A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.
Does Materialists have end credit scenes?
No!
Materialists does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Materialists, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
Marin Ireland
Violet
Chris Evans
John
John Magaro
Mark P.
Pedro Pascal
Harry
Dakota Johnson
Lucy
Madeline Wise
Beth
Zoe Winters
Sophie
Rachel Zeiger-Haag
Jenn
Joseph Lee
Trevor
Sawyer Spielberg
Mason
Dasha Nekrasova
Daisy
Eddie Cahill
Robert
Emmy Wheeler
Rose
Louisa Jacobson
Charlotte
Nedra Marie Taylor
Audrey
Sietzka Rose
Eleanor
Halley Feiffer
Patricia
Ian Stuart
Logan
Dan Domenech
Ron
Emiliano Díez
Harry's Father
Discover where to watch Materialists online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like Metacritic, Rotten Tomatoes, IMDb or TMDb.
See how Materialists is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Materialists stands among top-rated movies in its genre.
In Materialists, the film’s strongest quality lies in its thoughtful examination of self-worth through a romantic framework. Critics praised its introspective turn on the love-triangle premise, most noting its nuanced emotional beats and thematic freshness. While some found the tone uneven and the narrative lapses in the second half detracted at times, the prevailing consensus highlights its assured direction and empathetic character work. Overall, Materialists emerges as a compelling, if imperfect, drama that rewards viewers with meaningful insight on subsequent reflection.
The Movie Echo Score Breakdown for Materialists
Art & Craft
In terms of art and craft, Materialists presents a restrained visual style that underlines its emotional focus. The direction favors measured framing and deliberate pacing, though moments of uneven editing occasionally interrupt its flow. Production design is understated, highlighting the urban setting without distraction. Overall, the film’s art direction supports its themes with subtle cohesion.
Character & Emotion
When it comes to character and emotion, Materialists excels at conveying depth and nuance within its central trio. Performances deliver authentic vulnerability, and the script affords each figure moments of introspection that resonate with underlying anxieties about self-worth. Emotional chemistry is consistently engaging, even as plot shifts challenge audience expectations. Ultimately, character work remains the film’s most compelling element.
Story & Flow
In terms of story and flow, Materialists subverts the conventional rom-com structure by infusing its narrative with cynical wit and gradual emotional revelations. The first half establishes its characters with confident pacing, though the second act’s tonal shifts can feel uneven. Themes of perceived value and relational cost are explored thoughtfully, yielding a narrative that is both familiar and refreshingly nuanced by the conclusion.
Sensory Experience
Regarding sensory experience, Materialists employs a subtle soundtrack and restrained sound design that complement its introspective tone. Visual compositions rely on muted color palettes and static compositions to emphasize emotional distance, though some sequences lack dynamic flourish. The overall auditory and visual cohesion supports the film’s mood without drawing undue attention. In sum, the sensory elements are understated yet effective.
Rewatch Factor
When evaluating rewatch factor, Materialists offers renewed insight through its layered themes and character dynamics. Subsequent viewings can reveal subtleties in tonal interplay and thematic references that may be missed initially. However, the film’s deliberate pacing and occasional narrative inconsistencies might temper enthusiasm for repeated viewings. Overall, its thoughtful intricacies encourage a second look, though not all elements sustain strong replay value.
73
Metascore
tbd
User Score
89%
TOMATOMETER
0%
User Score
100
%
User Score
Read the complete plot summary of Materialists, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Lucy is a former actress turned successful matchmaker for New York City-based firm Adore, her pairings having resulted in 9 marriages. Though voluntarily celibate, she states that she will only date and then marry a rich man. Attending the wedding of her ninth successful pairing, she is approached by financier Harry Castillo, the brother of the groom. He attempts to ask her out, but she rebuffs him by recommending that he become a client of Adore’s. By chance, she also reunites with John, her ex-boyfriend working at the wedding as a caterer. Alone, John and Lucy catch up, with John revealing that he is still pursuing acting, having gotten a part in an independent play. Back at the wedding, Harry agrees to work with Adore if he shares a dance with him. She accepts, and John watches from afar. Driving back to her home, John and Lucy reminisce on their relationship, which eventually dissolved when she could no longer handle the financial strain of being together.
Harry continues pursuing Lucy, taking her on dates at upscale restaurants. Lucy asks Harry, who she considers a “unicorn” due to his wealth and attractiveness, what he sees in her, believing he can do better than her. Harry responds that he admires and respects her worldview, and he gets her to admit that his lavishing her makes her feel valuable. Eventually, the two begin an official relationship, and it begins to take an effect on Lucy’s work, managing to get Sophie, a near middle-aged long-unsuccessful client, a potential match with client Mark. Lucy and Harry attend John’s play, with John having to watch the two together from the stage.
After it’s revealed that Mark assaulted Sophie during their time together, a mortified Lucy begins to doubt her skills as a matchmaker. Her boss, Violet, assures her that Adore will take any legal responsibilities for the assault and gives her four weeks off to refresh herself. Against Violet’s orders, Lucy approaches Sophie unsolicited to apologize for what happened, and Sophie accuses Lucy of carelessly passing her off to a predator in order to quickly make a match and cuts ties with her.
Lucy sublets her apartment for two weeks to go to Iceland with Harry on business, but she suddenly realizes that there are no real romantic feelings between them and decides to cut things off with him. They separate amicably and he departs for Iceland alone. Without a place to stay, she decides to temporarily move in with John. With money received from a stipend for the play, they decide to stay someplace upstate away from John’s obnoxious roommates.
They are allowed to attend a wedding being catered by the company John works for, and Lucy kisses John while dancing. Conflicted, John asks Lucy if they are getting back together in spite of his financial state, and Lucy says she doesn’t know. She suddenly receives a frantic call from Sophie saying that Mark is trying to get into her apartment and that the police won’t help unless he’s actively breaking in. Lucy instructs Sophie to warn Mark that she’s coming, and John drives her to Sophie’s apartment. Though Mark had since fled, Lucy checks on Sophie, and when Sophie laments that she will die alone, Lucy promises her that she will eventually find the love of her life. Before he leaves Lucy to help Sophie file a restraining order against Mark, John makes a “final offer” to rekindle their relationship, promising to love her every single day of their lives, and she agrees.
Some time later, Lucy is offered Violet’s role as head of the New York branch of Adore as she prepares to transfer to a new city, but Lucy informs her that she intended on quitting the following day, though half-heartedly offers to still consider it. During a take-out lunch date in Central Park, John proposes to Lucy, and she kisses him in acceptance.
During the credits, footage of the City Clerk’s office is shown as several couples apply for and receive their marriage licenses.
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