
Antonina Milyukova, a young woman from a privileged Russian family in the 19th century, becomes fixated on marrying the renowned composer Pyotr Tchaikovsky after hearing his music. Despite his initial acceptance of their union, Tchaikovsky later blames Antonina for his personal and professional struggles, subjecting her to harsh treatment and attempts to end their marriage. Driven by her enduring feelings, she resolves to remain with him, enduring humiliation and disgrace until she is slowly driven to the brink of madness.
Does Tchaikovsky’s Wife have end credit scenes?
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Tchaikovsky’s Wife does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Tchaikovsky’s Wife, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Yuliya Aug
Mad Woman at Church

Aleksandr Gorchilin
Brandukov, Tchaikovsky's Pupil

Varvara Shmykova
Sasha, Tchaikovsky's Sister

Georgiy Kudrenko
Postman

Ekaterina Ermishina
Liza, Antoninona's Sister

Vladimir Mishukov
Shlykov, Antonina's Lawyer

Viktor Horinyak
Yurgenson, Tchaikovsky's Publisher

Olga Dobrina
Nun

Natalya Pavlenkova
Olga Nikaronovna, Antonina's Mother

Tatyana Dolmatovskaya
Milliner

Philipp Avdeev
Modest Tchaikovsky / Anatoli Tchaikovsky

Stanislav Rumyantsev
Young officer

Marina Kleshchyova
Midwife

Andrey Burkovskiy
Vladimir Meshchersky

Aleksey Fokin
Best man

Nikita Elenev
Kotek, Tchaikovsky's Pupil

Savva Savelyev
Restaurant visitor

Miron Fedorov
Nikolai Rubinstein

Odin Lund Biron
Pyotr Tchaikovsky

Alyona Mikhaylova
Antonina Milyukova

Artem Nemov
Serge

Evgeny Pisarev
Funeral

Sofya Reznik
Anastasia, Aleksandr's wife

Egor Kuvshinov
Handsome man

Teresa Mavica
Funeral

Vladislav Semiletkov
Newspaper seller

Akilina Sokolova
Girl on platform

Gurgen Tsaturyan
Nikolai Bochechkarov, Tchaikovsky's Friend

Irina Rudnitskaya
Cook

Ilya Demutsky
Restaurant visitor

Vasily Zorky
Restaurant visitor

Dmitry Andreev
Restaurant guest

Nikita Pirozhkov
Alyosha, Tchaikovsky's Servant

Mikhail Makarov
Young officer

Vasiliy Popov
Young officer

Nikita Yurtaev
Young officer

Nikita Grigorev
Young officer

Daniil Orlov
Albrekht

Mariya Zolotukhina
Student

Natalia Polenova
Khvostova

Nikita Lebedev
Aleksandr, Antonina's Brother

Peter Aidu
Undertaker

Eugene Ferre
Handsome Man
Discover where to watch Tchaikovsky’s Wife online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Tchaikovsky’s Wife is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Tchaikovsky’s Wife stands among top-rated movies in its genre.
Tchaikovsky’s Wife elicits a mixed but generally appreciative response, with particular commendation for its visual ambition and lead performance, while its sprawling narrative and character development generate frustration for some viewers. Critics highlight the film’s lavish production design and striking cinematography, yet note that the focus on aesthetic sometimes obscures the human story. The runtime and occasional lack of contextual clarity dampen its accessibility, resulting in a moderately positive aggregate impression.
The Movie Echo Score Breakdown for Tchaikovsky’s Wife
Art & Craft
In terms of art and craft, the film is widely praised for its sumptuous visual palette and meticulous production design. Critics commend the lavish costumes and the work of cinematographer Vladislav Opelyants, noting striking, gorgeous frames that enhance the period atmosphere. Some reviewers, however, describe the visual richness as inert, suggesting it can overwhelm narrative focus. Overall, the craftsmanship is regarded as a strong component of the work.
Character & Emotion
When assessing character and emotion, the lead actress, Olga Mikhailova, receives consistent acclaim for an unforgettable, nuanced performance that anchors the film. Reviewers highlight her ability to convey the inner turmoil of Antonia, adding depth to the portrayal. Conversely, some criticism points to a lack of contextual back‑story, making the protagonist appear obsessive and difficult to empathize with. The overall character work is seen as potent yet uneven.
Story & Flow
In terms of story and flow, the film’s ambitious, revisionist take on Tchaikovsky’s marriage is praised for its originality and depth upon reflection. Yet reviewers note a measured, often oppressive pacing that stretches the two‑and‑a‑half‑hour runtime, leaving audiences feeling the narrative is dry and lacking clear motivation for Antonia’s actions. Consequently, the plot is perceived as compelling in concept but unevenly executed.
Sensory Experience
The sensory experience is highlighted by strong praise for the film’s score and sound design, which align with its visual grandeur. Critics describe the soundtrack as an apt counterpart to the imagery, while the cinematography delivers vivid, colorful scenes that linger. Some observers mention an ice‑cold core that tempers emotional warmth, yet overall the auditory and visual elements are regarded as richly immersive.
Rewatch Factor
Rewatch factor is moderate; the film’s layered visuals and ambitious premise reward multiple viewings, unveiling new thematic nuances upon reflection. Critics note that its richness grows with repeated analysis, suggesting lasting appeal for audiences interested in period biopics. However, the lengthy, dense narrative and occasional character opacity may deter casual repeat viewings, leading to a balanced but not strong rewatch incentive.
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