#1 of 12 #1 romance movie of Week 11, 2018
2018 · Drama, Comedy
$66.7M worldwide · 62% of the chart's total
$40.8M US & Canada · 61% $25.9M elsewhere · 39%
Romance box office · Week 11 · Mar 11–17, 2018
Romance Box Office, Week 11 of 2018: Romance Releases of Mar 11–17
Love, Simon (2018) is the highest-grossing romance movie released in week 11 of 2018 (Mar 11–17), with $66.7M worldwide, ahead of Be with You (2018) at $19.7M and Chihayafuru: Part III (2018) at $13.6M. 12 romance films released that week report a worldwide gross, $108.4M in all, 38% of it from the US & Canada. That is 9.4 times the total of Week 10, 2018, whose releases took $11.5M. By language, English leads with $67.1M across 4 romance releases.
- week 11 releases with a gross
- 12
- combined worldwide
- $108.4M
- Love, Simon (2018), the #1
- $66.7M
- vs Week 10, 2018
- ×9.4
#1 of 12 Top 5
What Were the Biggest Romance Hits of Week 11 of 2018?
Love, Simon (2018) leads with $66.7M, 62% of the total. The top 5 together took $107.4M, 99% of what all 12 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Romance Release of Week 11 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2018 (Mar 11–17).
- 1 Mar 16, 2018 US and Canada: $40.8M Rest of the world: $25.9M Worldwide: $66.7M
- 2 Mar 14, 2018 US and Canada: – Rest of the world: – Worldwide: $19.7M
- 3 Mar 17, 2018 US and Canada: – Rest of the world: – Worldwide: $13.6M
- 4 Mar 17, 2018 US and Canada: – Rest of the world: – Worldwide: $5.5M
- 5 Mar 14, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8M
- 6
Mar 15, 2018 US and Canada: – Rest of the world: – Worldwide: $596.6K - 7
Mar 16, 2018 US and Canada: $202.8K Rest of the world: Worldwide: $202.8K - 8
Mar 13, 2018 US and Canada: – Rest of the world: – Worldwide: $161.8K - 9
Mar 14, 2018 US and Canada: – Rest of the world: – Worldwide: $49.4K - 10
Mar 16, 2018 US and Canada: – Rest of the world: – Worldwide: $23K - 11
Mar 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1K - 12
Mar 16, 2018 US and Canada: – Rest of the world: – Worldwide: $39
Gross bands
How Many Week 11 of 2018 Releases Crossed $100 Million?
None of the 12 films reached $100M. 9 films, 75% of the list, earned under $10M. Each band shows its films and its share of the $108.4M total.
92%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 3 films, 25% of the list $100.1M · 92% of the gross
- Under $10M 9 films, 75% of the list $8.3M · 8% of the gross
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $108.4M. The biggest of these 9 weeks is week 6 (Feb 4–10) with $383.1M, led by Fifty Shades Freed (2018).
- Week 5 Wk 5 Jan 28–Feb 3 On Body and Soul (2018) $3.9M On Body and Soul (2018)
- Week 6 Wk 6 Feb 4–10 Fifty Shades Freed (2018) $383.1M Fifty Shades Freed (2018)
- Week 7 Wk 7 Feb 11–17 Ice (2018) $35.3M Ice (2018)
- Week 8 Wk 8 Feb 18–24 Sonu Ke Titu Ki Sweety (2018) $29.8M Sonu Ke Titu Ki Sweety (2018)
- Week 9 Wk 9 Feb 25–Mar 3 The Princess and the Matchmaker (2018) $10.1M The Princess and the Matchmaker (2018)
- Week 10 Wk 10 Mar 4–10 The Leisure Seeker (2018) $11.5M The Leisure Seeker (2018)
- Week 11 Wk 11 Mar 11–17 Love, Simon (2018) $108.4M Love, Simon (2018)
- Week 12 Wk 12 Mar 18–24 Midnight Sun (2018) $37.3M Midnight Sun (2018)
- Week 13 Wk 13 Mar 25–31 Finding Your Feet (2018) $24.7M Finding Your Feet (2018)
Earlier years
How Does Week 11 of 2018 Compare With Earlier Years?
Of these 10 years, Week 11, 2017 earned the most: $1.3B from 5 films, led by Beauty and the Beast (2017). Week 11, 2018 took $108.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2009 Mar 8–14 3 films | 3 | $8.4M | – | The Edge of Love (2009) $4.3M |
| Week 11, 2010 Mar 7–13 6 films · +1465% | 6 | $130.7M | +1465% | Remember Me (2010) $56M |
| Week 11, 2011 Mar 6–12 2 films · −71% | 2 | $37.5M | −71% | Jane Eyre (2011) $34.7M |
| Week 11, 2012 Mar 11–17 3 films · +64% | 3 | $61.6M | +64% | We Were There: First Love (2012) $49.7M |
| Week 11, 2013 Mar 10–16 4 films · −61% | 4 | $23.9M | −61% | Upside Down (2013) $22.2M |
| Week 11, 2014 Mar 9–15 7 films · +252% | 7 | $83.9M | +252% | Spanish Affair (2014) $78.8M |
| Week 11, 2015 Mar 8–14 4 films · −88% | 4 | $9.8M | −88% | Guilty (2015) $6.9M |
| Week 11, 2016 Mar 6–12 6 films · +169% | 6 | $26.3M | +169% | Hello, My Name Is Doris (2016) $14.7M |
| Week 11, 2017 Mar 12–18 5 films · +4738% | 5 | $1.3B | +4738% | Beauty and the Beast (2017) $1.3B |
| Week 11, 2018 Mar 11–17 12 films · −91% | 12 | $108.4M | −91% | Love, Simon (2018) $66.7M |
By language
Which Languages Do the Biggest Romance Movies Speak in Week 11 of 2018?
English-language romance films took $67.1M across 4 films, 62% of the total, ahead of Korean-language romance films ($21.5M) and Japanese-language romance films ($13.6M).
Week 11 of 2018 Romance Box Office by Language
-
English $67.1M4 films · #1 Love, Simon (2018) -
Korean $21.5M2 films · #1 Be with You (2018) -
Japanese $13.6M1 film · #1 Chihayafuru: Part III (2018) -
French $5.5M1 film · #1 Love Addict (2018) -
Slovak $596.6K1 film · #1 Backstage (2018) -
Tagalog $49.4K1 film · #1 My Perfect You (2018) -
Telugu $23K1 film · #1 Kirrak Party (2018) -
Spanish $1K1 film · #1 We Are Thr3e (2018)
Archive
Romance Box Office in 2018, Week by Week
51 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $447.5M, led by A Star Is Born (2018).
- Week 1 $46.2M
- Week 2 $11.3K
- Week 3 $38.8M
- Week 4 $70.3M
- Week 5 $3.9M
- Week 6 $383.1M
- Week 7 $35.3M
- Week 8 $29.8M
- Week 9 $10.1M
- Week 10 $11.5M
- Week 11 $108.4M
- Week 12 $37.3M
- Week 13 $24.7M
- Week 14 $2.5M
- Week 15 $5.3M
- Week 16 $1.9M
- Week 17 $73M
- Week 18 $92.6M
- Week 19 $6.1M
- Week 20 $121.4M
- Week 21 $10.1M
- Week 22 $75.9M
- Week 23 $4.5M
- Week 24 $127.4K
- Week 25 No grosses
- Week 26 $3.5M
- Week 27 $25.7M
- Week 28 $4.8M
- Week 29 $407.4M
- Week 30 $856.2K
- Week 31 $12.1M
- Week 32 $23.1M
- Week 33 $245.6M
- Week 34 $22.4M
- Week 35 $4.8M
- Week 36 $3.6M
- Week 37 $3.6M
- Week 38 $9.7M
- Week 39 $946.8K
- Week 40 $447.5M
- Week 41 $148.6M
- Week 42 $28.8M
- Week 43 $2.2M
- Week 44 $39.5M
- Week 45 $21.6M
- Week 46 $76.6M
- Week 47 $3.1M
- Week 48 $8.5M
- Week 49 $20.8M
- Week 50 $22.2M
- Week 51 $112.2M
- Week 52 $30.6M
- Week 53 No grosses
FAQ
Romance Box Office Week 11 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 12 films as the chart.
What is the highest-grossing romance movie in week 11 of 2018 (Mar 11–17)?
Love, Simon (2018) leads with $66.7M worldwide, $40.8M of it in the US & Canada. Next come Be with You (2018) at $19.7M and Chihayafuru: Part III (2018) at $13.6M.
How much did romance movies released in week 11 of 2018 (Mar 11–17) earn?
12 romance films released in week 11 of 2018 (Mar 11–17) report a worldwide gross, $108.4M in all, or $9M per film on average. Week 10, 2018 releases took $11.5M.
How many romance movies released in week 11 of 2018 (Mar 11–17) made $1 billion?
None. The biggest, Love, Simon (2018), earned $66.7M.
How is the week 11, 2018 romance box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2018 (Mar 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2018 romance box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.