#1 of 4 2019 · Documentary
$898K worldwide · 66% of the chart's total
The Game Changers (2019) is the highest-grossing documentary movie released in week 39 of 2019 (Sep 22–28), with $898K worldwide, ahead of Anthropocene: The Human Epoch (2019) at $360.6K and Jim Allison: Breakthrough (2019) at $88K. 4 documentary films released that week report a worldwide gross, $1.4M in all, 68% of it from the US & Canada. That is down 67% on Week 38, 2019, whose releases took $4.1M.
#1 of 4 2019 · Documentary
$898K worldwide · 66% of the chart's total
The Game Changers (2019) leads with $898K, 66% of the total. The top 4 together took $1.4M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 39 of 2019 (Sep 22–28).
Sep 27, 2019 US and Canada: $739.7K Rest of the world: $158.3K Worldwide: $898K
Sep 25, 2019 US and Canada: $104.8K Rest of the world: $255.8K Worldwide: $360.6K
Sep 27, 2019 US and Canada: $88K Rest of the world: Worldwide: $88K
Sep 24, 2019 US and Canada: – Rest of the world: – Worldwide: $19K Of the top 4, Jim Allison: Breakthrough (2019) earned the biggest share at home (100% in the US & Canada), while Anthropocene: The Human Epoch (2019) made 71% of its gross abroad. Across all 4 films, $932.5K (68%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
Week 39 releases took $1.4M. The biggest of these 9 weeks is week 34 (Aug 18–24) with $13.6M, led by Jawline (2019).
Of these 10 years, Week 39, 2018 earned the most: $29.6M from 4 films, led by Free Solo (2018). Week 39, 2019 took $1.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 39, 2010 Sep 19–25 4 films | 4 | $6.6M | – | Waiting for 'Superman' (2010) $6.4M |
| Week 39, 2011 Sep 18–24 6 films · −86% | 6 | $952.6K | −86% | Pearl Jam Twenty (2011) $471.3K |
| Week 39, 2012 Sep 23–29 6 films · −18% | 6 | $777.3K | −18% | Kuningas Litmanen (2012) $291.6K |
| Week 39, 2013 Sep 22–28 6 films · +493% | 6 | $4.6M | +493% | The Finnish Flash - A Teemu Selänne Story (2013) $1.7M |
| Week 39, 2014 Sep 21–27 1 film · −99% | 1 | $34.8K | −99% | This Ain’t No Mouse Music! (2014) $34.8K |
| Week 39, 2015 Sep 20–26 9 films · +3302% | 9 | $1.2M | +3302% | Unbranded (2015) $412.8K |
| Week 39, 2016 Sep 18–24 6 films · −64% | 6 | $429.4K | −64% | Seed: The Untold Story (2016) $209.8K |
| Week 39, 2017 Sep 24–30 12 films · +436% | 12 | $2.3M | +436% | Steve McQueen: American Icon (2017) $1.2M |
| Week 39, 2018 Sep 23–29 4 films · +1186% | 4 | $29.6M | +1186% | Free Solo (2018) $29.4M |
| Week 39, 2019 Sep 22–28 4 films · −95% | 4 | $1.4M | −95% | The Game Changers (2019) $898K |
50 weeks of 2019 with reported grosses; the biggest is week 16 (Apr 14–20) with $21.7M, led by Metamorphosis (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
The Game Changers (2019) leads with $898K worldwide, $739.7K of it in the US & Canada. Next come Anthropocene: The Human Epoch (2019) at $360.6K and Jim Allison: Breakthrough (2019) at $88K.
4 documentary films released in week 39 of 2019 (Sep 22–28) report a worldwide gross, $1.4M in all, or $341.4K per film on average. Week 38, 2019 releases took $4.1M.
None. The biggest, The Game Changers (2019), earned $898K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 39 of 2019 (Sep 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.