#1 of 6 Five Nights at Freddy's 2 (2025)
2025 · Horror, Mystery
$238.6M worldwide · 95% of the chart's total
Five Nights at Freddy's 2 (2025) is the highest-grossing thriller movie released in week 49 of 2025 (Nov 30–Dec 6), with $238.6M worldwide, ahead of Kill Bill: The Whole Bloody Affair (2025) at $13.3M and Rosemead (2025) at $288K. 6 thriller films released that week report a worldwide gross, $252.3M in all, 53% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $238.9M across 4 thriller releases.
#1 of 6 Five Nights at Freddy's 2 (2025)
2025 · Horror, Mystery
$238.6M worldwide · 95% of the chart's total
Five Nights at Freddy's 2 (2025) leads with $238.6M, 95% of the total. The top 5 together took $252.2M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 49 of 2025 (Nov 30–Dec 6).
Dec 5, 2025 US and Canada: $6M Rest of the world: $7.2M Worldwide: $13.3M
Dec 5, 2025 US and Canada: $288K Rest of the world: Worldwide: $288K
Dec 5, 2025 US and Canada: – Rest of the world: – Worldwide: $71.3K
Dec 5, 2025 US and Canada: – Rest of the world: – Worldwide: $59.4K
Dec 5, 2025 US and Canada: $11.1K Rest of the world: Worldwide: $11.1K Of the top 6, Rosemead (2025) earned the biggest share at home (100% in the US & Canada), while Kill Bill: The Whole Bloody Affair (2025) made 55% of its gross abroad. Across all 6 films, $134M (53%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 49 releases took $252.3M. The biggest of these 9 weeks is week 51 (Dec 14–20) with $1.9B, led by Avatar: Fire and Ash (2025).
Of these 10 years, Week 49, 2025 earned the most: $252.3M from 6 films, led by Five Nights at Freddy's 2 (2025).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 49, 2016 Nov 27–Dec 3 9 films | 9 | $26M | – | Incarnate (2016) $9M |
| Week 49, 2017 Dec 3–9 8 films · −56% | 8 | $11.5M | −56% | The Big Call (2017) $8.6M |
| Week 49, 2018 Dec 2–8 4 films · +3% | 4 | $11.9M | +3% | Door Lock (2018) $11.4M |
| Week 49, 2019 Dec 1–7 10 films · ±0% | 10 | $11.8M | ±0% | The Immortal (2019) $6.7M |
| Week 49, 2020 Nov 29–Dec 5 3 films · −77% | 3 | $2.8M | −77% | Silent Tokyo (2020) $2.7M |
| Week 49, 2021 Nov 28–Dec 4 6 films · −60% | 6 | $1.1M | −60% | Wolf (2021) $565.8K |
| Week 49, 2022 Nov 27–Dec 3 7 films · +9920% | 7 | $111.4M | +9920% | Violent Night (2022) $76M |
| Week 49, 2023 Dec 3–9 4 films · −71% | 4 | $31.9M | −71% | Concrete Utopia (2023) $30.1M |
| Week 49, 2024 Dec 1–7 8 films · +466% | 8 | $180.2M | +466% | Pushpa: The Rule - Part 2 (2024) $175.4M |
| Week 49, 2025 Nov 30–Dec 6 6 films · +40% | 6 | $252.3M | +40% | Five Nights at Freddy's 2 (2025) $238.6M |
52 weeks of 2025 with reported grosses; the biggest is week 51 (Dec 14–20) with $1.9B, led by Avatar: Fire and Ash (2025).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Five Nights at Freddy's 2 (2025) leads with $238.6M worldwide, $127.7M of it in the US & Canada. Next come Kill Bill: The Whole Bloody Affair (2025) at $13.3M and Rosemead (2025) at $288K.
6 thriller films released in week 49 of 2025 (Nov 30–Dec 6) report a worldwide gross, $252.3M in all, or $42M per film on average.
None. 1 film crossed $100 million, led by Five Nights at Freddy's 2 (2025) with $238.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 49 of 2025 (Nov 30–Dec 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.