#1 of 4 #1 horror movie of Week 3, 2019
2019 · Action, Sci-Fi
$247M worldwide · 100% of the chart's total
$111M US & Canada · 45% $136M elsewhere · 55%
Horror box office · Week 3 · Jan 13–19, 2019
Horror Box Office, Week 3 of 2019: Horror Releases of Jan 13–19
Glass (2019) is the highest-grossing horror movie released in week 3 of 2019 (Jan 13–19), with $247M worldwide, ahead of Wake Up (2019) at $29.8K and Blood Bound (2019) at $10.5K. 4 horror films released that week report a worldwide gross, $247M in all, 45% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 161.1 times the total of Week 2, 2019, whose releases took $1.5M.
- week 3 releases with a gross
- 4
- combined worldwide
- $247M
- film crossed $100M
- 1
- vs Week 2, 2019
- ×161.1
#1 of 4 Top 4
What Were the Biggest Horror Hits of Week 3 of 2019?
Glass (2019) leads with $247M, 100% of the total. The top 4 together took $247M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 3 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 2019 (Jan 13–19).
- 1 Jan 18, 2019 US and Canada: $111M Rest of the world: $136M Worldwide: $247M
- 2 Jan 19, 2019 US and Canada: – Rest of the world: – Worldwide: $29.8K
- 3 Jan 15, 2019 US and Canada: – Rest of the world: – Worldwide: $10.5K
- 4 Jan 18, 2019 US and Canada: – Rest of the world: – Worldwide: $8.9K
Weeks around it
How Does Week 3 Compare With the Weeks Around It?
Week 3 releases took $247M. The biggest of these 9 weeks is week 3 (Jan 13–19) with $247M, led by Glass (2019).
- Week 50, 2018 Wk 50 Dec 9–15 The House That Jack Built (2018) $3.2M The House That Jack Built (2018)
- Week 51, 2018 Wk 51 Dec 16–22 Pretham 2 (2018) $145.9K Pretham 2 (2018)
- Week 52, 2018 Wk 52 Dec 23–29 No reported grosses – No reported grosses
- Week 53, 2018 Wk 53 Dec 30–31 No reported grosses – No reported grosses
- Week 1 Wk 1 Jan 1–5 122 (2019) $2.2M 122 (2019)
- Week 2 Wk 2 Jan 6–12 Godzilla: The Planet Eater (2019) $1.5M Godzilla: The Planet Eater (2019)
- Week 3 Wk 3 Jan 13–19 Glass (2019) $247M Glass (2019)
- Week 4 Wk 4 Jan 20–26 Vicious (2019) $612.3K Vicious (2019)
- Week 5 Wk 5 Jan 27–Feb 2 Quiet Comes the Dawn (2019) $2.1M Quiet Comes the Dawn (2019)
Earlier years
How Does Week 3 of 2019 Compare With Earlier Years?
Of these 10 years, Week 3, 2017 earned the most: $278.6M from 2 films, led by Split (2017). Week 3, 2019 took $247M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 2010 Jan 10–16 1 film | 1 | $17 | – | Zombie Undead (2010) $17 |
| Week 3, 2011 Jan 9–15 1 film · +654906% | 1 | $111.4K | +654906% | Baby Shower (2011) $111.4K |
| Week 3, 2012 Jan 15–21 1 film · +143691% | 1 | $160.1M | +143691% | Underworld: Awakening (2012) $160.1M |
| Week 3, 2013 Jan 13–19 1 film · −9% | 1 | $146.4M | −9% | Mama (2013) $146.4M |
| Week 3, 2014 Jan 12–18 1 film · −75% | 1 | $36.9M | −75% | Devil's Due (2014) $36.9M |
| Week 3, 2015 Jan 11–17 No films | 0 | – | – | – |
| Week 3, 2016 Jan 10–16 1 film | 1 | $236.2K | – | Intruders (2016) $236.2K |
| Week 3, 2017 Jan 15–21 2 films · +117871% | 2 | $278.6M | +117871% | Split (2017) $278.5M |
| Week 3, 2018 Jan 14–20 2 films · −100% | 2 | $536.2K | −100% | Time Share (2018) $370.3K |
| Week 3, 2019 Jan 13–19 4 films · +45970% | 4 | $247M | +45970% | Glass (2019) $247M |
Archive
Horror Box Office in 2019, Week by Week
51 weeks of 2019 with reported grosses; the biggest is week 36 (Sep 1–7) with $473.6M, led by It: Chapter Two (2019).
- Week 1 $2.2M
- Week 2 $1.5M
- Week 3 $247M
- Week 4 $612.3K
- Week 5 $2.1M
- Week 6 $23.5M
- Week 7 $66.5M
- Week 8 $501K
- Week 9 $24.4M
- Week 10 $59K
- Week 11 $3M
- Week 12 $256.2M
- Week 13 $259.6K
- Week 14 $115.8M
- Week 15 $57.4M
- Week 16 $123.7M
- Week 17 $124.7K
- Week 18 $37.6M
- Week 19 $430.9K
- Week 20 $5.5M
- Week 21 $39.2M
- Week 22 $448.5M
- Week 23 $5.2M
- Week 24 $15.7M
- Week 25 $45.2M
- Week 26 $231.3M
- Week 27 $48.7M
- Week 28 $91.6M
- Week 29 $132.3K
- Week 30 $424.4K
- Week 31 $166.3K
- Week 32 $105.7M
- Week 33 $60.6M
- Week 34 $58.7M
- Week 35 $5.4M
- Week 36 $473.6M
- Week 37 $9.8M
- Week 38 $3.4M
- Week 39 $959.2K
- Week 40 $216.6K
- Week 41 $222.8M
- Week 42 $141.2M
- Week 43 $53M
- Week 44 $1.2M
- Week 45 $73.5M
- Week 46 $1.6M
- Week 47 $110.8K
- Week 48 No grosses
- Week 49 $1.9M
- Week 50 $19.1M
- Week 51 $348.2K
- Week 52 $175K
- Week 53 No grosses
FAQ
Horror Box Office Week 3 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing horror movie in week 3 of 2019 (Jan 13–19)?
Glass (2019) leads with $247M worldwide, $111M of it in the US & Canada. Next come Wake Up (2019) at $29.8K and Blood Bound (2019) at $10.5K.
How much did horror movies released in week 3 of 2019 (Jan 13–19) earn?
4 horror films released in week 3 of 2019 (Jan 13–19) report a worldwide gross, $247M in all, or $61.8M per film on average. Week 2, 2019 releases took $1.5M.
How many horror movies released in week 3 of 2019 (Jan 13–19) made $1 billion?
None. 1 film crossed $100 million, led by Glass (2019) with $247M.
How is the week 3, 2019 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 2019 (Jan 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 3, 2019 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.