
Set against the backdrop of 1960s Newark, New Jersey, this film explores the formative years of a young man who would become a notorious mob boss. As racial tensions and gang rivalries escalate, he grapples with adolescence while witnessing a power struggle within the DiMeo crime family. His uncle, Dickie Moltisanti, a charismatic figure, attempts to guide him, unknowingly shaping the future leader’s path and setting in motion a series of events that will define his destiny.
Does The Many Saints of Newark have end credit scenes?
No!
The Many Saints of Newark does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Many Saints of Newark, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

John Magaro
Silvio Dante

Vera Farmiga
Livia Soprano

Alessandro Nivola
Dickie Moltisanti

Billy Magnussen
Paulie Walnuts

Michael Gandolfini
Teenage Tony Soprano

Corey Stoll
Junior Soprano

Leslie Odom Jr.
Harold McBrayer

Jon Bernthal
Johnny Soprano

Ray Liotta
'Hollywood Dick' Moltisanti, Salvatore 'Sally' Moltisanti

Daryl Edwards

Michela De Rossi
Giuseppina Moltisanti

Alex Morf

Gabriella Piazza
Joanne Moltisanti

Joey Diaz
Buddha

Kathryn Kates

Lesli Margherita
Iris Balducci
Discover where to watch The Many Saints of Newark online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how The Many Saints of Newark is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The Many Saints of Newark stands among top-rated movies in its genre.
The film falls short of delivering a compelling prequel experience, with its narrative and stylistic choices feeling uneven and under‑developed. Critics acknowledge occasional moments that echo the original series, yet the majority note a lack of depth, pacing problems, and a forgettable execution. Audience reactions are largely negative, pointing to uninspired storytelling and uneven performances. Consequently, the movie offers limited appeal beyond dedicated fans, resulting in a modest overall assessment.
The Movie Echo Score Breakdown for The Many Saints of Newark
Art & Craft
In terms of art and craft, the film displays competent production design but suffers from direction that lacks distinct flair. Critics note moments that recapture the original series' aesthetic, yet many describe the visual approach as generic and the editing as unfocused. The overall craftsmanship therefore feels adequate at best, without the polish expected from a high‑profile prequel.
Character & Emotion
When evaluating character work, performances are uneven, with some actors delivering uncanny resemblances while others appear over‑acted or forgettable. Reviews mention a reduction of complex figures to simplistic traits and a general failure to generate emotional resonance. Despite isolated praise for the young Silvio portrayal, the ensemble overall lacks depth, leading to a weak character impression.
Story & Flow
The story suffers from a cramped structure that attempts to condense extensive backstory into a brief runtime. Critics and viewers alike point to a generic, disjointed plot that struggles to maintain coherence and originality. Pacing issues and an underdeveloped central conflict result in a narrative that feels more like a collection of references than a unified saga.
Sensory Experience
Sensory elements, including the soundtrack and visual style, provide occasional highlights that echo the tone of the source material. Some reviewers commend the period‑appropriate atmosphere and sound design, though the overall experience is muted by inconsistent execution. While the sensory layer adds texture, it does not consistently elevate the film above its narrative shortcomings.
Rewatch Factor
Rewatch value is limited, as the film delivers few new insights and relies heavily on nostalgia that may not satisfy casual viewers. Critics describe it as a nostalgic recap rather than a fresh story, and audience feedback emphasizes a lack of lasting appeal. Consequently, repeated viewings are unlikely to reveal additional depth or enjoyment.
60
Metascore
5.0
User Score
72%
TOMATOMETER
59%
User Score
6.3 /10
IMDb Rating
63
%
User Score
2.8
From 47 fan ratings
3.00/5
From 3 fan ratings
Challenge your knowledge of The Many Saints of Newark with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What year does the movie primarily take place in?
1967
1972
1985
1990
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Read the complete plot summary of The Many Saints of Newark, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1967, a young Tony Soprano embarks on a journey with Dickie Moltisanti to celebrate the return of Dickie’s father, “Hollywood Dick” Moltisanti, who arrives home with his new Italian bride, Giuseppina Moltisanti. This tight-knit group is part of the DiMeo crime family, which includes notable figures like Johnny Soprano, his brother Junior Soprano, and comrades such as Silvio Dante, Paulie Walnuts, and Buddha, who is Pussy Bonpensiero’s father.
Amidst their lives, a significant event unfolds as a black taxi driver is brutally assaulted by white police officers, igniting riots in Newark. In this climate of unrest, Harold McBrayer, one of Dickie’s associates, decides to join the chaos. Meanwhile, a carnival becomes the backdrop for turmoil as both Johnny and Junior get arrested, leaving Tony as a mere observer. The repercussions are severe as Johnny gets handed a four-year prison sentence.
The situation escalates further when Hollywood Dick exhibits his violent nature by kicking Giuseppina down a flight of stairs, prompting Dickie to confront him. In a cruel twist of fate, Dickie ends up killing his father and cleverly stages the scene to appear as if Hollywood Dick had perished in the riots by incinerating his body in his own drainage supply building.
As Dickie grapples with his choices, he pays a visit to his uncle, Sally, who is imprisoned for a family crime. Their meetings lead to Dickie seeing Giuseppina as more than just a wife, but as a sweet indulgence. Meanwhile, young Tony finds himself tossed out of school for initiating a gambling scheme.
Four years later, Johnny is finally welcomed back from prison, and at a heartwarming reunion, Dickie and his wife Joanne introduce their infant son, Christopher, whose wails trigger a comment about some babies having innate wisdom.
As tensions rise, Harold returns from North Carolina, determined to carve a niche for a black-led crime operation in Newark, while Giuseppina’s affair with Harold complicates matters further. A bloody rivalry erupts between Harold’s crew and the DiMeos, culminating in a shootout that takes Buddha’s life.
Tony’s academic struggles continue; he steals geometry exam answers, much to the concern of his school guidance counselor. The counselor informs Livia, Tony’s mother, about his exceptional intelligence, and although Livia tries to bond with him, her mention of her mental health struggles only drives a wedge between them.
At a wake, Tony approaches Dickie, seeking Elavil for his mother, but Dickie appears reluctant. Tensions peak when Junior has an accident that brings laughter from Dickie, inciting Junior’s fury. Dickie attempts to woo Giuseppina back, only to be heartbroken when she confesses her affair with Harold. Enraged, Dickie resorts to drowning her in the sea.
Seeking guidance, Dickie visits Sally, who advises him to keep his distance from Tony for the boy’s well-being. Despite bureaucratic pressures, Silvio encourages Dickie to mend things with Tony. However, tragedy strikes when Dickie is shot in the head by an unknown assailant, with orders stemming from Junior Soprano.
The climax approaches as Tony, overwhelmed with grief, gazes at Dickie’s lifeless body at the wake, forever haunted by the choices that led to this devastating end.
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