Super 2005

Akhil, a call‑cab service owner, falls in love with Dr. Srivalli alias Siri. Their romance forms a core thread of the story, unfolding against a backdrop of crime, loyalty, and a network of betrayals. On the other side of this budding relationship stands Sonu, a sharp, tech‑savvy thief who once worked for Siri’s father as a car mechanic. Sonu adopts Siri as his sister and brings her into his home after his father’s death in a car crash, setting up a complicated triangle where Akhil and Sonu are far from friends.

As the tension grows, Sonu learns of Siri’s deep feelings for Akhil and tries to steer Siri away from him, hoping to protect her from a feud that runs deep between the two men. Siri visits Akhil’s house to understand Sonu’s enmity, and what she uncovers is a web of past loyalties and shared history. Akhil opens up about their complicated past: he and Sonu were once best friends who struggled to land jobs after graduation, a struggle shared with Sonu’s sister Sasha, who was also a bright graduate in their circle.

The story takes a central turn when Sasha, who has grown close to Akhil, needs urgent surgery for appendicitis. To pay the medical bills, Akhil and Sonu turn to bank robberies, a path they initially walk out of necessity but eventually continue to tread as a pattern. Sasha’s affections complicate the dynamic further when she confesses love for Akhil and even proposes marriage, only for him to shy away, preferring to remain close friends with her. This emotional strain compounds the tension in their relationship and foreshadows the tragedies to come.

Tragedy strikes when Sasha is found dead on the road, her arm slightly cut and her death attributed to blood loss. The circumstances are murky, and Sonu places the blame on Akhil, tearing apart their longtime friendship. With the sense of normalcy slipping away, Akhil tries to pivot toward a quieter life, seeking something resembling ordinary days. Amid these personal upheavals, the plot introduces an artist named Abraham who, while attempting to sketch Sonu, ends up drawing Akhil’s portrait, drawing the cops’ attention and leading to Akhil’s arrest. The authorities argue that Akhil resembles one of the suspects in a surveillance video, and the case becomes entangled with misperceptions and hidden truths.

A crucial turn comes when the video allegedly reveals Sasha’s murder, throwing a new light on the trio’s past. Akhil, attempting to distance himself from the chaos, lies to the cops about his presence in the footage, while Abraham asserts that Akhil is not a thief. This tangled web propels Sonu to tail Akhil to a place known as the Biker’s Club, where they uncover that the club’s owner, Mama, has orchestrated the robberies and is connected to Sasha’s death. Sasha had visited the club late and discovered that Mama’s men were the ones pushing them toward diamond thefts. The revelation confirms a deeper plot: the goons intended to eliminate the trio once the robbery succeeded, and Sasha’s attempt to escape ended in tragedy as she was killed, with Akhil and Sonu left to believe she took her own life.

In a moment of reckoning, Sonu apologizes to Akhil and the two reconcile, but the danger escalates when Mama kidnaps Siri. The pair decide to pull off a dramatic diamond robbery to counter Mama’s schemes, echoing a heist ethos reminiscent of classic capers. They execute the plan by blowing up the truck carrying the diamonds and plunging into the sea, a move that mirrors a famous heist scenario and signals the high-stakes stakes of their world. Akhil dives into the waters to recover the diamonds, and a tense pursuit unfurls on motorboats as the police close in. A brutal moment comes when a cop shoots Sonu; he falls into the ocean, but this is revealed to be a ruse of fate—Sonu survives, protected by a vest and sheer resilience.

Driven by grit, Akhil presses on to Mama’s lair, where Sonu reveals he is alive and stands by Siri. The pair rescue Siri from Mama’s clutches, and their combined efforts dispatch Mama’s men, securing both Siri and the precious diamonds. The latter part of the tale brings a quiet, almost mythic revenge: Abraham finally draws Sonu’s portrait, but the police remain skeptical, and even the captain who had been transferred away won’t vouch for him. In a final gesture, Akhil and Sonu gift a diamond to Abraham and request him to craft one last portrait—this time, a drawing of Akhil and Siri—closing the circle on a story built on loyalty, misjudgment, and the blurred lines between crime and redemption.