#1 of 8 2019 · Sci-Fi, Mystery
$1.7M worldwide · 31% of the chart's total
Perfect (2019) is the highest-grossing horror movie released in week 20 of 2019 (May 12–18), with $1.7M worldwide, ahead of Deerskin (2019) at $1.7M and Slaughterhouse Rulez (2019) at $730.8K. 8 horror films released that week report a worldwide gross, $5.5M in all, 2% of it from the US & Canada. By language, English leads with $3M across 4 horror releases.
#1 of 8 2019 · Sci-Fi, Mystery
$1.7M worldwide · 31% of the chart's total
Perfect (2019) leads with $1.7M, 31% of the total. The top 5 together took $5M, 90% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2019 (May 12–18).
May 17, 2019 US and Canada: – Rest of the world: – Worldwide: $1.7M
May 15, 2019 US and Canada: – Rest of the world: – Worldwide: $1.7M
May 17, 2019 US and Canada: $4.7K Rest of the world: $726.1K Worldwide: $730.8K
May 18, 2019 US and Canada: – Rest of the world: – Worldwide: $487.6K
May 15, 2019 US and Canada: – Rest of the world: – Worldwide: $376.5K
May 18, 2019 US and Canada: $50K Rest of the world: $273.8K Worldwide: $323.8K
May 17, 2019 US and Canada: $25.9K Rest of the world: $175K Worldwide: $200.9K
May 17, 2019 US and Canada: $38.9K Rest of the world: Worldwide: $38.9K Of the top 8, Shed of the Dead (2019) earned the biggest share at home (100% in the US & Canada), while Slaughterhouse Rulez (2019) made 99% of its gross abroad. Across all 8 films, $119.5K (2%) came from the US & Canada. 4 films of the top 8 report no US & Canada figure.
Week 20 releases took $5.5M. The biggest of these 9 weeks is week 22 (May 26–Jun 1) with $448.5M, led by Godzilla: King of the Monsters (2019).
Of these 10 years, Week 20, 2017 earned the most: $242.1M from 5 films, led by Alien: Covenant (2017). Week 20, 2019 took $5.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2010 May 9–15 1 film | 1 | $1.1M | – | Bedevilled (2010) $1.1M |
| Week 20, 2011 May 8–14 2 films · +7019% | 2 | $78.3M | +7019% | Priest (2011) $78.3M |
| Week 20, 2012 May 13–19 2 films · −98% | 2 | $1.3M | −98% | Dracula 3D (2012) $673.1K |
| Week 20, 2013 May 12–18 1 film · −87% | 1 | $175.7K | −87% | Black Rock (2013) $175.7K |
| Week 20, 2014 May 11–17 5 films · +4042% | 5 | $7.3M | +4042% | Wolf Creek 2 (2014) $4.4M |
| Week 20, 2015 May 10–16 4 films · −86% | 4 | $1M | −86% | Always Watching: A Marble Hornets Story (2015) $714.1K |
| Week 20, 2016 May 8–14 3 films · +969% | 3 | $11M | +969% | The Darkness (2016) $10.9M |
| Week 20, 2017 May 14–20 5 films · +2108% | 5 | $242.1M | +2108% | Alien: Covenant (2017) $240.9M |
| Week 20, 2018 May 13–19 3 films · −100% | 3 | $46.5K | −100% | The Hollow Child (2018) $34.7K |
| Week 20, 2019 May 12–18 8 films · +11812% | 8 | $5.5M | +11812% | Perfect (2019) $1.7M |
English-language horror films took $3M across 4 films, 53% of the total, ahead of French-language horror films ($2.2M) and Tagalog-language horror films ($376.5K).
51 weeks of 2019 with reported grosses; the biggest is week 36 (Sep 1–7) with $473.6M, led by It: Chapter Two (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Perfect (2019) leads with $1.7M worldwide. Next come Deerskin (2019) at $1.7M and Slaughterhouse Rulez (2019) at $730.8K.
8 horror films released in week 20 of 2019 (May 12–18) report a worldwide gross, $5.5M in all, or $692.7K per film on average.
None. The biggest, Perfect (2019), earned $1.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2019 (May 12–18). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.