#1 of 9 2018 · Romance, Comedy
$26.1M worldwide · 91% of the chart's total
Badhaai Ho (2018) is the highest-grossing romance movie released in week 42 of 2018 (Oct 14–20), with $26.1M worldwide, ahead of Namaste England (2018) at $1.6M and None Like Us (2018) at $512.7K. 9 romance films released that week report a worldwide gross, $28.8M in all, <1% of it from the US & Canada. That is down 81% on Week 41, 2018, whose releases took $148.6M. By language, Hindi leads with $27.8M across 2 romance releases.
#1 of 9 2018 · Romance, Comedy
$26.1M worldwide · 91% of the chart's total
Badhaai Ho (2018) leads with $26.1M, 91% of the total. The top 5 together took $28.7M, 99% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2018 (Oct 14–20).
Oct 19, 2018 US and Canada: – Rest of the world: – Worldwide: $26.1M
Oct 19, 2018 US and Canada: $104.2K Rest of the world: $1.5M Worldwide: $1.6M
Oct 18, 2018 US and Canada: – Rest of the world: – Worldwide: $512.7K
Oct 18, 2018 US and Canada: – Rest of the world: – Worldwide: $276.5K
Oct 18, 2018 US and Canada: – Rest of the world: – Worldwide: $118.3K
Oct 19, 2018 US and Canada: – Rest of the world: – Worldwide: $97.5K
Oct 14, 2018 US and Canada: – Rest of the world: – Worldwide: $25.1K
Oct 18, 2018 US and Canada: – Rest of the world: – Worldwide: $21.2K
Week 42 releases took $28.8M. The biggest of these 9 weeks is week 40 (Sep 30–Oct 6) with $447.5M, led by A Star Is Born (2018).
Of these 10 years, Week 42, 2014 earned the most: $140.6M from 6 films, led by The Book of Life (2014). Week 42, 2018 took $28.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2009 Oct 11–17 4 films | 4 | $18.6M | – | New York, I Love You (2009) $10M |
| Week 42, 2010 Oct 10–16 5 films · −76% | 5 | $4.5M | −76% | Samson and Delilah (2010) $2.5M |
| Week 42, 2011 Oct 9–15 4 films · +82% | 4 | $8.3M | +82% | Chalet Girl (2011) $5.5M |
| Week 42, 2012 Oct 14–20 5 films · +35% | 5 | $11.2M | +35% | My Worst Nightmare (2012) $8.2M |
| Week 42, 2013 Oct 13–19 2 films · −61% | 2 | $4.4M | −61% | I'm in Love with a Church Girl (2013) $2.5M |
| Week 42, 2014 Oct 12–18 6 films · +3110% | 6 | $140.6M | +3110% | The Book of Life (2014) $99.8M |
| Week 42, 2015 Oct 11–17 4 films · −33% | 4 | $94.5M | −33% | Crimson Peak (2015) $74.7M |
| Week 42, 2016 Oct 9–15 3 films · −98% | 3 | $1.5M | −98% | Priceless (2016) $1.5M |
| Week 42, 2017 Oct 15–21 4 films · +2058% | 4 | $32.7M | +2058% | A Silent Voice (2017) $30.8M |
| Week 42, 2018 Oct 14–20 9 films · −12% | 9 | $28.8M | −12% | Badhaai Ho (2018) $26.1M |
Hindi-language romance films took $27.8M across 2 films, 96% of the total, ahead of Italian-language romance films ($512.7K) and Cantonese-language romance films ($276.5K).
51 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $447.5M, led by A Star Is Born (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Badhaai Ho (2018) leads with $26.1M worldwide. Next come Namaste England (2018) at $1.6M and None Like Us (2018) at $512.7K.
9 romance films released in week 42 of 2018 (Oct 14–20) report a worldwide gross, $28.8M in all, or $3.2M per film on average. Week 41, 2018 releases took $148.6M.
None. The biggest, Badhaai Ho (2018), earned $26.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2018 (Oct 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.