#1 of 7 2019 · Documentary
$319.2K worldwide · 29% of the chart's total
Meeting Gorbachev (2019) is the highest-grossing documentary movie released in week 18 of 2019 (Apr 28–May 4), with $319.2K worldwide, ahead of Asbury Park: Riot, Redemption, Rock & Roll (2019) at $265K and The River and the Wall (2019) at $183.6K. 7 documentary films released that week report a worldwide gross, $1.1M in all, 57% of it from the US & Canada. That is down 56% on Week 17, 2019, whose releases took $2.5M. By language, English leads with $617.7K across 5 documentary releases.
#1 of 7 2019 · Documentary
$319.2K worldwide · 29% of the chart's total
Meeting Gorbachev (2019) leads with $319.2K, 29% of the total. The top 5 together took $1M, 93% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 2019 (Apr 28–May 4).
May 3, 2019 US and Canada: $251.8K Rest of the world: $67.4K Worldwide: $319.2K
May 3, 2019 US and Canada: $183.6K Rest of the world: Worldwide: $183.6K
May 4, 2019 US and Canada: – Rest of the world: – Worldwide: $150K
Apr 28, 2019 US and Canada: – Rest of the world: – Worldwide: $58.6K
May 3, 2019 US and Canada: $19.9K Rest of the world: Worldwide: $19.9K Of the top 7, The River and the Wall (2019) earned the biggest share at home (100% in the US & Canada), while Asbury Park: Riot, Redemption, Rock & Roll (2019) made 37% of its gross abroad. Across all 7 films, $623K (57%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 18 releases took $1.1M. The biggest of these 9 weeks is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
Of these 10 years, Week 18, 2013 earned the most: $80.4M from 5 films, led by The Source Family (2013). Week 18, 2019 took $1.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 2010 Apr 25–May 1 No films | 0 | – | – | – |
| Week 18, 2011 Apr 24–30 4 films | 4 | $8.4M | – | Cave of Forgotten Dreams (2011) $8.2M |
| Week 18, 2012 Apr 29–May 5 4 films · −77% | 4 | $1.9M | −77% | First Position (2012) $1.7M |
| Week 18, 2013 Apr 28–May 4 5 films · +4034% | 5 | $80.4M | +4034% | The Source Family (2013) $78.4M |
| Week 18, 2014 Apr 27–May 3 3 films · −100% | 3 | $81.1K | −100% | NOW: In the Wings on a World Stage (2014) $49.6K |
| Week 18, 2015 Apr 26–May 2 4 films · +1952% | 4 | $1.7M | +1952% | Iris (2015) $1.6M |
| Week 18, 2016 Apr 24–30 5 films · +1654% | 5 | $29.2M | +1654% | A Beautiful Planet (2016) $26.3M |
| Week 18, 2017 Apr 30–May 6 8 films · −95% | 8 | $1.4M | −95% | Expedition Happiness (2017) $624.7K |
| Week 18, 2018 Apr 29–May 5 9 films · +984% | 9 | $15.5M | +984% | RBG (2018) $14.5M |
| Week 18, 2019 Apr 28–May 4 7 films · −93% | 7 | $1.1M | −93% | Meeting Gorbachev (2019) $319.2K |
50 weeks of 2019 with reported grosses; the biggest is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Meeting Gorbachev (2019) leads with $319.2K worldwide, $251.8K of it in the US & Canada. Next come Asbury Park: Riot, Redemption, Rock & Roll (2019) at $265K and The River and the Wall (2019) at $183.6K.
7 documentary films released in week 18 of 2019 (Apr 28–May 4) report a worldwide gross, $1.1M in all, or $155.3K per film on average. Week 17, 2019 releases took $2.5M.
None. The biggest, Meeting Gorbachev (2019), earned $319.2K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 2019 (Apr 28–May 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.