#1 of 9 2018 · Comedy
$94M worldwide · 62% of the chart's total
Blockers (2018) is the highest-grossing comedy movie released in week 14 of 2018 (Apr 1–7), with $94M worldwide, ahead of Taxi 5 (2018) at $38.6M and What a Man Wants (2018) at $9.1M. 9 comedy films released that week report a worldwide gross, $151M in all, 40% of it from the US & Canada. That is 5.6 times the total of Week 13, 2018, whose releases took $26.7M. By language, English leads with $94M across 1 comedy release.
#1 of 9 2018 · Comedy
$94M worldwide · 62% of the chart's total
Blockers (2018) leads with $94M, 62% of the total. The top 5 together took $147.8M, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2018 (Apr 1–7).
Apr 6, 2018 US and Canada: $60.3M Rest of the world: $33.7M Worldwide: $94M
Apr 7, 2018 US and Canada: – Rest of the world: – Worldwide: $38.6M
Apr 5, 2018 US and Canada: – Rest of the world: – Worldwide: $9.1M
Apr 3, 2018 US and Canada: – Rest of the world: – Worldwide: $3.1M
Apr 6, 2018 US and Canada: – Rest of the world: – Worldwide: $3M
Apr 5, 2018 US and Canada: – Rest of the world: – Worldwide: $389.8K
Apr 5, 2018 US and Canada: – Rest of the world: – Worldwide: $273.1K
Apr 5, 2018 US and Canada: – Rest of the world: – Worldwide: $39.6K Week 14 releases took $151M. The biggest of these 9 weeks is week 14 (Apr 1–7) with $151M, led by Blockers (2018).
Of these 10 years, Week 14, 2012 earned the most: $332.3M from 11 films, led by American Reunion (2012). Week 14, 2018 took $151M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 2009 Mar 29–Apr 4 7 films | 7 | $40.9M | – | My Girlfriend Is an Agent (2009) $21.1M |
| Week 14, 2010 Mar 28–Apr 3 9 films · +96% | 9 | $80.3M | +96% | Why Did I Get Married Too? (2010) $60.7M |
| Week 14, 2011 Mar 27–Apr 2 11 films · +262% | 11 | $290.5M | +262% | Hop (2011) $184.4M |
| Week 14, 2012 Apr 1–7 11 films · +14% | 11 | $332.3M | +14% | American Reunion (2012) $235M |
| Week 14, 2013 Mar 31–Apr 6 8 films · −96% | 8 | $14.6M | −96% | Running Man (2013) $8.9M |
| Week 14, 2014 Mar 30–Apr 5 6 films · +90% | 6 | $27.8M | +90% | Main Tera Hero (2014) $10.3M |
| Week 14, 2015 Mar 29–Apr 4 6 films · −39% | 6 | $17M | −39% | April Fools (2015) $6.7M |
| Week 14, 2016 Mar 27–Apr 2 12 films · +24% | 12 | $21M | +24% | Meet the Blacks (2016) $9.1M |
| Week 14, 2017 Apr 2–8 12 films · +1447% | 12 | $325.2M | +1447% | Smurfs: The Lost Village (2017) $197.2M |
| Week 14, 2018 Apr 1–7 9 films · −54% | 9 | $151M | −54% | Blockers (2018) $94M |
English-language comedy films took $94M across 1 film, 62% of the total, ahead of French-language comedy films ($41.7M) and Korean-language comedy films ($9.1M).
52 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Blockers (2018) leads with $94M worldwide, $60.3M of it in the US & Canada. Next come Taxi 5 (2018) at $38.6M and What a Man Wants (2018) at $9.1M.
9 comedy films released in week 14 of 2018 (Apr 1–7) report a worldwide gross, $151M in all, or $16.8M per film on average. Week 13, 2018 releases took $26.7M.
None. The biggest, Blockers (2018), earned $94M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2018 (Apr 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.