2000 Sep 17–23 2 films · +2% | 2 | $10.2M | +2% | Woman on Top (2000) $10.2M |
| Week 39, 2001 Sep 23–29 8 films · +601% | 8 | $71.6M | +601% | Zoolander (2001) $60.8M |
| Week 39, 2002 Sep 22–28 9 films · +338% | 9 | $313.3M | +338% | Sweet Home Alabama (2002) $180.6M |
| Week 39, 2003 Sep 21–27 8 films · −48% | 8 | $164M | −48% | The Rundown (2003) $81M |
| Week 39, 2004 Sep 19–25 14 films · −68% | 14 | $52.9M | −68% | Shaun of the Dead (2004) $31.6M |
| Week 39, 2005 Sep 18–24 7 films · −57% | 7 | $22.7M | −57% | Roll Bounce (2005) $17.5M |
53 weeks of 2005 with reported grosses; the biggest is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Roll Bounce (2005) leads with $17.5M worldwide, $17.4M of it in the US & Canada. Next come Love Me Tomorrow (2005) at $3.3M and L’Anniversaire (2005) at $1.1M.
7 comedy films released in week 39 of 2005 (Sep 18–24) report a worldwide gross, $22.7M in all, or $3.2M per film on average. Week 38, 2005 releases took $112.1M.
None. The biggest, Roll Bounce (2005), earned $17.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 39 of 2005 (Sep 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.