#1 of 5 2005 · Comedy
$37.2M worldwide · 60% of the chart's total
Beauty Shop (2005) is the highest-grossing comedy movie released in week 14 of 2005 (Mar 27–Apr 2), with $37.2M worldwide, ahead of Look at Me (2005) at $18.7M and Yaji & Kita: The Midnight Pilgrims (2005) at $3.2M. 5 comedy films released that week report a worldwide gross, $62.1M in all, 61% of it from the US & Canada. That is down 70% on Week 13, 2005, whose releases took $204.6M. By language, English leads with $56M across 3 comedy releases.
#1 of 5 2005 · Comedy
$37.2M worldwide · 60% of the chart's total
Beauty Shop (2005) leads with $37.2M, 60% of the total. The top 5 together took $62.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2005 (Mar 27–Apr 2).
Mar 30, 2005 US and Canada: $36.4M Rest of the world: $894.1K Worldwide: $37.2M
Apr 1, 2005 US and Canada: $1.7M Rest of the world: $17M Worldwide: $18.7M
Mar 31, 2005 US and Canada: – Rest of the world: – Worldwide: $2.9M
Apr 1, 2005 US and Canada: $11.5K Rest of the world: Worldwide: $11.5K Of the top 5, Girl Play (2005) earned the biggest share at home (100% in the US & Canada), while Look at Me (2005) made 91% of its gross abroad. Across all 5 films, $38.1M (61%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 14 releases took $62.1M. The biggest of these 9 weeks is week 11 (Mar 6–12) with $355.4M, led by Robots (2005).
Of these 10 years, Week 14, 2000 earned the most: $131.3M from 3 films, led by The Road to El Dorado (2000). Week 14, 2005 took $62.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 1996 Mar 31–Apr 6 3 films | 3 | $37.7M | – | A Thin Line Between Love and Hate (1996) $35.6M |
| Week 14, 1997 Mar 30–Apr 5 3 films · +6% | 3 | $40M | +6% | That Old Feeling (1997) $16.6M |
| Week 14, 1998 Mar 29–Apr 4 1 film · −69% | 1 | $12.2M | −69% | Barney's Great Adventure (1998) $12.2M |
| Week 14, 1999 Mar 28–Apr 3 3 films · +662% | 3 | $93.1M | +662% | 10 Things I Hate About You (1999) $53.7M |
| Week 14, 2000 Mar 26–Apr 1 3 films · +41% | 3 | $131.3M | +41% | The Road to El Dorado (2000) $76.4M |
| Week 14, 2001 Apr 1–7 5 films · −87% | 5 | $17.2M | −87% | Just Visiting (2001) $16.2M |
| Week 14, 2002 Mar 31–Apr 6 6 films · +210% | 6 | $53.3M | +210% | Van Wilder (2002) $38.3M |
| Week 14, 2003 Mar 30–Apr 5 6 films · +20% | 6 | $63.7M | +20% | What a Girl Wants (2003) $50.7M |
| Week 14, 2004 Mar 28–Apr 3 6 films · +55% | 6 | $98.6M | +55% | Walking Tall (2004) $57.2M |
| Week 14, 2005 Mar 27–Apr 2 5 films · −37% | 5 | $62.1M | −37% | Beauty Shop (2005) $37.2M |
53 weeks of 2005 with reported grosses; the biggest is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Beauty Shop (2005) leads with $37.2M worldwide, $36.4M of it in the US & Canada. Next come Look at Me (2005) at $18.7M and Yaji & Kita: The Midnight Pilgrims (2005) at $3.2M.
5 comedy films released in week 14 of 2005 (Mar 27–Apr 2) report a worldwide gross, $62.1M in all, or $12.4M per film on average. Week 13, 2005 releases took $204.6M.
None. The biggest, Beauty Shop (2005), earned $37.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2005 (Mar 27–Apr 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.