#1 of 6 1998 · Mystery, Thriller
$103.9M worldwide · 65% of the chart's total
Snake Eyes (1998) is the highest-grossing movie released in week 32 of 1998 (Aug 2–8), with $103.9M worldwide, ahead of Halloween H20: 20 Years Later (1998) at $55M and Titanic Town (1998) at $65.8K. 6 films released that week report a worldwide gross, $159.1M in all, 70% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 35% on Week 31, 1998, whose releases took $245.5M. By genre, Thriller leads with $158.9M across 2 releases.
#1 of 6 1998 · Mystery, Thriller
$103.9M worldwide · 65% of the chart's total
Snake Eyes (1998) leads with $103.9M, 65% of the total. The top 5 together took $159.1M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 1998 (Aug 2–8).
Aug 7, 1998 US and Canada: $55.6M Rest of the world: $48.3M Worldwide: $103.9M
Aug 5, 1998 US and Canada: $55M Rest of the world: Worldwide: $55M
Aug 8, 1998 US and Canada: $65.8K Rest of the world: Worldwide: $65.8K
Aug 7, 1998 US and Canada: $45.7K Rest of the world: Worldwide: $45.7K
Aug 8, 1998 US and Canada: – Rest of the world: – Worldwide: $20.2K
Aug 7, 1998 US and Canada: $2.7K Rest of the world: Worldwide: $2.7K Of the top 6, Halloween H20: 20 Years Later (1998) earned the biggest share at home (100% in the US & Canada), while Snake Eyes (1998) made 46% of its gross abroad. Across all 6 films, $110.7M (70%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 32 releases took $159.1M. The biggest of these 9 weeks is week 29 (Jul 12–18) with $620.2M, led by There's Something About Mary (1998).
Of these 10 years, Week 32, 1993 earned the most: $380.2M from 4 films, led by The Fugitive (1993). Week 32, 1998 took $159.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 1989 Aug 6–12 2 films | 2 | $112.7M | – | The Abyss (1989) $90.5M |
| Week 32, 1990 Aug 5–11 4 films · −7% | 4 | $105M | −7% | Flatliners (1990) $61.5M |
| Week 32, 1991 Aug 4–10 6 films · −34% | 6 | $69.5M | −34% | Double Impact (1991) $30.1M |
| Week 32, 1992 Aug 2–8 5 films · +240% | 5 | $236.5M | +240% | Unforgiven (1992) $159.2M |
| Week 32, 1993 Aug 1–7 4 films · +61% | 4 | $380.2M | +61% | The Fugitive (1993) $368.9M |
| Week 32, 1994 Jul 31–Aug 6 5 films · −22% | 5 | $296.2M | −22% | Clear and Present Danger (1994) $215.9M |
| Week 32, 1995 Aug 6–12 4 films · −17% | 4 | $245.8M | −17% | Dangerous Minds (1995) $179.5M |
| Week 32, 1996 Aug 4–10 6 films · −63% | 6 | $90M | −63% | Jack (1996) $58.6M |
| Week 32, 1997 Aug 3–9 5 films · +75% | 5 | $157.1M | +75% | Conspiracy Theory (1997) $137M |
| Week 32, 1998 Aug 2–8 6 films · +1% | 6 | $159.1M | +1% | Snake Eyes (1998) $103.9M |
53 weeks of 1998 with reported grosses; the biggest is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Snake Eyes (1998) leads with $103.9M worldwide, $55.6M of it in the US & Canada. Next come Halloween H20: 20 Years Later (1998) at $55M and Titanic Town (1998) at $65.8K.
6 films released in week 32 of 1998 (Aug 2–8) report a worldwide gross, $159.1M in all, or $26.5M per film on average. Week 31, 1998 releases took $245.5M.
None. 1 film crossed $100 million, led by Snake Eyes (1998) with $103.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 1998 (Aug 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.