#1 of 4 #1 romance movie of Week 11, 2015
2015 · Crime, Horror
$6.9M worldwide · 70% of the chart's total
$342.4K US & Canada · 5% $6.5M elsewhere · 95%
Romance box office · Week 11 · Mar 8–14, 2015
Romance Box Office, Week 11 of 2015: Romance Releases of Mar 8–14
Guilty (2015) is the highest-grossing romance movie released in week 11 of 2015 (Mar 8–14), with $6.9M worldwide, ahead of Strobe Edge (2015) at $2.8M and The Lovers (2015) at $66.4K. 4 romance films released that week report a worldwide gross, $9.8M in all, 3% of it from the US & Canada. That is down 44% on Week 10, 2015, whose releases took $17.5M.
- week 11 releases with a gross
- 4
- combined worldwide
- $9.8M
- Guilty (2015), the #1
- $6.9M
- vs Week 10, 2015
- −44%
#1 of 4 Top 4
What Were the Biggest Romance Hits of Week 11 of 2015?
Guilty (2015) leads with $6.9M, 70% of the total. The top 4 together took $9.8M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Romance Release of Week 11 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2015 (Mar 8–14).
- 1 Mar 12, 2015 US and Canada: $342.4K Rest of the world: $6.5M Worldwide: $6.9M
- 2 Mar 14, 2015 US and Canada: – Rest of the world: – Worldwide: $2.8M
- 3 Mar 13, 2015 US and Canada: – Rest of the world: – Worldwide: $66.4K
- 4 Mar 10, 2015 US and Canada: – Rest of the world: – Worldwide: $514
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $9.8M. The biggest of these 9 weeks is week 7 (Feb 8–14) with $623.8M, led by Fifty Shades of Grey (2015).
- Week 5 Wk 5 Jan 25–31 The Gigolo (2015) $1M The Gigolo (2015)
- Week 6 Wk 6 Feb 1–7 Love, Rosie (2015) $30.6M Love, Rosie (2015)
- Week 7 Wk 7 Feb 8–14 Fifty Shades of Grey (2015) $623.8M Fifty Shades of Grey (2015)
- Week 8 Wk 8 Feb 15–21 Triumph in the Skies (2015) $49.2M Triumph in the Skies (2015)
- Week 9 Wk 9 Feb 22–28 Focus (2015) $159.8M Focus (2015)
- Week 10 Wk 10 Mar 1–7 Off Course (2015) $17.5M Off Course (2015)
- Week 11 Wk 11 Mar 8–14 Guilty (2015) $9.8M Guilty (2015)
- Week 12 Wk 12 Mar 15–21 The Divergent Series: Insurgent (2015) $297.4M The Divergent Series: Insurgent (2015)
- Week 13 Wk 13 Mar 22–28 No reported grosses – No reported grosses
Earlier years
How Does Week 11 of 2015 Compare With Earlier Years?
Of these 10 years, Week 11, 2010 earned the most: $130.7M from 6 films, led by Remember Me (2010). Week 11, 2015 took $9.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2006 Mar 12–18 4 films | 4 | $62.4M | – | She's the Man (2006) $57.2M |
| Week 11, 2007 Mar 11–17 5 films · −75% | 5 | $15.8M | −75% | I Think I Love My Wife (2007) $13.4M |
| Week 11, 2008 Mar 9–15 4 films · −72% | 4 | $4.5M | −72% | Modern Love (2008) $2.2M |
| Week 11, 2009 Mar 8–14 3 films · +86% | 3 | $8.4M | +86% | The Edge of Love (2009) $4.3M |
| Week 11, 2010 Mar 7–13 6 films · +1465% | 6 | $130.7M | +1465% | Remember Me (2010) $56M |
| Week 11, 2011 Mar 6–12 2 films · −71% | 2 | $37.5M | −71% | Jane Eyre (2011) $34.7M |
| Week 11, 2012 Mar 11–17 3 films · +64% | 3 | $61.6M | +64% | We Were There: First Love (2012) $49.7M |
| Week 11, 2013 Mar 10–16 4 films · −61% | 4 | $23.9M | −61% | Upside Down (2013) $22.2M |
| Week 11, 2014 Mar 9–15 7 films · +252% | 7 | $83.9M | +252% | Spanish Affair (2014) $78.8M |
| Week 11, 2015 Mar 8–14 4 films · −88% | 4 | $9.8M | −88% | Guilty (2015) $6.9M |
Archive
Romance Box Office in 2015, Week by Week
52 weeks of 2015 with reported grosses; the biggest is week 7 (Feb 8–14) with $623.8M, led by Fifty Shades of Grey (2015).
- Week 1 $1.2M
- Week 2 $2.4M
- Week 3 $100.5M
- Week 4 $3.1M
- Week 5 $1M
- Week 6 $30.6M
- Week 7 $623.8M
- Week 8 $49.2M
- Week 9 $159.8M
- Week 10 $17.5M
- Week 11 $9.8M
- Week 12 $297.4M
- Week 13 No grosses
- Week 14 $9.8M
- Week 15 $77.2M
- Week 16 $28.1M
- Week 17 $143.7M
- Week 18 $90.3M
- Week 19 $17.8M
- Week 20 $13.3M
- Week 21 $7.9M
- Week 22 $32.4M
- Week 23 $18.1M
- Week 24 $48.1K
- Week 25 $6M
- Week 26 $17.7M
- Week 27 $13.7M
- Week 28 $2.5M
- Week 29 $186.9M
- Week 30 $90.2M
- Week 31 $20.8M
- Week 32 $29.2M
- Week 33 $3.9M
- Week 34 $48M
- Week 35 $23.5M
- Week 36 $9.4M
- Week 37 $23.8M
- Week 38 $21.3M
- Week 39 $19.1M
- Week 40 $236.2M
- Week 41 $2.9M
- Week 42 $94.5M
- Week 43 $16.5M
- Week 44 $13.8M
- Week 45 $85.8M
- Week 46 $94.5M
- Week 47 $135.2M
- Week 48 $82.8M
- Week 49 $42M
- Week 50 $19.6M
- Week 51 $11.4M
- Week 52 $28.2M
- Week 53 $6.4M
FAQ
Romance Box Office Week 11 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing romance movie in week 11 of 2015 (Mar 8–14)?
Guilty (2015) leads with $6.9M worldwide, $342.4K of it in the US & Canada. Next come Strobe Edge (2015) at $2.8M and The Lovers (2015) at $66.4K.
How much did romance movies released in week 11 of 2015 (Mar 8–14) earn?
4 romance films released in week 11 of 2015 (Mar 8–14) report a worldwide gross, $9.8M in all, or $2.4M per film on average. Week 10, 2015 releases took $17.5M.
How many romance movies released in week 11 of 2015 (Mar 8–14) made $1 billion?
None. The biggest, Guilty (2015), earned $6.9M.
How is the week 11, 2015 romance box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2015 (Mar 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2015 romance box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.