#1 of 8 2025 · Action, Drama
$1.6M worldwide · 42% of the chart's total
11 Rebels (2025) is the highest-grossing thriller movie released in week 24 of 2025 (Jun 8–14), with $1.6M worldwide, ahead of The Other (2025) at $1.1M and Sham (2025) at $1.1M. 8 thriller films released that week report a worldwide gross, $3.9M in all. That is down 98% on Week 23, 2025, whose releases took $160.2M. By language, Japanese leads with $2.7M across 2 thriller releases.
#1 of 8 2025 · Action, Drama
$1.6M worldwide · 42% of the chart's total
11 Rebels (2025) leads with $1.6M, 42% of the total. The top 5 together took $3.9M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2025 (Jun 8–14).
Jun 10, 2025 US and Canada: – Rest of the world: – Worldwide: $1.6M
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $1.1M
Jun 9, 2025 US and Canada: – Rest of the world: – Worldwide: $1.1M
Jun 12, 2025 US and Canada: – Rest of the world: – Worldwide: $57.7K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $34.3K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $20K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $8K
Jun 13, 2025 US and Canada: – Rest of the world: – Worldwide: $2.2K Week 24 releases took $3.9M. The biggest of these 9 weeks is week 21 (May 18–24) with $600.2M, led by Mission: Impossible – The Final Reckoning (2025).
Of these 10 years, Week 24, 2022 earned the most: $1B from 2 films, led by Jurassic World Dominion (2022). Week 24, 2025 took $3.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2016 Jun 5–11 6 films | 6 | $660.9M | – | Now You See Me 2 (2016) $334.9M |
| Week 24, 2017 Jun 11–17 6 films · −89% | 6 | $73.3M | −89% | 47 Meters Down (2017) $62.2M |
| Week 24, 2018 Jun 10–16 6 films · +86% | 6 | $136.7M | +86% | Animal World (2018) $74.9M |
| Week 24, 2019 Jun 9–15 4 films · −100% | 4 | $89.9K | −100% | Game Over (2019) $63.2K |
| Week 24, 2020 Jun 7–13 3 films · +7850% | 3 | $7.1M | +7850% | Innocence (2020) $6.7M |
| Week 24, 2021 Jun 6–12 5 films · −71% | 5 | $2.1M | −71% | The Misfits (2021) $1.6M |
| Week 24, 2022 Jun 5–11 2 films · +48709% | 2 | $1B | +48709% | Jurassic World Dominion (2022) $1B |
| Week 24, 2023 Jun 11–17 4 films · −98% | 4 | $18.3M | −98% | The Blackening (2023) $18.2M |
| Week 24, 2024 Jun 9–15 7 films · −49% | 7 | $9.4M | −49% | Just the Two of Us (2024) $5.2M |
| Week 24, 2025 Jun 8–14 8 films · −59% | 8 | $3.9M | −59% | 11 Rebels (2025) $1.6M |
Japanese-language thriller films took $2.7M across 2 films, 69% of the total, ahead of English-language thriller films ($1.1M) and Dutch-language thriller films ($57.7K).
52 weeks of 2025 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.9B, led by Avatar: Fire and Ash (2025).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
11 Rebels (2025) leads with $1.6M worldwide. Next come The Other (2025) at $1.1M and Sham (2025) at $1.1M.
8 thriller films released in week 24 of 2025 (Jun 8–14) report a worldwide gross, $3.9M in all, or $485.1K per film on average. Week 23, 2025 releases took $160.2M.
None. The biggest, 11 Rebels (2025), earned $1.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2025 (Jun 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.