#1 of 6 1998 · Comedy, Family
$7.6M worldwide · 39% of the chart's total
Krippendorf’s Tribe (1998) is the highest-grossing movie released in week 9 of 1998 (Feb 22–28), with $7.6M worldwide, ahead of Caught Up (1998) at $6.8M and Kissing a Fool (1998) at $4.1M. 6 films released that week report a worldwide gross, $19.4M in all, 99% of it from the US & Canada. That is down 62% on Week 8, 1998, whose releases took $51.5M. By genre, Comedy leads with $11.8M across 4 releases.
#1 of 6 1998 · Comedy, Family
$7.6M worldwide · 39% of the chart's total
Krippendorf’s Tribe (1998) leads with $7.6M, 39% of the total. The top 5 together took $19.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 1998 (Feb 22–28).
Feb 27, 1998 US and Canada: $7.6M Rest of the world: Worldwide: $7.6M
Feb 27, 1998 US and Canada: $6.8M Rest of the world: Worldwide: $6.8M
Feb 27, 1998 US and Canada: $4.1M Rest of the world: Worldwide: $4.1M
Feb 27, 1998 US and Canada: $668.2K Rest of the world: $222.1K Worldwide: $890.3K
Feb 27, 1998 US and Canada: $83.5K Rest of the world: Worldwide: $83.5K
Feb 25, 1998 US and Canada: $9.7K Rest of the world: Worldwide: $9.7K Of the top 6, Krippendorf’s Tribe (1998) earned the biggest share at home (100% in the US & Canada), while Kurt & Courtney (1998) made 25% of its gross abroad. Across all 6 films, $19.2M (99%) came from the US & Canada.
Week 9 releases took $19.4M. The biggest of these 9 weeks is week 11 (Mar 8–14) with $183.3M, led by The Man in the Iron Mask (1998).
Of these 10 years, Week 9, 1990 earned the most: $200.5M from 1 film, led by The Hunt for Red October (1990). Week 9, 1998 took $19.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 1989 Feb 26–Mar 4 8 films | 8 | $68.7M | – | Lean on Me (1989) $31.9M |
| Week 9, 1990 Feb 25–Mar 3 1 film · +192% | 1 | $200.5M | +192% | The Hunt for Red October (1990) $200.5M |
| Week 9, 1991 Feb 24–Mar 2 3 films · −81% | 3 | $38.2M | −81% | The Doors (1991) $34.5M |
| Week 9, 1992 Feb 23–29 2 films · −45% | 2 | $21.1M | −45% | Memoirs of an Invisible Man (1992) $14.4M |
| Week 9, 1993 Feb 21–27 2 films · +104% | 2 | $42.9M | +104% | Falling Down (1993) $40.9M |
| Week 9, 1994 Feb 20–26 2 films · −58% | 2 | $18.2M | −58% | Sugar Hill (1994) $18.2M |
| Week 9, 1995 Feb 26–Mar 4 5 films · +207% | 5 | $55.9M | +207% | Man of the House (1995) $40.1M |
| Week 9, 1996 Feb 25–Mar 2 4 films · +149% | 4 | $139.3M | +149% | Up Close & Personal (1996) $100.7M |
| Week 9, 1997 Feb 23–Mar 1 5 films · +6% | 5 | $147.6M | +6% | Donnie Brasco (1997) $124.9M |
| Week 9, 1998 Feb 22–28 6 films · −87% | 6 | $19.4M | −87% | Krippendorf’s Tribe (1998) $7.6M |
53 weeks of 1998 with reported grosses; the biggest is week 23 (May 31–Jun 6) with $697M, led by Mulan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Krippendorf’s Tribe (1998) leads with $7.6M worldwide, $7.6M of it in the US & Canada. Next come Caught Up (1998) at $6.8M and Kissing a Fool (1998) at $4.1M.
6 films released in week 9 of 1998 (Feb 22–28) report a worldwide gross, $19.4M in all, or $3.2M per film on average. Week 8, 1998 releases took $51.5M.
None. The biggest, Krippendorf’s Tribe (1998), earned $7.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 1998 (Feb 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.