#1 of 5 Raise Hell: The Life & Times of Molly Ivins (2019)
2019 · Documentary
$695.3K worldwide · 51% of the chart's total
Raise Hell: The Life & Times of Molly Ivins (2019) is the highest-grossing documentary movie released in week 35 of 2019 (Aug 25–31), with $695.3K worldwide, ahead of Dan Carter: A Perfect 10 (2019) at $264.6K and Aznavour by Charles (2019) at $214.6K. 5 documentary films released that week report a worldwide gross, $1.4M in all, 51% of it from the US & Canada. That is down 90% on Week 34, 2019, whose releases took $13.6M. By language, English leads with $1.2M across 3 documentary releases.
#1 of 5 Raise Hell: The Life & Times of Molly Ivins (2019)
2019 · Documentary
$695.3K worldwide · 51% of the chart's total
Raise Hell: The Life & Times of Molly Ivins (2019) leads with $695.3K, 51% of the total. The top 5 together took $1.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 35 of 2019 (Aug 25–31).
Aug 26, 2019 US and Canada: – Rest of the world: – Worldwide: $264.6K
Aug 25, 2019 US and Canada: – Rest of the world: – Worldwide: $214.6K
Aug 31, 2019 US and Canada: – Rest of the world: – Worldwide: $193.7K
Aug 28, 2019 US and Canada: $5.6K Rest of the world: Worldwide: $5.6K Week 35 releases took $1.4M. The biggest of these 9 weeks is week 34 (Aug 18–24) with $13.6M, led by Jawline (2019).
Of these 10 years, Week 35, 2013 earned the most: $77.2M from 3 films, led by One Direction: This Is Us (2013). Week 35, 2019 took $1.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 35, 2010 Aug 22–28 No films | 0 | – | – | – |
| Week 35, 2011 Aug 21–27 1 film | 1 | $157.6K | – | Chasing Madoff (2011) $157.6K |
| Week 35, 2012 Aug 26–Sep 1 3 films · +316% | 3 | $655.6K | +316% | Sleepwalk (2012) $452.6K |
| Week 35, 2013 Aug 25–31 3 films · +11670% | 3 | $77.2M | +11670% | One Direction: This Is Us (2013) $74.4M |
| Week 35, 2014 Aug 24–30 1 film · −100% | 1 | $65.2K | −100% | Through a Lens Darkly: Black Photographers And The Emergence Of A People (2014) $65.2K |
| Week 35, 2015 Aug 23–29 2 films · +3259% | 2 | $2.2M | +3259% | Boca Juniors 3D: The Movie (2015) $2.2M |
| Week 35, 2016 Aug 21–27 1 film · −99% | 1 | $27.4K | −99% | Kate Plays Christine (2016) $27.4K |
| Week 35, 2017 Aug 27–Sep 2 2 films · +1971% | 2 | $566.7K | +1971% | Dolores (2017) $555.3K |
| Week 35, 2018 Aug 26–Sep 1 5 films · +50% | 5 | $851.5K | +50% | Pick of the Litter (2018) $763.7K |
| Week 35, 2019 Aug 25–31 5 films · +61% | 5 | $1.4M | +61% | Raise Hell: The Life & Times of Molly Ivins (2019) $695.3K |
50 weeks of 2019 with reported grosses; the biggest is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Raise Hell: The Life & Times of Molly Ivins (2019) leads with $695.3K worldwide, $694.4K of it in the US & Canada. Next come Dan Carter: A Perfect 10 (2019) at $264.6K and Aznavour by Charles (2019) at $214.6K.
5 documentary films released in week 35 of 2019 (Aug 25–31) report a worldwide gross, $1.4M in all, or $274.8K per film on average. Week 34, 2019 releases took $13.6M.
None. The biggest, Raise Hell: The Life & Times of Molly Ivins (2019), earned $695.3K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 35 of 2019 (Aug 25–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.