Who Dares Wins 1982

In London, a demonstration by the Campaign for Nuclear Disarmament is abruptly interrupted when a protester is killed, setting off a chain of revelations that reshapes how the authorities view the crisis. It quickly becomes clear that a terrorist group has attached itself to the CND to mask a more dangerous plan, and the victim—the murdered protester—was, in fact, an undercover intelligence officer who had infiltrated the cell. This discovery pushes the SAS to rethink its approach, and Colonel J. Hadley proposes a new angle for the investigation that blends undercover ops with high-stakes counterterrorism.

Into this tense atmosphere, two foreign officers—Captain Hagen of the United States Army Rangers and Captain Freund of GSG 9—arrive at SAS headquarters to participate in a training exercise, signaling an international flare to the looming threat. After a brisk close-quarters drill, Hadley introduces the SAS team to Captain Peter Skellen Lewis Collins and his unit—Baker, Dennis, and Williamson—who will become central players in the unfolding drama. What begins as a routine exercise soon reveals a much darker reality: during a Brecon Beacons drill, Hadley and Major Steele uncover Skellen torturing Hagen and Freund, prompting Skellen’s dismissal from the SAS. The twist is cunningly crafted: the torture is a ruse designed to give Skellen the cover of a disgraced operative, enabling him to slip into the terrorists’ circle with plausible credibility.

Skellen’s intelligence contact, Ryan, guides him toward Frankie Leith [Judy Davis] and Rod Walker [Jonathan Duttine], the leaders of the People’s Lobby (PL), who are believed to be orchestrating the attack. An enigmatic foreign broker, Andrey Malek [Aharon Ipalé], helps coordinate with a city banker to funnel large sums of money to PL and allied groups. To cement his cover, Skellen begins a dangerous liaison with Leith, and she introduces him to the PL’s inner circle, granting him a role as a security consultant and letting him move into her home. The layers of deception deepen as Hadley signals Skellen’s location to Hagen and Freund, who respond with brutal force at Leith’s house in an attempt to force Skellen into line. The beating unsettles Leith but does not dispel the suspicious hearts in the PL; Walker, Helga [Ingrid Pitt], and their associates remain wary of Skellen’s true allegiance.

The PL’s distrusting gaze grows sharper as Helga and Walker wiretap Skellen’s meetings with Ryan, his wife Jenny Skellen [Rosalind Lloyd], and their infant child, using the evidence to convince Leith that Skellen cannot be trusted. Walker orders Helga to kill Ryan to sever Skellen’s link to Hadley, while Leith and Walker withhold critical information about the coming attack from him. With their internal communications fraying, Hadley continues to trust Skellen, even as the safety net around his family tightens with police protection.

The assault on the day of the planned operation escalates quickly. Helga and Mac raid Skellen’s home, seizing his family and the police protection guarding them, while Leith leverages this to coerce Skellen into unconditional cooperation. The PL, including Leith, Walker, and Skellen, then execute a bold plan: they infiltrate the official residence of the United States ambassador, using disguises stolen from U.S. Air Force airmen they have kidnapped, and seize a cadre of hostages including the ambassador, the Secretary of State Arthur Currie [Richard Widmark], Strategic Air Command Commander-in-Chief General Ira Potter [Robert Webber], the British Foreign Secretary, their spouses, and staff. The response from security forces—led by Hadley and Metropolitan Police Commander Powell [Edward Woodward]—races against time as the PL’s demands become chilling: unless an American nuclear missile is launched at the Holy Loch naval base, all hostages will be killed. The hostage crisis becomes a moral and political crucible, drawing out Currie’s fatherly concern for his colleagues and Leith’s rhetoric about disarmament, which challenges the coalition both philosophically and practically.

Meanwhile, Dennis [Jon Morrison] and his SAS squad covertly surveil Helga, Mac, and the captives from a hidden vantage, building a parallel file that could expose the PL’s weakness or its resolve. Skellen, sensing the need for a decisive move, taps a mirror as a makeshift heliograph to send coded Morse instructions to Hadley, signaling an assault at 10 a.m. while he crafts a convincing diversion. The Home Secretary urges restraint and negotiations, threatening a political embarrassment if the situation spirals out of control, while Potter’s daring (and fatal) attempt to seize a terrorist MAC-11 becomes a catalyst for action: his death converts negotiation into a green light for a full assault.

The SAS response unfolds with surgical precision. A Westland Scout helicopter lift brings the team onto the rooftop, triggering chaos among the PL’s ranks. Skellen breaks from the pack and opens fire, killing several terrorists, including Walker, as the SAS moves through the ambassador’s residence room by room, disarming, neutralizing threats, and rescuing the hostages. The climactic chase narrows to Skellen’s pursuit of Leith, who is finally stopped when Major Steele arrives and shoots her before she can unleash the final volley. Even as the night ends with the building secured and the hostages safe, Skellen’s grim resolve remains evident: he has completed his mission in the only way he knows, but the toll of deception and violence lingers.

In the aftermath, the political world processes the siege. Sir Richard [Paul Freeman], a central figure in the government, voices his concerns and contemplates the consequences of such violent actions as Malek [Aharon Ipalé] linger in the shadows. The film closes with a sobering roll of terrorist incidents across the years, accompanied by a stirring rendition of The Red Flag, underscoring the ongoing cycle of extremism and retribution thatقات the narrative’s thesis: the path to security lies not in a single act of force but in the continuous, morally fraught contest between power, ideology, and human lives.

Key players and moments, seen through the lens of their real-world counterparts, anchor the story in a tense, morally complex world where a covert mission blurs the line between duty and deception, and where every choice carries weight beyond the immediate crisis. The film’s final image—a reminder of ongoing threats and political consequences—persists as a meditation on the costs of disarmament, the ethics of espionage, and the human stories entwined in a high-stakes confrontation.