#1 of 9 2018 · Comedy
$57.6M worldwide · 53% of the chart's total
Goldbuster (2018) is the highest-grossing comedy movie released in week 1 of 2018 (Jan 1–6), with $57.6M worldwide, ahead of Hanson and the Beast (2018) at $46.2M and Love, Chunibyo & Other Delusions! Take On Me (2018) at $2M. 9 comedy films released that week report a worldwide gross, $107.8M in all, <1% of it from the US & Canada. By language, Chinese leads with $57.6M across 1 comedy release.
#1 of 9 2018 · Comedy
$57.6M worldwide · 53% of the chart's total
Goldbuster (2018) leads with $57.6M, 53% of the total. The top 5 together took $107.5M, almost all of what the 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2018 (Jan 1–6).
Jan 5, 2018 US and Canada: $186.1K Rest of the world: $57.4M Worldwide: $57.6M
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $46.2M
Jan 4, 2018 US and Canada: – Rest of the world: – Worldwide: $1.6M
Jan 3, 2018 US and Canada: – Rest of the world: – Worldwide: $160.5K
Jan 4, 2018 US and Canada: – Rest of the world: – Worldwide: $133.5K
Jan 5, 2018 US and Canada: $69.4K Rest of the world: $7.7K Worldwide: $77.1K
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $73.5K
Jan 5, 2018 US and Canada: – Rest of the world: – Worldwide: $11.2K Week 1 releases took $107.8M. The biggest of these 9 weeks is week 51, 2017 (Dec 17–23) with $1.2B, led by Jumanji: Welcome to the Jungle (2017).
Of these 10 years, Week 1, 2018 earned the most: $107.8M from 9 films, led by Goldbuster (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 2009 Jan 1–3 2 films | 2 | $228.2K | – | Deli Dumrul Kurtlar Kuşlar Aleminde (2009) $182.2K |
| Week 1, 2010 Jan 1–2 3 films · −25% | 3 | $171.4K | −25% | Poker (2010) $118.3K |
| Week 1, 2011 Jan 1 3 films · +1646% | 3 | $3M | +1646% | Some Say No (2011) $2.7M |
| Week 1, 2012 Jan 1–7 6 films · +329% | 6 | $12.8M | +329% | Agamenon: The Film (2012) $4.4M |
| Week 1, 2013 Jan 1–5 3 films · −30% | 3 | $9M | −30% | Us in the U.S. (2013) $7.4M |
| Week 1, 2014 Jan 1–4 3 films · +237% | 3 | $30.4M | +237% | A Boss in the Living Room (2014) $16.6M |
| Week 1, 2015 Jan 1–3 5 films · −92% | 5 | $2.4M | −92% | The Miracle (2015) $1.2M |
| Week 1, 2016 Jan 1–2 2 films · −61% | 2 | $956.4K | −61% | Off Key (2016) $952.9K |
| Week 1, 2017 Jan 1–7 6 films · +11117% | 6 | $107.3M | +11117% | Railroad Tigers (2017) $102.2M |
| Week 1, 2018 Jan 1–6 9 films · ±0% | 9 | $107.8M | ±0% | Goldbuster (2018) $57.6M |
Chinese-language comedy films took $57.6M across 1 film, 53% of the total, ahead of Japanese-language comedy films ($2M) and Czech-language comedy films ($1.6M).
52 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Goldbuster (2018) leads with $57.6M worldwide, $186.1K of it in the US & Canada. Next come Hanson and the Beast (2018) at $46.2M and Love, Chunibyo & Other Delusions! Take On Me (2018) at $2M.
9 comedy films released in week 1 of 2018 (Jan 1–6) report a worldwide gross, $107.8M in all, or $12M per film on average.
None. The biggest, Goldbuster (2018), earned $57.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2018 (Jan 1–6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.