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Romance box office · Week 17 · Apr 22–28, 2018

Romance Box Office, Week 17 of 2018: Romance Releases of Apr 22–28

The Cat Returns (2002) is the highest-grossing romance movie released in week 17 of 2018 (Apr 22–28), with $54.7M worldwide, ahead of Disobedience (2018) at $8M and My Little Monster (2018) at $4.3M. 8 romance films released that week report a worldwide gross, $73M in all, 7% of it from the US & Canada. That is 38.9 times the total of Week 16, 2018, whose releases took $1.9M. By language, Japanese leads with $59M across 2 romance releases.

week 17 releases with a gross
8
combined worldwide
$73M
The Cat Returns (2002), the #1
$54.7M
vs Week 16, 2018
×38.9
The Cat Returns (2002) movie poster #1 of 8
#1 romance movie of Week 17, 2018

The Cat Returns (2002)

2018 · Adventure, Fantasy

$54.7M worldwide · 75% of the chart's total

$563.7K US & Canada · 1% $54.1M elsewhere · 99%
Top 5

What Were the Biggest Romance Hits of Week 17 of 2018?

The Cat Returns (2002) leads with $54.7M, 75% of the total. The top 5 together took $72.1M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The Cat Returns (2002) movie poster Number 1
    $54.7M The Cat Returns (2002)
    $563.7K US & Canada · 1% $54.1M elsewhere · 99%
  2. Disobedience (2018) movie poster Number 2
    $8M Disobedience (2018)
    $3.5M US & Canada · 44% $4.5M elsewhere · 56%
  3. My Little Monster (2018) movie poster Number 3
    $4.3M My Little Monster (2018)
    No US & Canada figure reported
  4. Let the Sunshine In (2018) movie poster Number 4
    $4.2M Let the Sunshine In (2018)
    $892.4K US & Canada · 21% $3.3M elsewhere · 79%
  5. Your Mother Should Know (2018) movie poster Number 5
    $945.7K Your Mother Should Know (2018)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Romance Release of Week 17 of 2018, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2018 (Apr 22–28).

  1. 1 The Cat Returns (2002) movie poster
    The Cat Returns (2002) Apr 22, 2018 · Japanese · Adventure, Fantasy, Comedy $54.7M worldwide
    Apr 22, 2018 US and Canada: $563.7K Rest of the world: $54.1M Worldwide: $54.7M
  2. 2 Disobedience (2018) movie poster
    Disobedience (2018) Apr 27, 2018 · English · Drama, Romance $8M worldwide
    Apr 27, 2018 US and Canada: $3.5M Rest of the world: $4.5M Worldwide: $8M
  3. 3 My Little Monster (2018) movie poster
    My Little Monster (2018) Apr 27, 2018 · Japanese · Comedy, Drama, Romance $4.3M worldwide
    Apr 27, 2018 US and Canada: – Rest of the world: – Worldwide: $4.3M
  4. 4 Let the Sunshine In (2018) movie poster
    Let the Sunshine In (2018) Apr 27, 2018 · French · Drama, Comedy, Romance $4.2M worldwide
    Apr 27, 2018 US and Canada: $892.4K Rest of the world: $3.3M Worldwide: $4.2M
  5. 5 Your Mother Should Know (2018) movie poster
    Your Mother Should Know (2018) Apr 26, 2018 · Dutch · Romance, Comedy, Drama $945.7K worldwide
    Apr 26, 2018 US and Canada: – Rest of the world: – Worldwide: $945.7K
  6. 6 Kings (2018) movie poster
    Kings (2018) Apr 27, 2018 · English · Drama, Thriller, Romance $910.3K worldwide
    Apr 27, 2018 US and Canada: $274.6K Rest of the world: $635.6K Worldwide: $910.3K
  7. 7 Duck Butter (2018) movie poster
    Duck Butter (2018) Apr 27, 2018 · English · Drama, Comedy, Romance $6.9K worldwide
    Apr 27, 2018 US and Canada: $6.9K Rest of the world: Worldwide: $6.9K
  8. 8 Modern Life Is Rubbish (2018) movie poster
    Modern Life Is Rubbish (2018) Apr 27, 2018 · English · Comedy, Romance, Music $4.2K worldwide
    Apr 27, 2018 US and Canada: – Rest of the world: – Worldwide: $4.2K
US & Canada vs the world

Where Did the Money Come From in Week 17 of 2018?

Of the top 8, Duck Butter (2018) earned the biggest share at home (100% in the US & Canada), while The Cat Returns (2002) made 99% of its gross abroad. Across all 8 films, $5.2M (7%) came from the US & Canada. 3 films of the top 8 report no US & Canada figure.

  1. 1 The Cat Returns (2002) $54.7M
    $563.7K US & Canada · 1% $54.1M elsewhere · 99%
  2. 2 Disobedience (2018) $8M
    $3.5M US & Canada · 44% $4.5M elsewhere · 56%
  3. 3 My Little Monster (2018) $4.3M
    No US & Canada figure reported
  4. 4 Let the Sunshine In (2018) $4.2M
    $892.4K US & Canada · 21% $3.3M elsewhere · 79%
  5. 5 Your Mother Should Know (2018) $945.7K
    No US & Canada figure reported
  6. 6 Kings (2018) $910.3K
    $274.6K US & Canada · 30% $635.6K elsewhere · 70%
  7. 7 Duck Butter (2018) $6.9K
    $6.9K US & Canada · 100% elsewhere · 0%
  8. 8 Modern Life Is Rubbish (2018) $4.2K
    No US & Canada figure reported
Earlier years

How Does Week 17 of 2018 Compare With Earlier Years?

Of these 10 years, Week 17, 2014 earned the most: $310.9M from 8 films, led by The Other Woman (2014). Week 17, 2018 took $73M.

Week Films Worldwide Change Biggest film
Week 17, 2009 Apr 19–25 5 films 5 $510.8K – My Last Five Girlfriends (2009) $257.3K
Week 17, 2010 Apr 18–24 3 films · +16165% 3 $83.1M +16165% The Back-up Plan (2010) $77.5M
Week 17, 2011 Apr 17–23 3 films · −100% 3 $253.8K −100% Mr. Perfect (2011) $211.9K
Week 17, 2012 Apr 22–28 5 films · +24922% 5 $63.5M +24922% The Five-Year Engagement (2012) $54.2M
Week 17, 2013 Apr 21–27 3 films · +122% 3 $140.8M +122% So Young (2013) $114.9M
Week 17, 2014 Apr 20–26 8 films · +121% 8 $310.9M +121% The Other Woman (2014) $196.7M
Week 17, 2015 Apr 19–25 3 films · −54% 3 $143.7M −54% The Left Ear (2015) $78M
Week 17, 2016 Apr 17–23 5 films · −69% 5 $44.2M −69% Yesterday Once More (2016) $27.4M
Week 17, 2017 Apr 23–29 6 films · +38% 6 $61M +38% This Is Not What I Expected (2017) $31M
Week 17, 2018 Apr 22–28 8 films · +20% 8 $73M +20% The Cat Returns (2002) $54.7M
By language

Which Languages Do the Biggest Romance Movies Speak in Week 17 of 2018?

Japanese-language romance films took $59M across 2 films, 81% of the total, ahead of English-language romance films ($8.9M) and French-language romance films ($4.2M).

Week 17 of 2018 Romance Box Office by Language

  1. 2 films · #1 The Cat Returns (2002)
  2. English $8.9M
    4 films · #1 Disobedience (2018)
  3. French $4.2M
    1 film · #1 Let the Sunshine In (2018)
  4. Dutch $945.7K
    1 film · #1 Your Mother Should Know (2018)
FAQ

Romance Box Office Week 17 of 2018: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.

What is the highest-grossing romance movie in week 17 of 2018 (Apr 22–28)?

The Cat Returns (2002) leads with $54.7M worldwide, $563.7K of it in the US & Canada. Next come Disobedience (2018) at $8M and My Little Monster (2018) at $4.3M.

How much did romance movies released in week 17 of 2018 (Apr 22–28) earn?

8 romance films released in week 17 of 2018 (Apr 22–28) report a worldwide gross, $73M in all, or $9.1M per film on average. Week 16, 2018 releases took $1.9M.

How many romance movies released in week 17 of 2018 (Apr 22–28) made $1 billion?

None. The biggest, The Cat Returns (2002), earned $54.7M.

How much of the Week 17, 2018 Romance box office came from the US and Canada?

$5.2M of the $73M total, or 7%, was earned in the US & Canada (the domestic market); the rest came from other countries. 3 films of the 8 report no domestic figure.

How is the week 17, 2018 romance box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2018 (Apr 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 17, 2018 romance box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.