The Great Sioux Massacre 1965

The film opens with a board of inquiry into the Battle of the Little Big Horn, focusing on the conduct of Major Joseph Cotten Reno. Captain Darren McGavin Benton is summoned to the stand and, rather than simply answering questions, declares that he will tell his version of the “true story” through a reflective flashback that the audience follows from the start.

Benton takes us back to 1875, arriving in the harsh frontier where his detachment is escorting the wife of the local Indian agent, Mr. Turner Stacy Harris. An ambush erupts as the Indians strike, and Mrs. Turner is abducted from Benton’s group. Their pursuers run into a trap because the Indian trail is false, laid to lure them into a deadly ambush. Dakota, the army scout, advises patience and postponement, but Benton and his comrades press on, only to encounter a wounded Indian whom Dakota shoots, muttering that he will no longer have to starve on an Indian reservation.

Back at the fort, Benton meets Lt. Col. George Armstrong Custer, played by Philip Carey, who gently consoles him about the misstep but agrees with Dakota’s cautious counsel. Custer invites Benton to a dress ball at the fort that evening, while dismissing Mr. Turner’s distraught wife. At the dance, Major Reno returns to the scene in a drunken mood, insisting that everyone address him as a “Major General” in a swaggering nod to his former Confederate rank. Custer, in good humor, tries to bridge old North-South tensions, but Reno’s temper flares and he physically lashes out, leaving Benton to tell Caroline Reno that her family line has taken a tumble.

The next day, Benton and Custer set out to negotiate with Crazy Horse and Sitting Bull to win Mrs. Turner’s release. The Indian leaders demand the release of their own prisoners in exchange, while Custer imposes a stern ultimatum: he will hang the chiefs if Mrs. Turner is not freed. The Indians reluctantly agree, and Mrs. Turner is released. Yet the peace is fragile: the captive Indians attempt a daring escape that ends in a brutal slaughter.

In Washington, DC, Custer’s animosity toward corrupt federal agents grows as he exposes widespread political graft, naming figures in the government who resemble the sort of corruption he has long suspected. Libbie Custer, his wife, stands by his side as they confront a federal machine that seems deaf to reform. President Ulysses S. Grant’s administration remains distant, and when Custer challenges the political status quo, the political world begins to tighten around him.

The narrative returns to the fort as General Alfred Howe Terry, portrayed by Frank Ferguson, informs Major Reno and Captain Benton that Custer’s position is headed for a court-martial. The prospect of command and advancement tempts Benton to stay loyal to his commander, and he initially wrestles with the choice between personal honor and his own future. Caroline Reno, steadfast in her support, rallies her father to reject the warmongering path when faced with the possibility of losing her fiancé.

Meanwhile, Senator Blaine Don Haggerty appears in Washington, softly nudging Custer toward a presidential campaign by leveraging the glory of a war with the Indians. A journalist, perhaps modeled on Mark Kellogg, is assigned to shadow Custer and return him to his regiment, hoping to craft a narrative that could secure political legitimacy.

As the campaign against the Indians grows more menacing, Benton senses that Custer’s empathy for Native Americans has faded. The general begins to push his regiment into a war he sees as a vehicle for personal glory, including brutal displays such as shooting deserters in the back—desertion by a trusted scout, Dakota, among them. Benton, outraged by this shift, confronts Custer and is arrested, a move that only deepens Benton’s resolve. He is eventually freed by his Indian friends, who had learned of his attempts to help their people during the abortive escape. Benton’s warnings of a coordinated, massed Indian force go unheeded as Custer continues to press forward, and the disparate tribes’ strength begins to cohere into a formidable resistance.

The story crescendos toward a convergence of misjudgments and missed signals that mirrors history: Benton fights to avert catastrophe, Custer advances with a divided, thinner force, and the army’s miscalculations culminate in a clash that unfolds with the same inexorable momentum as the famous battle. Through Benton’s testimony, the film traces how ambition, politics, and miscommunication converge to shape a turning point in the American frontier. The conclusion lingers on the cost of pride and the elusive nature of a single “true story” when a moment in history is filtered through memory, loyalty, and the fog of war.