In 1920s New York City, two of the city's most powerful organized crime bosses, Frank Costello and Vito Genovese, find themselves rivals. Once close friends, escalating tensions and betrayals lead to a dangerous conflict that will have a profound impact on the Mafia and the nation.
Does The Alto Knights have end credit scenes?
No!
The Alto Knights does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Alto Knights, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
Robert De Niro
Vito Genovese, Frank Costello
Michael Rispoli
Cosmo Jarvis
Vincent Gigante
Belmont Cameli
Frankie Boy
Noah Bain Garret
Abe Telvi
Ed Amatrudo
Rudolph Halley
Kathrine Narducci
Anna Genovese
Carrie Lazar
LT. Trooper
Debra Messing
Bobbie Costello
Joseph Moreland
Juror
Matt Servitto
George Wolf
Louis Mustillo
Joe Bonanno
Jeffrey Grover
Judge Liebowitz
Wallace Langham
Senator Estes Kefauver
Bob Glouberman
Victor Riesel
James Ciccone
Carlo Gambino
Sydney Miles
Young Bobby Costello
Abi Van Andel
Judge Peggy Cooper
Gary Chinn
Doorman
Luke Stanton Eddy
Young Frank
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Overall, The Alto Knights delivers an uneven return to the gangster genre, blending moments of genuine thematic inquiry with extended sequences that lack momentum. While some critics noted a compelling investigation into power dynamics and occasional strong performances, many others pointed to a shapeless structure and an anti-climactic resolution. The film’s production benefits from seasoned talent and a disciplined visual style, yet those assets are undermined by fragmented pacing and inconsistent character development. Ultimately, it remains a middling entry with sporadic strengths failing to coalesce into a coherent cinematic statement.
The Movie Echo Score Breakdown for The Alto Knights
Art & Craft
In terms of direction and visual composition, The Alto Knights reflects a seasoned production design and measured use of framing, but these strengths are undercut by irregular editing rhythms. Some reviews praised its restrained color palette and competent use of period sets, while others cited confusing cuts and a lack of dynamic camera movement. The result is an art direction that demonstrates technical skill yet struggles to maintain visual cohesion throughout.
Character & Emotion
When it comes to character depth and emotional resonance, performances occasionally register with clarity, particularly in lead portrayals that capture aging mobster nuances. However, the decision to cast one actor in dual roles diminishes distinctive chemistry and leaves several supporting figures underdeveloped. Dialogue often feels expository rather than organic, limiting emotional engagement. Consequently, the character dimension fluctuates between genuine moments of intimacy and broadly sketched portraits with limited impact.
Story & Flow
In terms of plot coherence and pacing, the film alternates between engrossing thematic inquiries and lengthy, diffuse passages that stall narrative momentum. Several critics noted that the sequence of events can feel glacial, with half-formed subplots and an ending that fails to deliver strong dramatic payoff. The reliance on voice-over exposition further fragments the flow. Overall, the storyline demonstrates thematic ambition but suffers from inconsistent structure and pacing lapses.
Sensory Experience
When it comes to sensory elements such as soundtrack and sound design, The Alto Knights offers a sporadically effective audio landscape, mixing a subdued score with occasional jocular musical cues. Visually, production design registers period authenticity, yet the overall cohesion is undermined by uneven editing and moments of visual stasis. While certain sequences showcase thoughtful sound mixing, the sensory experience as a whole lacks sustained immersive impact.
Rewatch Factor
In terms of replay value and lasting appeal, the film’s derivative narrative and underdeveloped supporting characters limit motivation for subsequent viewings. Although some viewers appreciate select thematic passages and performances, most find the experience only moderately engaging on first viewing, with minimal surprises or new discoveries thereafter. The combination of uneven pacing and familiar genre tropes yields limited enthusiasm for a rewatch, resulting in modest enduring appeal.
47
Metascore
4.0
User Score
39%
TOMATOMETER
71%
User Score
5.8 /10
IMDb Rating
63
%
User Score
2.7
From 8 fan ratings
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Who is the ambitious underboss behind the failed assassination attempt on Frank Costello?
Read the complete plot summary of The Alto Knights, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the gripping narrative of a disintegrating criminal empire, Frank Costello, the Luciano family boss, finds himself enmeshed in a perilous game of survival following a failed assassination attempt by his ambitious underboss, Vito Genovese. Troubled by the incessant violence and relentless betrayals that color his existence, Costello declares his desire to retire and relinquish control of the family. Yet, Genovese, driven by an insatiable thirst for power and unyielding suspicion, perceives a treacherous plot beneath Costello’s intentions. This rising tide of distrust ignites a silent yet lethal conflict between the two men.
Things escalate when Genovese coldly arranges the brutal execution of Albert Anastasia, Costello’s chosen heir, while the latter sits unsuspectingly in a barber’s chair. This shocking act of violence obliterates the already fragile truce, plunging Costello into a stark realization—his life, along with the safety of his cherished wife, is precariously threatened. Convinced that dismantling the very empire he painstakingly constructed is the only way to secure their safety, Costello recognizes he must act decisively against Genovese’s imminent threats.
Genovese, so conditioned by his own paranoia, views Costello as a persistent danger to his ambition to dominate the Five Families and ascend as capo dei capi. In his warped perception, Costello’s demeanor, which seems mild, conceals a vengeful cunning, ready to retaliate for the thwarted assassination. However, unlike the power-hungry Genovese, Costello opts for a calculated, strategic ploy rather than succumbing to brutish ambition.
Forging a plan that defies the mafia’s traditional retaliatory codes, Costello refrains from murder, understanding that Genovese has enmeshed himself with influential allies likely to seek vengeance. Instead, he embarks on a more nuanced and insidious strategy, leveraging the heightened attention on the mafia to orchestrate Genovese’s arrest.
At the heart of Costello’s operation is the notorious Apalachin meeting. Although never definitively proven, circumstantial evidence hints that Costello may have alerted law enforcement to the congregation of formidable mafia leaders in Apalachin, New York, with Genovese set to solidify his ascendant status. To ensure the authorities would arrive on time, Costello deliberately delays his entrance, stopping for coffee and engaging in innocent apple-picking, all to buy precious moments for the impending raid. His somewhat comical antics, however, do not escape the notice of his vigilant driver.
Caught entirely off guard, the mobsters at the meeting explode into chaos, attempting to escape into the woods and inadvertently leaving a trail of incriminating evidence in their wake. Law enforcement meticulously documents license plate numbers, which leads to the indictment of twenty individuals for conspiracy to obstruct justice, having falsely claimed the meeting’s purpose. The dramatic Apalachin raid not only illuminates the inner workings of the American Mafia but also sets the stage for Genovese’s eventual downfall on drug charges in later years. Meanwhile, Costello, who quietly maneuvers the treacherous waters of organized crime, finally realizes his long-held aspiration for a peaceful retirement, eventually passing away as an older man who outwitted his rivals.
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