#1 of 5 2005 · Adventure, Sci-Fi
$86.4M worldwide · 53% of the chart's total
Sky High (2005) is the highest-grossing comedy movie released in week 31 of 2005 (Jul 24–30), with $86.4M worldwide, ahead of Must Love Dogs (2005) at $58.2M and Siegfried (2005) at $8.3M. 5 comedy films released that week report a worldwide gross, $161.6M in all, 71% of it from the US & Canada. That is 4.3 times the total of Week 30, 2005, whose releases took $37.6M. By language, English leads with $66.8M across 3 comedy releases.
#1 of 5 2005 · Adventure, Sci-Fi
$86.4M worldwide · 53% of the chart's total
Sky High (2005) leads with $86.4M, 53% of the total. The top 5 together took $161.6M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2005 (Jul 24–30).
Jul 29, 2005 US and Canada: $63.9M Rest of the world: $22.4M Worldwide: $86.4M
Jul 29, 2005 US and Canada: $43.9M Rest of the world: $14.3M Worldwide: $58.2M
Jul 28, 2005 US and Canada: – Rest of the world: – Worldwide: $8.3M
Jul 29, 2005 US and Canada: $6.4M Rest of the world: $432.3K Worldwide: $6.8M
Jul 29, 2005 US and Canada: $15.5K Rest of the world: $1.8M Worldwide: $1.8M Of the top 5, The Aristocrats (2005) earned the biggest share at home (94% in the US & Canada), while Oyster Farmer (2005) made 99% of its gross abroad. Across all 5 films, $114.2M (71%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 31 releases took $161.6M. The biggest of these 9 weeks is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
Of these 10 years, Week 31, 2001 earned the most: $520.3M from 4 films, led by Rush Hour 2 (2001). Week 31, 2005 took $161.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 1996 Jul 28–Aug 3 3 films | 3 | $57.1M | – | Matilda (1996) $33.5M |
| Week 31, 1997 Jul 27–Aug 2 3 films · +23% | 3 | $70.3M | +23% | Picture Perfect (1997) $44.3M |
| Week 31, 1998 Jul 26–Aug 1 3 films · +181% | 3 | $197.2M | +181% | Ever After (1998) $98M |
| Week 31, 1999 Jul 25–31 2 films · +57% | 2 | $309.5M | +57% | Runaway Bride (1999) $309.5M |
| Week 31, 2000 Jul 23–29 3 films · −46% | 3 | $168.4M | −46% | Nutty Professor II: The Klumps (2000) $166.3M |
| Week 31, 2001 Jul 29–Aug 4 4 films · +209% | 4 | $520.3M | +209% | Rush Hour 2 (2001) $347.3M |
| Week 31, 2002 Jul 28–Aug 3 5 films · −84% | 5 | $84.3M | −84% | The Master of Disguise (2002) $43.4M |
| Week 31, 2003 Jul 27–Aug 2 7 films · +189% | 7 | $243.4M | +189% | American Wedding (2003) $232.7M |
| Week 31, 2004 Jul 25–31 8 films · −57% | 8 | $105.8M | −57% | Garden State (2004) $35.8M |
| Week 31, 2005 Jul 24–30 5 films · +53% | 5 | $161.6M | +53% | Sky High (2005) $86.4M |
53 weeks of 2005 with reported grosses; the biggest is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Sky High (2005) leads with $86.4M worldwide, $63.9M of it in the US & Canada. Next come Must Love Dogs (2005) at $58.2M and Siegfried (2005) at $8.3M.
5 comedy films released in week 31 of 2005 (Jul 24–30) report a worldwide gross, $161.6M in all, or $32.3M per film on average. Week 30, 2005 releases took $37.6M.
None. The biggest, Sky High (2005), earned $86.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2005 (Jul 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.