#1 of 29 2008 · Adventure, Thriller
$111.2M worldwide · 34% of the chart's total
Fool's Gold (2008) is the highest-grossing movie released in week 6 of 2008 (Feb 3–9), with $111.2M worldwide, ahead of In Bruges (2008) at $45.2M and Welcome Home, Roscoe Jenkins (2008) at $43.7M. 29 films released that week report a worldwide gross, $327.7M in all, 38% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 166% on Week 5, 2008, whose releases took $123.2M. By genre, Comedy leads with $199.8M across 11 releases.
#1 of 29 2008 · Adventure, Thriller
$111.2M worldwide · 34% of the chart's total
Fool's Gold (2008) leads with $111.2M, 34% of the total. The top 5 together took $258.4M, 79% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 6 of 2008 (Feb 3–9).
Feb 8, 2008 US and Canada: $70.2M Rest of the world: $41M Worldwide: $111.2M
Feb 8, 2008 US and Canada: $7.8M Rest of the world: $37.4M Worldwide: $45.2M
Feb 8, 2008 US and Canada: $42.4M Rest of the world: $1.2M Worldwide: $43.7M
Feb 7, 2008 US and Canada: – Rest of the world: – Worldwide: $35.3M
Feb 7, 2008 US and Canada: – Rest of the world: – Worldwide: $23M
Feb 8, 2008 US and Canada: $3.1M Rest of the world: $11.5M Worldwide: $14.6M
Feb 9, 2008 US and Canada: – Rest of the world: – Worldwide: $9.3M
Feb 6, 2008 US and Canada: – Rest of the world: – Worldwide: $9.3M
Feb 8, 2008 US and Canada: – Rest of the world: – Worldwide: $9.3M
Feb 5, 2008 US and Canada: – Rest of the world: – Worldwide: $7.8M
Feb 6, 2008 US and Canada: – Rest of the world: – Worldwide: $4.7M
Feb 7, 2008 US and Canada: – Rest of the world: – Worldwide: $3.5M
Feb 5, 2008 US and Canada: – Rest of the world: – Worldwide: $1.9M
Feb 8, 2008 US and Canada: – Rest of the world: – Worldwide: $1.8M
Feb 7, 2008 US and Canada: – Rest of the world: – Worldwide: $1.6M
Feb 8, 2008 US and Canada: $27.7K Rest of the world: $1.6M Worldwide: $1.6M
Feb 6, 2008 US and Canada: – Rest of the world: – Worldwide: $1.3M
Feb 9, 2008 US and Canada: – Rest of the world: – Worldwide: $831.5K
Feb 8, 2008 US and Canada: – Rest of the world: – Worldwide: $772.7K
Feb 7, 2008 US and Canada: – Rest of the world: – Worldwide: $281K
Feb 8, 2008 US and Canada: – Rest of the world: – Worldwide: $179.6K
Feb 7, 2008 US and Canada: – Rest of the world: – Worldwide: $151.8K
Feb 3, 2008 US and Canada: – Rest of the world: – Worldwide: $133.9K
Feb 8, 2008 US and Canada: – Rest of the world: – Worldwide: $95K
Feb 8, 2008 US and Canada: – Rest of the world: – Worldwide: $64.4K
Feb 8, 2008 US and Canada: $7.7K Rest of the world: Worldwide: $7.7K
Feb 8, 2008 US and Canada: $3.1K Rest of the world: Worldwide: $3.1K
Feb 6, 2008 US and Canada: $1K Rest of the world: Worldwide: $1K Of the top 10, Welcome Home, Roscoe Jenkins (2008) earned the biggest share at home (97% in the US & Canada), while In Bruges (2008) made 83% of its gross abroad. Across all 29 films, $123.6M (38%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
1 of 29 films crossed $100M and took $111.2M between them, 34% of the total. 23 films, 79% of the list, earned under $10M.
Week 6 releases took $327.7M. The biggest of these 9 weeks is week 3 (Jan 13–19) with $672.4M, led by Welcome to the Sticks (2008).
Of these 10 years, Week 6, 2006 earned the most: $464.7M from 20 films, led by The Pink Panther (2006). Week 6, 2008 took $327.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 6, 1999 Jan 31–Feb 6 3 films | 3 | $166M | – | Payback (1999) $161.6M |
| Week 6, 2000 Jan 30–Feb 5 5 films · ±0% | 5 | $165.6M | ±0% | Scream 3 (2000) $161.8M |
| Week 6, 2001 Feb 4–10 11 films · +152% | 11 | $418.1M | +152% | Hannibal (2001) $351.7M |
| Week 6, 2002 Feb 3–9 10 films · −61% | 10 | $163M | −61% | Collateral Damage (2002) $78.4M |
| Week 6, 2003 Feb 2–8 12 films · +98% | 12 | $322.7M | +98% | How to Lose a Guy in 10 Days (2003) $177.5M |
| Week 6, 2004 Feb 1–7 20 films · −34% | 20 | $212.2M | −34% | Barbershop 2: Back in Business (2004) $66M |
| Week 6, 2005 Jan 30–Feb 5 14 films · −34% | 14 | $139.9M | −34% | Boogeyman (2005) $67.2M |
| Week 6, 2006 Feb 5–11 20 films · +232% | 20 | $464.7M | +232% | The Pink Panther (2006) $164.1M |
| Week 6, 2007 Feb 4–10 26 films · −24% | 26 | $351.5M | −24% | Norbit (2007) $159.8M |
| Week 6, 2008 Feb 3–9 29 films · −7% | 29 | $327.7M | −7% | Fool's Gold (2008) $111.2M |
Comedy took $199.8M across 11 films, 61% of the total, ahead of Thriller ($193.5M) and Romance ($164.4M). A film counts once for each of its genres. English-language films took $204.7M across 11 films, 62% of the total, ahead of Chinese-language films ($35.9M) and Japanese-language films ($35.3M).
53 weeks of 2008 with reported grosses; the biggest is week 29 (Jul 13–19) with $1.9B, led by The Dark Knight (2008).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
Fool's Gold (2008) leads with $111.2M worldwide, $70.2M of it in the US & Canada. Next come In Bruges (2008) at $45.2M and Welcome Home, Roscoe Jenkins (2008) at $43.7M.
29 films released in week 6 of 2008 (Feb 3–9) report a worldwide gross, $327.7M in all, or $11.3M per film on average. Week 5, 2008 releases took $123.2M.
None. 1 film crossed $100 million, led by Fool's Gold (2008) with $111.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 6 of 2008 (Feb 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.