#1 of 5 Clear and Present Danger (1994)
1994 · Action, Drama
$215.9M worldwide · 73% of the chart's total
Clear and Present Danger (1994) is the highest-grossing movie released in week 32 of 1994 (Jul 31–Aug 6), with $215.9M worldwide, ahead of The Little Rascals (1994) at $67.3M and Eat Drink Man Woman (1994) at $7.3M. 5 films released that week report a worldwide gross, $296.2M in all, 63% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 26% on Week 31, 1994, whose releases took $401.4M. By genre, Drama leads with $223.2M across 3 releases.
#1 of 5 Clear and Present Danger (1994)
1994 · Action, Drama
$215.9M worldwide · 73% of the chart's total
Clear and Present Danger (1994) leads with $215.9M, 73% of the total. The top 5 together took $296.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 1994 (Jul 31–Aug 6).
Aug 3, 1994 US and Canada: $122.2M Rest of the world: $93.7M Worldwide: $215.9M
Aug 5, 1994 US and Canada: $52.1M Rest of the world: $15.2M Worldwide: $67.3M
Aug 3, 1994 US and Canada: $7.3M Rest of the world: Worldwide: $7.3M
Aug 5, 1994 US and Canada: $5.8M Rest of the world: Worldwide: $5.8M
Aug 5, 1994 US and Canada: – Rest of the world: – Worldwide: $5.3K Of the top 5, Eat Drink Man Woman (1994) earned the biggest share at home (100% in the US & Canada), while Clear and Present Danger (1994) made 43% of its gross abroad. Across all 5 films, $187.4M (63%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 32 releases took $296.2M. The biggest of these 9 weeks is week 28 (Jul 3–9) with $678.2M, led by Forrest Gump (1994).
Of these 10 years, Week 32, 1993 earned the most: $380.2M from 4 films, led by The Fugitive (1993). Week 32, 1994 took $296.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 1985 Aug 4–10 4 films | 4 | $82.8M | – | Pee-wee's Big Adventure (1985) $41M |
| Week 32, 1986 Aug 3–9 4 films · −61% | 4 | $32.5M | −61% | One Crazy Summer (1986) $13.4M |
| Week 32, 1987 Aug 2–8 9 films · +265% | 9 | $118.6M | +265% | Stakeout (1987) $65.7M |
| Week 32, 1988 Jul 31–Aug 6 6 films · −86% | 6 | $16.6M | −86% | The Blob (1988) $8.2M |
| Week 32, 1989 Aug 6–12 2 films · +577% | 2 | $112.7M | +577% | The Abyss (1989) $90.5M |
| Week 32, 1990 Aug 5–11 4 films · −7% | 4 | $105M | −7% | Flatliners (1990) $61.5M |
| Week 32, 1991 Aug 4–10 6 films · −34% | 6 | $69.5M | −34% | Double Impact (1991) $30.1M |
| Week 32, 1992 Aug 2–8 5 films · +240% | 5 | $236.5M | +240% | Unforgiven (1992) $159.2M |
| Week 32, 1993 Aug 1–7 4 films · +61% | 4 | $380.2M | +61% | The Fugitive (1993) $368.9M |
| Week 32, 1994 Jul 31–Aug 6 5 films · −22% | 5 | $296.2M | −22% | Clear and Present Danger (1994) $215.9M |
53 weeks of 1994 with reported grosses; the biggest is week 25 (Jun 12–18) with $1.1B, led by The Lion King (1994).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Clear and Present Danger (1994) leads with $215.9M worldwide, $122.2M of it in the US & Canada. Next come The Little Rascals (1994) at $67.3M and Eat Drink Man Woman (1994) at $7.3M.
5 films released in week 32 of 1994 (Jul 31–Aug 6) report a worldwide gross, $296.2M in all, or $59.2M per film on average. Week 31, 1994 releases took $401.4M.
None. 1 film crossed $100 million, led by Clear and Present Danger (1994) with $215.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 1994 (Jul 31–Aug 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.