#1 of 8 2018 · Sci-Fi, Fantasy
$18.2M worldwide · 68% of the chart's total
Sorry to Bother You (2018) is the highest-grossing comedy movie released in week 27 of 2018 (Jul 1–7), with $18.2M worldwide, ahead of Rainbow Days (2018) at $4.3M and Everybody’s Talking About Jamie (2018) at $1.6M. 8 comedy films released that week report a worldwide gross, $26.8M in all, 66% of it from the US & Canada. That is down 58% on Week 26, 2018, whose releases took $64.1M. By language, English leads with $19.8M across 2 comedy releases.
#1 of 8 2018 · Sci-Fi, Fantasy
$18.2M worldwide · 68% of the chart's total
Sorry to Bother You (2018) leads with $18.2M, 68% of the total. The top 5 together took $26.4M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 27 of 2018 (Jul 1–7).
Jul 6, 2018 US and Canada: $17.5M Rest of the world: $677.6K Worldwide: $18.2M
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $4.3M
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $1.3M
Jul 6, 2018 US and Canada: $67.6K Rest of the world: $877.4K Worldwide: $945K
Jul 5, 2018 US and Canada: – Rest of the world: – Worldwide: $321.6K
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $14.1K
Jul 1, 2018 US and Canada: – Rest of the world: – Worldwide: $7.5K Week 27 releases took $26.8M. The biggest of these 9 weeks is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
Of these 10 years, Week 27, 2013 earned the most: $1.1B from 14 films, led by Despicable Me 2 (2013). Week 27, 2018 took $26.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 27, 2009 Jun 28–Jul 4 7 films | 7 | $912.9M | – | Ice Age: Dawn of the Dinosaurs (2009) $886.7M |
| Week 27, 2010 Jun 27–Jul 3 5 films · −88% | 5 | $105.1M | −88% | Bayside Shakedown 3: Set the Guys Loose (2010) $85.3M |
| Week 27, 2011 Jun 26–Jul 2 7 films · +27% | 7 | $133.1M | +27% | Larry Crowne (2011) $75.1M |
| Week 27, 2012 Jul 1–7 8 films · −78% | 8 | $29.3M | −78% | Bol Bachchan (2012) $28.8M |
| Week 27, 2013 Jun 30–Jul 6 14 films · +3542% | 14 | $1.1B | +3542% | Despicable Me 2 (2013) $970.8M |
| Week 27, 2014 Jun 29–Jul 5 10 films · −90% | 10 | $107.6M | −90% | Tammy (2014) $100.4M |
| Week 27, 2015 Jun 28–Jul 4 9 films · +48% | 9 | $159.3M | +48% | Magic Mike XXL (2015) $122.6M |
| Week 27, 2016 Jun 26–Jul 2 12 films · −69% | 12 | $49.4M | −69% | Bounty Hunters (2016) $31.9M |
| Week 27, 2017 Jul 2–8 10 films · −79% | 10 | $10.4M | −79% | Teenosaurus Rex (2017) $6.6M |
| Week 27, 2018 Jul 1–7 8 films · +158% | 8 | $26.8M | +158% | Sorry to Bother You (2018) $18.2M |
English-language comedy films took $19.8M across 2 films, 74% of the total, ahead of Japanese-language comedy films ($4.3M) and Cantonese-language comedy films ($1.3M).
52 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Sorry to Bother You (2018) leads with $18.2M worldwide, $17.5M of it in the US & Canada. Next come Rainbow Days (2018) at $4.3M and Everybody’s Talking About Jamie (2018) at $1.6M.
8 comedy films released in week 27 of 2018 (Jul 1–7) report a worldwide gross, $26.8M in all, or $3.3M per film on average. Week 26, 2018 releases took $64.1M.
None. The biggest, Sorry to Bother You (2018), earned $18.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 27 of 2018 (Jul 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.