#1 of 7 2018 · Romance, History
$1.9M worldwide · 54% of the chart's total
The Butler (2018) is the highest-grossing romance movie released in week 37 of 2018 (Sep 9–15), with $1.9M worldwide, ahead of Mitron (2018) at $698.6K and Seemaraja (2018) at $362.6K. 7 romance films released that week report a worldwide gross, $3.6M in all, 8% of it from the US & Canada. That is down 1% on Week 36, 2018, whose releases took $3.6M. By language, Polish leads with $1.9M across 1 romance release.
#1 of 7 2018 · Romance, History
$1.9M worldwide · 54% of the chart's total
The Butler (2018) leads with $1.9M, 54% of the total. The top 5 together took $3.5M, 97% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2018 (Sep 9–15).
Sep 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1.9M
Sep 14, 2018 US and Canada: – Rest of the world: – Worldwide: $698.6K
Sep 13, 2018 US and Canada: – Rest of the world: – Worldwide: $362.6K
Sep 14, 2018 US and Canada: $125.6K Rest of the world: $232.5K Worldwide: $358K
Sep 14, 2018 US and Canada: $67.7K Rest of the world: $60.5K Worldwide: $128.3K
Sep 14, 2018 US and Canada: $112.6K Rest of the world: Worldwide: $112.6K
Sep 9, 2018 US and Canada: – Rest of the world: – Worldwide: $11.1K Of the top 7, A Boy. A Girl. A Dream. (2018) earned the biggest share at home (100% in the US & Canada), while Bel Canto (2018) made 65% of its gross abroad. Across all 7 films, $305.9K (8%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 37 releases took $3.6M. The biggest of these 9 weeks is week 33 (Aug 12–18) with $245.6M, led by Crazy Rich Asians (2018).
Of these 10 years, Week 37, 2010 earned the most: $48.4M from 4 films, led by Heartbreaker (2010). Week 37, 2018 took $3.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2009 Sep 6–12 2 films | 2 | $5.7M | – | Mr. Nobody (2009) $3.6M |
| Week 37, 2010 Sep 5–11 4 films · +748% | 4 | $48.4M | +748% | Heartbreaker (2010) $48M |
| Week 37, 2011 Sep 4–10 7 films · −86% | 7 | $6.7M | −86% | Pain (2011) $4.4M |
| Week 37, 2012 Sep 9–15 4 films · −24% | 4 | $5.1M | −24% | Barfi! (2012) $4.5M |
| Week 37, 2013 Sep 8–14 5 films · +360% | 5 | $23.2M | +360% | Grand Masti (2013) $13.5M |
| Week 37, 2014 Sep 7–13 5 films · −63% | 5 | $8.6M | −63% | Finding Fanny (2014) $7.7M |
| Week 37, 2015 Sep 6–12 4 films · +176% | 4 | $23.8M | +176% | The Beauty Inside (2015) $14.3M |
| Week 37, 2016 Sep 4–10 9 films · −7% | 9 | $22.2M | −7% | Your Lie in April (2016) $11.5M |
| Week 37, 2017 Sep 10–16 4 films · −79% | 4 | $4.7M | −79% | Simran (2017) $2.7M |
| Week 37, 2018 Sep 9–15 7 films · −23% | 7 | $3.6M | −23% | The Butler (2018) $1.9M |
51 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $447.5M, led by A Star Is Born (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Butler (2018) leads with $1.9M worldwide. Next come Mitron (2018) at $698.6K and Seemaraja (2018) at $362.6K.
7 romance films released in week 37 of 2018 (Sep 9–15) report a worldwide gross, $3.6M in all, or $514.3K per film on average. Week 36, 2018 releases took $3.6M.
None. The biggest, The Butler (2018), earned $1.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2018 (Sep 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.