#1 of 26 How to Train Your Dragon (2025)
2025 · Action, Adventure
$636.9M worldwide · 83% of the chart's total
How to Train Your Dragon (2025) is the highest-grossing movie released in week 24 of 2025 (Jun 8–14), with $636.9M worldwide, ahead of Materialists (2025) at $107.9M and Stitch Head (2025) at $8.1M. 26 films released that week report a worldwide gross, $764.6M in all, 40% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 3.8 times the total of Week 23, 2025, whose releases took $200.4M. By genre, Romance leads with $109.8M across 3 releases.
#1 of 26 How to Train Your Dragon (2025)
2025 · Action, Adventure
$636.9M worldwide · 83% of the chart's total
How to Train Your Dragon (2025) leads with $636.9M, 83% of the total. The top 5 together took $756M, 99% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2025 (Jun 8–14).
Jun 13, 2025 US and Canada: $263M Rest of the world: $373.9M Worldwide: $636.9M
Jun 13, 2025 US and Canada: $36.5M Rest of the world: $71.4M Worldwide: $107.9M
Jun 10, 2025 US and Canada: $4.6M Rest of the world: $3.5M Worldwide: $8.1M
Jun 10, 2025 US and Canada: – Rest of the world: – Worldwide: $1.6M
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $1.4M
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $1.1M
Jun 9, 2025 US and Canada: – Rest of the world: – Worldwide: $1.1M
Jun 13, 2025 US and Canada: $996.5K Rest of the world: $26.4K Worldwide: $1M
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $888.7K
Jun 9, 2025 US and Canada: $725.6K Rest of the world: Worldwide: $725.6K
Jun 13, 2025 US and Canada: $43.1K Rest of the world: $652K Worldwide: $695.1K
Jun 12, 2025 US and Canada: – Rest of the world: – Worldwide: $601.6K
Jun 11, 2025 US and Canada: – Rest of the world: – Worldwide: $426.2K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $366.6K
Jun 12, 2025 US and Canada: – Rest of the world: – Worldwide: $178.1K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $98.1K
Jun 9, 2025 US and Canada: – Rest of the world: – Worldwide: $72.1K
Jun 12, 2025 US and Canada: – Rest of the world: – Worldwide: $57.7K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $34.3K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $26.2K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $20K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $8K
Jun 11, 2025 US and Canada: – Rest of the world: – Worldwide: $2.9K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $2.8K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $2.2K Of the top 10, The Unholy Trinity (2025) earned the biggest share at home (97% in the US & Canada), while Miss Kobayashi’s Dragon Maid: A Lonely Dragon Wants to Be Loved (2025) made 93% of its gross abroad. Across all 26 films, $305.9M (40%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
2 of 26 films crossed $100M and took $744.8M between them, 97% of the total. 24 films, 92% of the list, earned under $10M.
Week 24 releases took $764.6M. The biggest of these 9 weeks is week 21 (May 18–24) with $1.7B, led by Lilo & Stitch (2025).
Of these 10 years, Week 24, 2024 earned the most: $1.8B from 40 films, led by Inside Out 2 (2024). Week 24, 2025 took $764.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2016 Jun 5–11 25 films | 25 | $1.1B | – | Warcraft (2016) $439M |
| Week 24, 2017 Jun 11–17 35 films · −45% | 35 | $614.3M | −45% | Cars 3 (2017) $383.9M |
| Week 24, 2018 Jun 10–16 31 films · +146% | 31 | $1.5B | +146% | Incredibles 2 (2018) $1.2B |
| Week 24, 2019 Jun 9–15 50 films · −79% | 50 | $315.3M | −79% | Men in Black: International (2019) $253.9M |
| Week 24, 2020 Jun 7–13 21 films · −91% | 21 | $29M | −91% | 365 Days (2020) $9.5M |
| Week 24, 2021 Jun 6–12 30 films · +830% | 30 | $269.7M | +830% | Peter Rabbit 2: The Runaway (2021) $153.9M |
| Week 24, 2022 Jun 5–11 21 films · +293% | 21 | $1.1B | +293% | Jurassic World Dominion (2022) $1B |
| Week 24, 2023 Jun 11–17 36 films · +22% | 36 | $1.3B | +22% | Elemental (2023) $496.4M |
| Week 24, 2024 Jun 9–15 40 films · +36% | 40 | $1.8B | +36% | Inside Out 2 (2024) $1.7B |
| Week 24, 2025 Jun 8–14 26 films · −57% | 26 | $764.6M | −57% | How to Train Your Dragon (2025) $636.9M |
Romance took $109.8M across 3 films, 14% of the total, ahead of Comedy ($109.7M) and Animation ($9.5M). A film counts once for each of its genres. English-language films took $757.5M across 12 films, 99% of the total, ahead of Japanese-language films ($4M) and Norwegian-language films ($1.4M).
53 weeks of 2025 with reported grosses; the biggest is week 7 (Feb 9–15) with $3.1B, led by Ne Zha 2 (2025).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
How to Train Your Dragon (2025) leads with $636.9M worldwide, $263M of it in the US & Canada. Next come Materialists (2025) at $107.9M and Stitch Head (2025) at $8.1M.
26 films released in week 24 of 2025 (Jun 8–14) report a worldwide gross, $764.6M in all, or $29.4M per film on average. Week 23, 2025 releases took $200.4M.
None. 2 films crossed $100 million, led by How to Train Your Dragon (2025) with $636.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2025 (Jun 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.