#1 of 6 2005 · Drama, Comedy
$42.9M worldwide · 82% of the chart's total
A Lot Like Love (2005) is the highest-grossing comedy movie released in week 17 of 2005 (Apr 17–23), with $42.9M worldwide, ahead of Tapas (2005) at $4.5M and King's Ransom (2005) at $4.1M. 6 comedy films released that week report a worldwide gross, $52.5M in all, 49% of it from the US & Canada. That is up 125% on Week 16, 2005, whose releases took $23.3M. By language, English leads with $47M across 3 comedy releases.
#1 of 6 2005 · Drama, Comedy
$42.9M worldwide · 82% of the chart's total
A Lot Like Love (2005) leads with $42.9M, 82% of the total. The top 5 together took $52.5M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2005 (Apr 17–23).
Apr 22, 2005 US and Canada: $21.8M Rest of the world: $21M Worldwide: $42.9M
Apr 23, 2005 US and Canada: – Rest of the world: – Worldwide: $4.5M
Apr 22, 2005 US and Canada: $4M Rest of the world: $135.1K Worldwide: $4.1M
Apr 22, 2005 US and Canada: – Rest of the world: – Worldwide: $903.4K
Apr 19, 2005 US and Canada: – Rest of the world: – Worldwide: $96K
Apr 22, 2005 US and Canada: $16K Rest of the world: Worldwide: $16K Of the top 6, Night of Henna (2005) earned the biggest share at home (100% in the US & Canada), while A Lot Like Love (2005) made 49% of its gross abroad. Across all 6 films, $25.9M (49%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 17 releases took $52.5M. The biggest of these 9 weeks is week 11 (Mar 6–12) with $355.4M, led by Robots (2005).
Of these 10 years, Week 17, 2004 earned the most: $114.5M from 6 films, led by 13 Going on 30 (2004). Week 17, 2005 took $52.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 1996 Apr 21–27 3 films | 3 | $60M | – | The Truth About Cats & Dogs (1996) $34.9M |
| Week 17, 1997 Apr 20–26 1 film · −51% | 1 | $29.2M | −51% | Romy and Michele's High School Reunion (1997) $29.2M |
| Week 17, 1998 Apr 19–25 4 films · +40% | 4 | $41M | +40% | The Big Hit (1998) $27M |
| Week 17, 1999 Apr 18–24 3 films · −27% | 3 | $29.9M | −27% | Election (1999) $14.9M |
| Week 17, 2000 Apr 16–22 2 films · −86% | 2 | $4M | −86% | Erkan & Stefan (2000) $4M |
| Week 17, 2001 Apr 22–28 3 films · +500% | 3 | $24.3M | +500% | One Night at McCool's (2001) $13.6M |
| Week 17, 2002 Apr 21–27 6 films · +24% | 6 | $30M | +24% | Life or Something Like It (2002) $16.9M |
| Week 17, 2003 Apr 20–26 2 films · −98% | 2 | $512.6K | −98% | Boredom in Brno (2003) $508.3K |
| Week 17, 2004 Apr 18–24 6 films · +22237% | 6 | $114.5M | +22237% | 13 Going on 30 (2004) $96.5M |
| Week 17, 2005 Apr 17–23 6 films · −54% | 6 | $52.5M | −54% | A Lot Like Love (2005) $42.9M |
53 weeks of 2005 with reported grosses; the biggest is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
A Lot Like Love (2005) leads with $42.9M worldwide, $21.8M of it in the US & Canada. Next come Tapas (2005) at $4.5M and King's Ransom (2005) at $4.1M.
6 comedy films released in week 17 of 2005 (Apr 17–23) report a worldwide gross, $52.5M in all, or $8.8M per film on average. Week 16, 2005 releases took $23.3M.
None. The biggest, A Lot Like Love (2005), earned $42.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2005 (Apr 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.