#1 of 8 2015 · Romance, Comedy
$228.1M worldwide · 97% of the chart's total
Goodbye Mr. Loser (2015) is the highest-grossing romance movie released in week 40 of 2015 (Sep 27–Oct 3), with $228.1M worldwide, ahead of May Who? (2015) at $2.2M and Etiquette for Mistresses (2015) at $2M. 8 romance films released that week report a worldwide gross, $236.2M in all, <1% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 12.4 times the total of Week 39, 2015, whose releases took $19.1M. By language, Chinese leads with $228.1M across 1 romance release.
#1 of 8 2015 · Romance, Comedy
$228.1M worldwide · 97% of the chart's total
Goodbye Mr. Loser (2015) leads with $228.1M, 97% of the total. The top 5 together took $235.6M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 2015 (Sep 27–Oct 3).
Sep 30, 2015 US and Canada: $1.3M Rest of the world: $226.8M Worldwide: $228.1M
Oct 1, 2015 US and Canada: – Rest of the world: – Worldwide: $2.2M
Sep 30, 2015 US and Canada: – Rest of the world: – Worldwide: $2M
Oct 1, 2015 US and Canada: – Rest of the world: – Worldwide: $1.8M
Oct 2, 2015 US and Canada: $546.2K Rest of the world: $901.1K Worldwide: $1.4M
Sep 30, 2015 US and Canada: – Rest of the world: – Worldwide: $376.5K
Sep 30, 2015 US and Canada: – Rest of the world: – Worldwide: $209K
Oct 1, 2015 US and Canada: – Rest of the world: – Worldwide: $26.4K Week 40 releases took $236.2M. The biggest of these 9 weeks is week 40 (Sep 27–Oct 3) with $236.2M, led by Goodbye Mr. Loser (2015).
Of these 10 years, Week 40, 2008 earned the most: $271.6M from 9 films, led by Beverly Hills Chihuahua (2008). Week 40, 2015 took $236.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 2006 Oct 1–7 7 films | 7 | $61.2M | – | Employee of the Month (2006) $38.5M |
| Week 40, 2007 Sep 30–Oct 6 7 films · +128% | 7 | $139.7M | +128% | The Heartbreak Kid (2007) $128.5M |
| Week 40, 2008 Sep 28–Oct 4 9 films · +94% | 9 | $271.6M | +94% | Beverly Hills Chihuahua (2008) $149.3M |
| Week 40, 2009 Sep 27–Oct 3 3 films · −86% | 3 | $36.7M | −86% | The Invention of Lying (2009) $32.4M |
| Week 40, 2010 Sep 26–Oct 2 4 films · +30% | 4 | $47.5M | +30% | Let Me In (2010) $27.1M |
| Week 40, 2011 Sep 25–Oct 1 4 films · −88% | 4 | $5.8M | −88% | The Phantom of the Opera at the Royal Albert Hall (2011) $5.3M |
| Week 40, 2012 Sep 30–Oct 6 5 films · +21% | 5 | $7M | +21% | Almost Perfect (2012) $2.6M |
| Week 40, 2013 Sep 29–Oct 5 6 films · +119% | 6 | $15.3M | +119% | Pulling Strings (2013) $13.7M |
| Week 40, 2014 Sep 28–Oct 4 8 films · +266% | 8 | $56.1M | +266% | Bang Bang! (2014) $42M |
| Week 40, 2015 Sep 27–Oct 3 8 films · +321% | 8 | $236.2M | +321% | Goodbye Mr. Loser (2015) $228.1M |
Chinese-language romance films took $228.1M across 1 film, 97% of the total, ahead of English-language romance films ($3.5M) and Thai-language romance films ($2.2M).
52 weeks of 2015 with reported grosses; the biggest is week 7 (Feb 8–14) with $623.8M, led by Fifty Shades of Grey (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Goodbye Mr. Loser (2015) leads with $228.1M worldwide, $1.3M of it in the US & Canada. Next come May Who? (2015) at $2.2M and Etiquette for Mistresses (2015) at $2M.
8 romance films released in week 40 of 2015 (Sep 27–Oct 3) report a worldwide gross, $236.2M in all, or $29.5M per film on average. Week 39, 2015 releases took $19.1M.
None. 1 film crossed $100 million, led by Goodbye Mr. Loser (2015) with $228.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 2015 (Sep 27–Oct 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.