#1 of 6 2025 · Comedy, Crime
$7.5M worldwide · 61% of the chart's total
Honey Don't! (2025) is the highest-grossing thriller movie released in week 34 of 2025 (Aug 17–23), with $7.5M worldwide, ahead of Eden (2025) at $2.8M and Lurker (2025) at $688.1K. 6 thriller films released that week report a worldwide gross, $12.2M in all, 70% of it from the US & Canada. That is down 79% on Week 33, 2025, whose releases took $58.8M. By language, English leads with $11.3M across 4 thriller releases.
#1 of 6 2025 · Comedy, Crime
$7.5M worldwide · 61% of the chart's total
Honey Don't! (2025) leads with $7.5M, 61% of the total. The top 5 together took $11.8M, 97% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 2025 (Aug 17–23).
Aug 22, 2025 US and Canada: $5.8M Rest of the world: $1.7M Worldwide: $7.5M
Aug 22, 2025 US and Canada: $1.6M Rest of the world: $1.2M Worldwide: $2.8M
Aug 22, 2025 US and Canada: $634K Rest of the world: $54.2K Worldwide: $688.1K
Aug 22, 2025 US and Canada: $152K Rest of the world: $324.5K Worldwide: $476.4K
Aug 22, 2025 US and Canada: $368.2K Rest of the world: $127 Worldwide: $368.3K
Aug 19, 2025 US and Canada: – Rest of the world: – Worldwide: $341.5K Of the top 6, Trust (2025) earned the biggest share at home (100% in the US & Canada), while Dongji Rescue (2025) made 68% of its gross abroad. Across all 6 films, $8.5M (70%) came from the US & Canada. 1 film of the top 6 reports no US & Canada figure.
Week 34 releases took $12.2M. The biggest of these 9 weeks is week 36 (Aug 31–Sep 6) with $499.3M, led by The Conjuring: Last Rites (2025).
Of these 10 years, Week 34, 2019 earned the most: $208.1M from 11 films, led by Angel Has Fallen (2019). Week 34, 2025 took $12.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 2016 Aug 14–20 5 films | 5 | $89.9M | – | War Dogs (2016) $86.4M |
| Week 34, 2017 Aug 20–26 7 films · −77% | 7 | $20.8M | −77% | V.I.P. (2017) $9.7M |
| Week 34, 2018 Aug 19–25 7 films · +747% | 7 | $176.2M | +747% | Searching (2018) $75.5M |
| Week 34, 2019 Aug 18–24 11 films · +18% | 11 | $208.1M | +18% | Angel Has Fallen (2019) $146.7M |
| Week 34, 2020 Aug 16–22 4 films · −78% | 4 | $45.3M | −78% | Unhinged (2020) $44.3M |
| Week 34, 2021 Aug 15–21 7 films · −7% | 7 | $42.3M | −7% | Reminiscence (2021) $16.4M |
| Week 34, 2022 Aug 14–20 8 films · +128% | 8 | $96.6M | +128% | Beast (2022) $59.1M |
| Week 34, 2023 Aug 20–26 5 films · −78% | 5 | $21.6M | −78% | Retribution (2023) $18.7M |
| Week 34, 2024 Aug 18–24 10 films · +260% | 10 | $77.6M | +260% | Blink Twice (2024) $48.1M |
| Week 34, 2025 Aug 17–23 6 films · −84% | 6 | $12.2M | −84% | Honey Don't! (2025) $7.5M |
52 weeks of 2025 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.9B, led by Avatar: Fire and Ash (2025).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Honey Don't! (2025) leads with $7.5M worldwide, $5.8M of it in the US & Canada. Next come Eden (2025) at $2.8M and Lurker (2025) at $688.1K.
6 thriller films released in week 34 of 2025 (Aug 17–23) report a worldwide gross, $12.2M in all, or $2M per film on average. Week 33, 2025 releases took $58.8M.
None. The biggest, Honey Don't! (2025), earned $7.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 2025 (Aug 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.