#1 of 5 2005 · Comedy, Romance
$19.8M worldwide · 57% of the chart's total
The Perfect Man (2005) is the highest-grossing comedy movie released in week 25 of 2005 (Jun 12–18), with $19.8M worldwide, ahead of Me and You and Everyone We Know (2005) at $8M and Heaven’s Soldiers (2005) at $6.4M. 5 comedy films released that week report a worldwide gross, $34.5M in all, 59% of it from the US & Canada. That is down 93% on Week 24, 2005, whose releases took $520.7M. By language, English leads with $27.8M across 3 comedy releases.
#1 of 5 2005 · Comedy, Romance
$19.8M worldwide · 57% of the chart's total
The Perfect Man (2005) leads with $19.8M, 57% of the total. The top 5 together took $34.5M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 25 of 2005 (Jun 12–18).
Jun 17, 2005 US and Canada: $16.5M Rest of the world: $3.2M Worldwide: $19.8M
Jun 17, 2005 US and Canada: $3.9M Rest of the world: $4.1M Worldwide: $8M
Jun 14, 2005 US and Canada: – Rest of the world: – Worldwide: $6.4M
Jun 17, 2005 US and Canada: – Rest of the world: – Worldwide: $222.7K
Jun 17, 2005 US and Canada: $65.8K Rest of the world: Worldwide: $65.8K Of the top 5, The Talent Given Us (2005) earned the biggest share at home (100% in the US & Canada), while Me and You and Everyone We Know (2005) made 52% of its gross abroad. Across all 5 films, $20.5M (59%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 25 releases took $34.5M. The biggest of these 9 weeks is week 22 (May 22–28) with $742.3M, led by Madagascar (2005).
Of these 10 years, Week 25, 2004 earned the most: $505.6M from 10 films, led by The Terminal (2004). Week 25, 2005 took $34.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 25, 1996 Jun 16–22 1 film | 1 | $2.2M | – | Beautiful Thing (1996) $2.2M |
| Week 25, 1997 Jun 15–21 2 films · +13667% | 2 | $299.6M | +13667% | My Best Friend's Wedding (1997) $299.3M |
| Week 25, 1998 Jun 14–20 2 films · −99% | 2 | $2.2M | −99% | Henry Fool (1998) $1.3M |
| Week 25, 1999 Jun 13–19 1 film · +739% | 1 | $18.5M | +739% | An Ideal Husband (1999) $18.5M |
| Week 25, 2000 Jun 11–17 1 film · +39% | 1 | $25.9M | +39% | Boys and Girls (2000) $25.9M |
| Week 25, 2001 Jun 17–23 3 films · +582% | 3 | $176.3M | +582% | Dr. Dolittle 2 (2001) $176.1M |
| Week 25, 2002 Jun 16–22 4 films · −73% | 4 | $47.6M | −73% | The Spanish Apartment (2002) $33.3M |
| Week 25, 2003 Jun 15–21 5 films · −49% | 5 | $24.4M | −49% | Alex & Emma (2003) $15.4M |
| Week 25, 2004 Jun 13–19 10 films · +1971% | 10 | $505.6M | +1971% | The Terminal (2004) $219.1M |
| Week 25, 2005 Jun 12–18 5 films · −93% | 5 | $34.5M | −93% | The Perfect Man (2005) $19.8M |
53 weeks of 2005 with reported grosses; the biggest is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Perfect Man (2005) leads with $19.8M worldwide, $16.5M of it in the US & Canada. Next come Me and You and Everyone We Know (2005) at $8M and Heaven’s Soldiers (2005) at $6.4M.
5 comedy films released in week 25 of 2005 (Jun 12–18) report a worldwide gross, $34.5M in all, or $6.9M per film on average. Week 24, 2005 releases took $520.7M.
None. The biggest, The Perfect Man (2005), earned $19.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 25 of 2005 (Jun 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.