#1 of 5 Faustina: Love and Mercy (2019)
2019 · Drama, Documentary
$3.5M worldwide · 96% of the chart's total
Faustina: Love and Mercy (2019) is the highest-grossing documentary movie released in week 13 of 2019 (Mar 24–30), with $3.5M worldwide, ahead of The Brink (2019) at $106.1K and The Legend of Cocaine Island (2019) at $37.6K. 5 documentary films released that week report a worldwide gross, $3.7M in all, 65% of it from the US & Canada. By language, Polish leads with $3.5M across 1 documentary release.
#1 of 5 Faustina: Love and Mercy (2019)
2019 · Drama, Documentary
$3.5M worldwide · 96% of the chart's total
Faustina: Love and Mercy (2019) leads with $3.5M, 96% of the total. The top 5 together took $3.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2019 (Mar 24–30).
Mar 29, 2019 US and Canada: $2.2M Rest of the world: $1.3M Worldwide: $3.5M
Mar 29, 2019 US and Canada: $106.1K Rest of the world: Worldwide: $106.1K
Mar 29, 2019 US and Canada: – Rest of the world: – Worldwide: $37.6K
Mar 29, 2019 US and Canada: $14K Rest of the world: Worldwide: $14K
Mar 26, 2019 US and Canada: – Rest of the world: – Worldwide: $1K Of the top 5, The Brink (2019) earned the biggest share at home (100% in the US & Canada), while Faustina: Love and Mercy (2019) made 36% of its gross abroad. Across all 5 films, $2.4M (65%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 13 releases took $3.7M. The biggest of these 9 weeks is week 9 (Feb 24–Mar 2) with $15.8M, led by Apollo 11 (2019).
Of these 10 years, Week 13, 2014 earned the most: $11.4M from 3 films, led by Enchanted Kingdom (2014). Week 13, 2019 took $3.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2010 Mar 21–27 3 films | 3 | $650.6K | – | Steam of Life (2010) $499.5K |
| Week 13, 2011 Mar 20–26 5 films · +60% | 5 | $1M | +60% | Silvio Forever (2011) $532.9K |
| Week 13, 2012 Mar 25–31 4 films · +350% | 4 | $4.7M | +350% | Bully (2012) $4.4M |
| Week 13, 2013 Mar 24–30 1 film · −92% | 1 | $367.4K | −92% | Room 237 (2013) $367.4K |
| Week 13, 2014 Mar 23–29 3 films · +3004% | 3 | $11.4M | +3004% | Enchanted Kingdom (2014) $8.8M |
| Week 13, 2015 Mar 22–28 3 films · −48% | 3 | $6M | −48% | The Salt of the Earth (2015) $6M |
| Week 13, 2016 Mar 20–26 2 films · −99% | 2 | $63.2K | −99% | Mapplethorpe: Look at the Pictures (2016) $62.6K |
| Week 13, 2017 Mar 26–Apr 1 5 films · +1632% | 5 | $1.1M | +1632% | Cantábrico (2017) $724.3K |
| Week 13, 2018 Mar 25–31 3 films · −94% | 3 | $69.2K | −94% | The China Hustle (2018) $48.7K |
| Week 13, 2019 Mar 24–30 5 films · +5186% | 5 | $3.7M | +5186% | Faustina: Love and Mercy (2019) $3.5M |
50 weeks of 2019 with reported grosses; the biggest is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Faustina: Love and Mercy (2019) leads with $3.5M worldwide, $2.2M of it in the US & Canada. Next come The Brink (2019) at $106.1K and The Legend of Cocaine Island (2019) at $37.6K.
5 documentary films released in week 13 of 2019 (Mar 24–30) report a worldwide gross, $3.7M in all, or $731.5K per film on average.
None. The biggest, Faustina: Love and Mercy (2019), earned $3.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2019 (Mar 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.