
The film follows two wayward youths, one a teenage runaway portrayed by 14‑year‑old Brooke Shields, the other a seasoned former vaudevillian played by George Burns. Burns’s character befriends the girl as she evades dangerous drug dealers, leading to a tense, unlikely partnership.
Does Just You and Me, Kid have end credit scenes?
No!
Just You and Me, Kid does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Just You and Me, Kid (1979) via JustWatch.
Explore the complete cast of Just You and Me, Kid, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

John Schuck
Stan

Burl Ives
Max

Brooke Shields
Kate

Leon Ames
Manduke the Magnificent

Ray Bolger
Tom

Christopher Knight
Roy

Nicolas Coster
Harris

George Burns
Bill

William Russ
Demesta

Carl Ballantine
Reinhoff the Remarkable

Keye Luke
Doctor Device

Lorraine Gary
Shirl

Leonard B. Stern

Andrea Howard
Sue

Robert Doran
Box Boy
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Challenge your knowledge of Just You and Me, Kid with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays the elderly ex‑vaudevillian Bill?
Read the complete plot summary of Just You and Me, Kid, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Bill George Burns is an elderly ex-vaudevillian who lives alone, often glancing at photographs of his late wife. Each morning after breakfast, he strolls to the supermarket, where he treats the staff with quiet warmth and charms them with a small magic trick, turning ordinary moments into something a little brighter.
Kate Brooke Shields is a 14-year-old girl who finds herself entangled in a dangerous confrontation with a threatening man named Demesta William Russ. Wrapped in a towel and hiding in a bathroom, she endures a tense standoff as Demesta pounds on the door, demanding details about a drug deal she has bungled. When Kate escapes through a window, she flees down a hillside, still in the towel, and is pursued by police who wrestle with the danger in the stairwell below.
Bill steps out of the grocery store and, while chatting with the bag boy Stan John Schuck, notices Kate lying naked in the car trunk—partially concealed by an deflated inner-tube tire. He manages to convince the bag boy that it was all just an illusion and drives away, taking a moment on a quiet street to decide what to do next. He invites Kate to come with him to his home, and she agrees, seeking shelter and a change of clothes. Bill offers her a sense of safety, though Kate remains wary and guarded.
Inside Bill’s home, Kate resists sharing her story. She resists explanations as Bill offers warmth and space, and she attempts a desperate escape by dropping out of a window, injuring her ankle in the process. The incident draws the attention of Bill’s nosy neighbors, Sue Andrea Howard and her husband, who quickly become a new source of social pressure and scrutiny.
Bill visits his longtime friend Max Burl Ives in a nursing home, where Max is despondent and largely non-verbal. Bill returns each day with cheerful updates about his life, including details about Kate, hoping to coax some spark of life from his old roommate. Back at home, Shirl Lorraine Gary, Bill’s daughter, arrives with her husband Harris Nicolas Coster, insisting that Bill is losing touch with reality and seeking to gain power of attorney over his finances. Bill refuses, and Shirl’s frustration grows.
Meanwhile, Demesta remains furious and continues to threaten Kate, intimidating her friend Roy Christopher Knight and vowing to locate Kate. Stan and Sue call Shirl about Kate, further complicating the family dynamics and inflaming tensions around Bill’s care and Kate’s safety.
Kate eventually opens up to Bill, admitting that she’s on the run from a drug dealer. She explains that Demesta provided money to secure a connection, but she panicked and flushed the cash away in a sewer. Bill urges her to go to the police, but Kate fears for her safety and the consequences she might face if she tells the truth.
One evening, Bill introduces Kate to his poker buddies, and the gathering is interrupted when Shirl, accompanied by two police officers, interrupts the scene. To keep Kate safe, Bill improvises a levitation trick that conceals her while the adults argue about the situation. The moment underscores how Bill relies on magic and showmanship as a way to protect those he cares about.
The following day, Kate shares a memory about a boy who speaks up only after others stop listening, suggesting that luck and patience can unleash a voice that had been silenced. Bill tells Max he will not return to visit unless Max talks, prompting a cathartic moment as Max breaks down and pleads for Bill not to abandon him. This exchange deepens the emotional stakes of Bill’s commitment to his friends.
When Bill returns home, he discovers Kate has disappeared again. He grows despondent, worrying about her safety as the search intensifies. Simultaneously, Kate makes her way back toward Bill’s house, visiting her foster friends and meeting Roy at school. She reveals that she still has the $20,000 cash, unaware that Demesta is closing in. Roy warns her that Demesta will kill her if she continues to dodge him, and Kate contemplates leaving town with the money. Yet she also worries about Bill, who may be put in harm’s way if Demesta finds her.
Kate ultimately returns to Bill’s home, only to face Demesta’s intrusion. A tense chase ensues, and Bill fights to protect Kate, wielding a sword to hold Demesta at bay until the police arrive and arrest him. Shirl comes back into the scene, and Bill asks for a favor that would change the course of their lives.
Max, realizing the weight of the situation, packs his belongings and prepares to return home with Bill. He learns that Shirl and Harris have agreed to become Kate’s foster parents, but Bill gently negotiates a different arrangement: Kate will stay with him and Max on weekends. The film closes on a hopeful note as the trio—Bill, Kate, and Max—pull away together, affirming a chosen family built on care, resilience, and a shared sense of possibility.

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