#1 of 7 1998 · Drama, Fantasy
$98M worldwide · 40% of the chart's total
Ever After (1998) is the highest-grossing movie released in week 31 of 1998 (Jul 26–Aug 1), with $98M worldwide, ahead of The Parent Trap (1998) at $92.1M and The Negotiator (1998) at $44.5M. 7 films released that week report a worldwide gross, $245.5M in all, 76% of it from the US & Canada. That is down 52% on Week 30, 1998, whose releases took $512.6M. By genre, Comedy leads with $197.2M across 3 releases.
#1 of 7 1998 · Drama, Fantasy
$98M worldwide · 40% of the chart's total
Ever After (1998) leads with $98M, 40% of the total. The top 5 together took $245.4M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 1998 (Jul 26–Aug 1).
Jul 31, 1998 US and Canada: $65.7M Rest of the world: $32.3M Worldwide: $98M
Jul 29, 1998 US and Canada: $66.3M Rest of the world: $25.8M Worldwide: $92.1M
Jul 29, 1998 US and Canada: $44.5M Rest of the world: Worldwide: $44.5M
Jul 31, 1998 US and Canada: $7M Rest of the world: Worldwide: $7M
Jul 31, 1998 US and Canada: $3.7M Rest of the world: Worldwide: $3.7M
Jul 31, 1998 US and Canada: $15.3K Rest of the world: Worldwide: $15.3K
Jul 31, 1998 US and Canada: $9.1K Rest of the world: Worldwide: $9.1K Of the top 7, The Negotiator (1998) earned the biggest share at home (100% in the US & Canada), while Ever After (1998) made 33% of its gross abroad. Across all 7 films, $187.3M (76%) came from the US & Canada.
Week 31 releases took $245.5M. The biggest of these 9 weeks is week 29 (Jul 12–18) with $620.2M, led by There's Something About Mary (1998).
Of these 10 years, Week 31, 1994 earned the most: $401.4M from 4 films, led by The Mask (1994). Week 31, 1998 took $245.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 1989 Jul 30–Aug 5 4 films | 4 | $173.1M | – | Parenthood (1989) $126.3M |
| Week 31, 1990 Jul 29–Aug 4 7 films · −52% | 7 | $83M | −52% | Young Guns II (1990) $44.1M |
| Week 31, 1991 Jul 28–Aug 3 6 films · +217% | 6 | $263.5M | +217% | Hot Shots! (1991) $181.1M |
| Week 31, 1992 Jul 26–Aug 1 6 films · −32% | 6 | $179.3M | −32% | Death Becomes Her (1992) $149M |
| Week 31, 1993 Jul 25–31 3 films · −14% | 3 | $154.5M | −14% | Rising Sun (1993) $107.2M |
| Week 31, 1994 Jul 24–30 4 films · +160% | 4 | $401.4M | +160% | The Mask (1994) $351.6M |
| Week 31, 1995 Jul 30–Aug 5 5 films · −16% | 5 | $337M | −16% | Babe (1995) $254.1M |
| Week 31, 1996 Jul 28–Aug 3 6 films · −65% | 6 | $117.6M | −65% | Chain Reaction (1996) $60.2M |
| Week 31, 1997 Jul 27–Aug 2 6 films · +39% | 6 | $163.8M | +39% | Spawn (1997) $87.8M |
| Week 31, 1998 Jul 26–Aug 1 7 films · +50% | 7 | $245.5M | +50% | Ever After (1998) $98M |
53 weeks of 1998 with reported grosses; the biggest is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Ever After (1998) leads with $98M worldwide, $65.7M of it in the US & Canada. Next come The Parent Trap (1998) at $92.1M and The Negotiator (1998) at $44.5M.
7 films released in week 31 of 1998 (Jul 26–Aug 1) report a worldwide gross, $245.5M in all, or $35.1M per film on average. Week 30, 1998 releases took $512.6M.
None. The biggest, Ever After (1998), earned $98M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 1998 (Jul 26–Aug 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.