#1 of 9 Spider-Man: Into the Spider-Verse (2018)
2018 · Action, Adventure
$393.6M worldwide · 93% of the chart's total
Spider-Man: Into the Spider-Verse (2018) is the highest-grossing comedy movie released in week 50 of 2018 (Dec 9–15), with $393.6M worldwide, ahead of City Hunter (2018) at $14.7M and Bon Bini Holland 2 (2018) at $7.2M. 9 comedy films released that week report a worldwide gross, $424.6M in all, 45% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 19.5 times the total of Week 49, 2018, whose releases took $21.8M. By language, English leads with $396.7M across 2 comedy releases.
#1 of 9 Spider-Man: Into the Spider-Verse (2018)
2018 · Action, Adventure
$393.6M worldwide · 93% of the chart's total
Spider-Man: Into the Spider-Verse (2018) leads with $393.6M, 93% of the total. The top 5 together took $422.6M, almost all of what the 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2018 (Dec 9–15).
Dec 15, 2018 US and Canada: – Rest of the world: – Worldwide: $14.7M
Dec 13, 2018 US and Canada: – Rest of the world: – Worldwide: $7.2M
Dec 11, 2018 US and Canada: – Rest of the world: – Worldwide: $4M
Dec 14, 2018 US and Canada: $258.1K Rest of the world: $2.8M Worldwide: $3.1M
Dec 14, 2018 US and Canada: – Rest of the world: – Worldwide: $1.5M
Dec 14, 2018 US and Canada: – Rest of the world: – Worldwide: $182.7K
Dec 14, 2018 US and Canada: – Rest of the world: – Worldwide: $120.8K
Dec 14, 2018 US and Canada: – Rest of the world: – Worldwide: $60.4K Week 50 releases took $424.6M. The biggest of these 9 weeks is week 47 (Nov 18–24) with $654M, led by Ralph Breaks the Internet (2018).
Of these 10 years, Week 50, 2016 earned the most: $685.9M from 12 films, led by La La Land (2016). Week 50, 2018 took $424.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 2009 Dec 6–12 10 films | 10 | $64.3M | – | The Vicious Kind (2009) $47.7M |
| Week 50, 2010 Dec 5–11 7 films · −45% | 7 | $35.3M | −45% | New Kids Turbo (2010) $18.3M |
| Week 50, 2011 Dec 4–10 8 films · +197% | 8 | $104.9M | +197% | The Sitter (2011) $34.9M |
| Week 50, 2012 Dec 9–15 6 films · −94% | 6 | $6.4M | −94% | Stand Up Guys (2012) $5.1M |
| Week 50, 2013 Dec 8–14 9 films · +3390% | 9 | $222M | +3390% | Saving Mr. Banks (2013) $117.9M |
| Week 50, 2014 Dec 7–13 10 films · −72% | 10 | $62.3M | −72% | Top Five (2014) $26.1M |
| Week 50, 2015 Dec 6–12 10 films · +137% | 10 | $147.9M | +137% | The Big Short (2015) $133.4M |
| Week 50, 2016 Dec 4–10 12 films · +364% | 12 | $685.9M | +364% | La La Land (2016) $509.2M |
| Week 50, 2017 Dec 10–16 5 films · −56% | 5 | $299.5M | −56% | Ferdinand (2017) $296.1M |
| Week 50, 2018 Dec 9–15 9 films · +42% | 9 | $424.6M | +42% | Spider-Man: Into the Spider-Verse (2018) $393.6M |
English-language comedy films took $396.7M across 2 films, 93% of the total, ahead of French-language comedy films ($18.7M) and Dutch-language comedy films ($7.2M).
52 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Spider-Man: Into the Spider-Verse (2018) leads with $393.6M worldwide, $190.2M of it in the US & Canada. Next come City Hunter (2018) at $14.7M and Bon Bini Holland 2 (2018) at $7.2M.
9 comedy films released in week 50 of 2018 (Dec 9–15) report a worldwide gross, $424.6M in all, or $47.2M per film on average. Week 49, 2018 releases took $21.8M.
None. 1 film crossed $100 million, led by Spider-Man: Into the Spider-Verse (2018) with $393.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2018 (Dec 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.