#1 of 6 Diary of a Mad Black Woman (2005)
2005 · Drama, Comedy
$50.7M worldwide · 48% of the chart's total
Diary of a Mad Black Woman (2005) is the highest-grossing comedy movie released in week 9 of 2005 (Feb 20–26), with $50.7M worldwide, ahead of Cursed (2005) at $29.6M and Man of the House (2005) at $21.6M. 6 comedy films released that week report a worldwide gross, $104.6M in all, 86% of it from the US & Canada. That is up 1% on Week 8, 2005, whose releases took $103.4M. By language, English leads with $72.2M across 4 comedy releases.
#1 of 6 Diary of a Mad Black Woman (2005)
2005 · Drama, Comedy
$50.7M worldwide · 48% of the chart's total
Diary of a Mad Black Woman (2005) leads with $50.7M, 48% of the total. The top 5 together took $104.6M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2005 (Feb 20–26).
Feb 25, 2005 US and Canada: $50.6M Rest of the world: $19.1K Worldwide: $50.7M
Feb 25, 2005 US and Canada: $19.3M Rest of the world: $10.3M Worldwide: $29.6M
Feb 25, 2005 US and Canada: $19.7M Rest of the world: $1.9M Worldwide: $21.6M
Feb 25, 2005 US and Canada: $245.1K Rest of the world: $2.5M Worldwide: $2.7M
Feb 25, 2005 US and Canada: $10.6K Rest of the world: Worldwide: $10.6K
Feb 25, 2005 US and Canada: $3.3K Rest of the world: Worldwide: $3.3K Of the top 6, One More Round (2005) earned the biggest share at home (100% in the US & Canada), while Up and Down (2005) made 91% of its gross abroad. Across all 6 films, $89.9M (86%) came from the US & Canada.
Week 9 releases took $104.6M. The biggest of these 9 weeks is week 7 (Feb 6–12) with $401M, led by Hitch (2005).
Of these 10 years, Week 9, 2001 earned the most: $191.8M from 5 films, led by The Mexican (2001). Week 9, 2005 took $104.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 1996 Feb 25–Mar 2 1 film | 1 | $37.6M | – | Down Periscope (1996) $37.6M |
| Week 9, 1997 Feb 23–Mar 1 1 film · −47% | 1 | $20.1M | −47% | Booty Call (1997) $20.1M |
| Week 9, 1998 Feb 22–28 4 films · −41% | 4 | $11.8M | −41% | Krippendorf’s Tribe (1998) $7.6M |
| Week 9, 1999 Feb 21–27 3 films · +199% | 3 | $35.2M | +199% | The Other Sister (1999) $27.8M |
| Week 9, 2000 Feb 20–26 3 films · −3% | 3 | $34M | −3% | Wonder Boys (2000) $33.4M |
| Week 9, 2001 Feb 25–Mar 3 5 films · +464% | 5 | $191.8M | +464% | The Mexican (2001) $147.8M |
| Week 9, 2002 Feb 24–Mar 2 4 films · −49% | 4 | $98.5M | −49% | 40 Days and 40 Nights (2002) $95.1M |
| Week 9, 2003 Feb 23–Mar 1 1 film · −99% | 1 | $1.3M | −99% | Upswing (2003) $1.3M |
| Week 9, 2004 Feb 22–28 6 films · +6717% | 6 | $91.2M | +6717% | Goodbye Lenin! (2004) $79.3M |
| Week 9, 2005 Feb 20–26 6 films · +15% | 6 | $104.6M | +15% | Diary of a Mad Black Woman (2005) $50.7M |
53 weeks of 2005 with reported grosses; the biggest is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Diary of a Mad Black Woman (2005) leads with $50.7M worldwide, $50.6M of it in the US & Canada. Next come Cursed (2005) at $29.6M and Man of the House (2005) at $21.6M.
6 comedy films released in week 9 of 2005 (Feb 20–26) report a worldwide gross, $104.6M in all, or $17.4M per film on average. Week 8, 2005 releases took $103.4M.
None. The biggest, Diary of a Mad Black Woman (2005), earned $50.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2005 (Feb 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.