#1 of 8 2019 · Documentary
$903.8K worldwide · 37% of the chart's total
The Last Animals (2019) is the highest-grossing documentary movie released in week 17 of 2019 (Apr 21–27), with $903.8K worldwide, ahead of Between Me and My Mind (2019) at $875.2K and Nureyev (2019) at $342.3K. 8 documentary films released that week report a worldwide gross, $2.5M in all, 54% of it from the US & Canada. That is down 89% on Week 16, 2019, whose releases took $21.7M. By language, English leads with $2.5M across 8 documentary releases.
#1 of 8 2019 · Documentary
$903.8K worldwide · 37% of the chart's total
The Last Animals (2019) leads with $903.8K, 37% of the total. The top 5 together took $2.4M, 96% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2019 (Apr 21–27).
Apr 22, 2019 US and Canada: $9.1K Rest of the world: $894.7K Worldwide: $903.8K
Apr 26, 2019 US and Canada: $875.2K Rest of the world: Worldwide: $875.2K
Apr 26, 2019 US and Canada: $165.2K Rest of the world: $177.1K Worldwide: $342.3K
Apr 26, 2019 US and Canada: $204.7K Rest of the world: Worldwide: $204.7K
Apr 25, 2019 US and Canada: – Rest of the world: – Worldwide: $47K
Apr 24, 2019 US and Canada: $44.3K Rest of the world: Worldwide: $44.3K
Apr 26, 2019 US and Canada: $30.4K Rest of the world: Worldwide: $30.4K
Apr 23, 2019 US and Canada: – Rest of the world: – Worldwide: $11.7K Of the top 8, Between Me and My Mind (2019) earned the biggest share at home (100% in the US & Canada), while The Last Animals (2019) made 99% of its gross abroad. Across all 8 films, $1.3M (54%) came from the US & Canada. 2 films of the top 8 report no US & Canada figure.
Week 17 releases took $2.5M. The biggest of these 9 weeks is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
Of these 10 years, Week 17, 2010 earned the most: $83.3M from 6 films, led by Oceans (2010). Week 17, 2019 took $2.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2010 Apr 18–24 6 films | 6 | $83.3M | – | Oceans (2010) $83.1M |
| Week 17, 2011 Apr 17–23 5 films · −58% | 5 | $34.6M | −58% | African Cats (2011) $30.9M |
| Week 17, 2012 Apr 22–28 2 films · −100% | 2 | $23.5K | −100% | Payback (2012) $18K |
| Week 17, 2013 Apr 21–27 No films | 0 | – | – | – |
| Week 17, 2014 Apr 20–26 3 films | 3 | $68.3K | – | Next Goal Wins (2014) $43.1K |
| Week 17, 2015 Apr 19–25 5 films · +1421% | 5 | $1M | +1421% | Kurt Cobain: Montage of Heck (2015) $686.4K |
| Week 17, 2016 Apr 17–23 4 films · −11% | 4 | $921.8K | −11% | Shakespeare Live! From the RSC (2016) $746.9K |
| Week 17, 2017 Apr 23–29 7 films · +1437% | 7 | $14.2M | +1437% | Our President (2017) $13.4M |
| Week 17, 2018 Apr 22–28 6 films · −98% | 6 | $304.5K | −98% | Haunted (2018) $215.1K |
| Week 17, 2019 Apr 21–27 8 films · +708% | 8 | $2.5M | +708% | The Last Animals (2019) $903.8K |
50 weeks of 2019 with reported grosses; the biggest is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
The Last Animals (2019) leads with $903.8K worldwide, $9.1K of it in the US & Canada. Next come Between Me and My Mind (2019) at $875.2K and Nureyev (2019) at $342.3K.
8 documentary films released in week 17 of 2019 (Apr 21–27) report a worldwide gross, $2.5M in all, or $307.4K per film on average. Week 16, 2019 releases took $21.7M.
None. The biggest, The Last Animals (2019), earned $903.8K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2019 (Apr 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.