#1 of 7 2019 · Fantasy, Horror
$15.3M worldwide · 97% of the chart's total
The Dead Don't Die (2019) is the highest-grossing horror movie released in week 24 of 2019 (Jun 9–15), with $15.3M worldwide, ahead of i-Mania (2019) at $150.4K and One Last Meal (2019) at $101.4K. 7 horror films released that week report a worldwide gross, $15.7M in all, 42% of it from the US & Canada. That is 3 times the total of Week 23, 2019, whose releases took $5.2M. By language, English leads with $15.5M across 5 horror releases.
#1 of 7 2019 · Fantasy, Horror
$15.3M worldwide · 97% of the chart's total
The Dead Don't Die (2019) leads with $15.3M, 97% of the total. The top 5 together took $15.7M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2019 (Jun 9–15).
Jun 14, 2019 US and Canada: $6.6M Rest of the world: $8.8M Worldwide: $15.3M
Jun 14, 2019 US and Canada: – Rest of the world: – Worldwide: $150.4K
Jun 15, 2019 US and Canada: – Rest of the world: – Worldwide: $101.4K
Jun 14, 2019 US and Canada: – Rest of the world: – Worldwide: $63.2K
Jun 14, 2019 US and Canada: $50.4K Rest of the world: Worldwide: $50.4K
Jun 14, 2019 US and Canada: $39.1K Rest of the world: Worldwide: $39.1K
Jun 11, 2019 US and Canada: – Rest of the world: – Worldwide: $2.1K Of the top 7, Clinton Road (2019) earned the biggest share at home (100% in the US & Canada), while The Dead Don't Die (2019) made 57% of its gross abroad. Across all 7 films, $6.7M (42%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 24 releases took $15.7M. The biggest of these 9 weeks is week 22 (May 26–Jun 1) with $448.5M, led by Godzilla: King of the Monsters (2019).
Of these 10 years, Week 24, 2016 earned the most: $325.1M from 2 films, led by The Conjuring 2 (2016). Week 24, 2019 took $15.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2010 Jun 6–12 No films | 0 | – | – | – |
| Week 24, 2011 Jun 5–11 1 film | 1 | $5.3M | – | Trollhunter (2011) $5.3M |
| Week 24, 2012 Jun 10–16 No films | 0 | – | – | – |
| Week 24, 2013 Jun 9–15 1 film | 1 | $312.8K | – | Berberian Sound Studio (2013) $312.8K |
| Week 24, 2014 Jun 8–14 3 films · +4086% | 3 | $13.1M | +4086% | Witching and Bitching (2014) $7.4M |
| Week 24, 2015 Jun 7–13 1 film · −100% | 1 | $2.4K | −100% | L.A. Slasher (2015) $2.4K |
| Week 24, 2016 Jun 5–11 2 films · +13430051% | 2 | $325.1M | +13430051% | The Conjuring 2 (2016) $322.8M |
| Week 24, 2017 Jun 11–17 3 films · −80% | 3 | $66.4M | −80% | 47 Meters Down (2017) $62.2M |
| Week 24, 2018 Jun 10–16 4 films · −85% | 4 | $10.1M | −85% | The Mimic (2018) $9.4M |
| Week 24, 2019 Jun 9–15 7 films · +55% | 7 | $15.7M | +55% | The Dead Don't Die (2019) $15.3M |
51 weeks of 2019 with reported grosses; the biggest is week 36 (Sep 1–7) with $473.6M, led by It: Chapter Two (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Dead Don't Die (2019) leads with $15.3M worldwide, $6.6M of it in the US & Canada. Next come i-Mania (2019) at $150.4K and One Last Meal (2019) at $101.4K.
7 horror films released in week 24 of 2019 (Jun 9–15) report a worldwide gross, $15.7M in all, or $2.2M per film on average. Week 23, 2019 releases took $5.2M.
None. The biggest, The Dead Don't Die (2019), earned $15.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2019 (Jun 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.