#1 of 6 Patterns of Evidence: The Moses Controversy (2019)
2019 · Documentary, History
$765.4K worldwide · 76% of the chart's total
Patterns of Evidence: The Moses Controversy (2019) is the highest-grossing documentary movie released in week 11 of 2019 (Mar 10–16), with $765.4K worldwide, ahead of Superpower Dogs (2019) at $146.7K and Rezo (2019) at $78.2K. 6 documentary films released that week report a worldwide gross, $1M in all, 78% of it from the US & Canada. By language, English leads with $932.2K across 5 documentary releases.
#1 of 6 Patterns of Evidence: The Moses Controversy (2019)
2019 · Documentary, History
$765.4K worldwide · 76% of the chart's total
Patterns of Evidence: The Moses Controversy (2019) leads with $765.4K, 76% of the total. The top 5 together took $1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2019 (Mar 10–16).
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $146.7K
Mar 13, 2019 US and Canada: – Rest of the world: – Worldwide: $78.2K
Mar 15, 2019 US and Canada: $14.2K Rest of the world: Worldwide: $14.2K
Mar 12, 2019 US and Canada: $5.5K Rest of the world: $347 Worldwide: $5.8K
Of the top 6, Patterns of Evidence: The Moses Controversy (2019) earned the biggest share at home (100% in the US & Canada), while Human Nature (2019) made 6% of its gross abroad. Across all 6 films, $785.1K (78%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 11 releases took $1M. The biggest of these 9 weeks is week 9 (Feb 24–Mar 2) with $15.8M, led by Apollo 11 (2019).
Of these 10 years, Week 11, 2015 earned the most: $5.7M from 4 films, led by The Wrecking Crew (2015). Week 11, 2019 took $1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2010 Mar 7–13 1 film | 1 | $5.5K | – | American Grindhouse (2010) $5.5K |
| Week 11, 2011 Mar 6–12 4 films · +32256% | 4 | $1.8M | +32256% | I Am (2011) $1.6M |
| Week 11, 2012 Mar 11–17 1 film · −60% | 1 | $717.5K | −60% | Gerhard Richter - Painting (2012) $717.5K |
| Week 11, 2013 Mar 10–16 3 films · −22% | 3 | $563K | −22% | The Spirit of ’45 (2013) $488.9K |
| Week 11, 2014 Mar 9–15 2 films · −83% | 2 | $96.5K | −83% | Big Men (2014) $56.3K |
| Week 11, 2015 Mar 8–14 4 films · +5774% | 4 | $5.7M | +5774% | The Wrecking Crew (2015) $3.3M |
| Week 11, 2016 Mar 6–12 5 films · −87% | 5 | $722.5K | −87% | City of Gold (2016) $680.6K |
| Week 11, 2017 Mar 12–18 3 films · −91% | 3 | $65.2K | −91% | Tickling Giants (2017) $51.5K |
| Week 11, 2018 Mar 11–17 7 films · +1915% | 7 | $1.3M | +1915% | 12 Days (2018) $722K |
| Week 11, 2019 Mar 10–16 6 films · −23% | 6 | $1M | −23% | Patterns of Evidence: The Moses Controversy (2019) $765.4K |
50 weeks of 2019 with reported grosses; the biggest is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Patterns of Evidence: The Moses Controversy (2019) leads with $765.4K worldwide, $765.4K of it in the US & Canada. Next come Superpower Dogs (2019) at $146.7K and Rezo (2019) at $78.2K.
6 documentary films released in week 11 of 2019 (Mar 10–16) report a worldwide gross, $1M in all, or $168.4K per film on average.
None. The biggest, Patterns of Evidence: The Moses Controversy (2019), earned $765.4K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2019 (Mar 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.