#1 of 4 #1 horror movie of Week 24, 2018
2018 · Drama, Mystery
$9.4M worldwide · 92% of the chart's total
No US & Canada figure reported
Horror box office · Week 24 · Jun 10–16, 2018
Horror Box Office, Week 24 of 2018: Horror Releases of Jun 10–16
The Mimic (2018) is the highest-grossing horror movie released in week 24 of 2018 (Jun 10–16), with $9.4M worldwide, ahead of Deadly Still (2018) at $737.9K and Kuntilanak (2018) at $45.4K. 4 horror films released that week report a worldwide gross, $10.1M in all. That is down 89% on Week 23, 2018, whose releases took $88.7M.
- week 24 releases with a gross
- 4
- combined worldwide
- $10.1M
- The Mimic (2018), the #1
- $9.4M
- vs Week 23, 2018
- −89%
#1 of 4 Top 4
What Were the Biggest Horror Hits of Week 24 of 2018?
The Mimic (2018) leads with $9.4M, 92% of the total. The top 4 together took $10.1M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 24 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2018 (Jun 10–16).
- 1 Jun 15, 2018 US and Canada: – Rest of the world: – Worldwide: $9.4M
- 2 Jun 14, 2018 US and Canada: – Rest of the world: – Worldwide: $737.9K
- 3 Jun 14, 2018 US and Canada: – Rest of the world: – Worldwide: $45.4K
- 4 Chuck Steel: Night of the Trampires (2018)Jun 12, 2018 US and Canada: – Rest of the world: – Worldwide: $3.3K
Jun 12, 2018 · English · Action, Comedy, Animation $3.3K worldwide
Weeks around it
How Does Week 24 Compare With the Weeks Around It?
Week 24 releases took $10.1M. The biggest of these 9 weeks is week 23 (Jun 3–9) with $88.7M, led by Hereditary (2018).
- Week 18 Wk 18 Apr 29–May 5 Bad Samaritan (2018) $4.7M Bad Samaritan (2018)
- Week 19 Wk 19 May 6–12 Revenge (2018) $1.2M Revenge (2018)
- Week 20 Wk 20 May 13–19 The Hollow Child (2018) $46.5K The Hollow Child (2018)
- Week 21 Wk 21 May 20–26 Wicked Witches (2018) $21.6K Wicked Witches (2018)
- Week 22 Wk 22 May 27–Jun 2 Upgrade (2018) $17M Upgrade (2018)
- Week 23 Wk 23 Jun 3–9 Hereditary (2018) $88.7M Hereditary (2018)
- Week 24 Wk 24 Jun 10–16 The Mimic (2018) $10.1M The Mimic (2018)
- Week 25 Wk 25 Jun 17–23 Incident In a Ghostland (2018) $7M Incident In a Ghostland (2018)
- Week 26 Wk 26 Jun 24–30 The Domestics (2018) $59.8K The Domestics (2018)
Earlier years
How Does Week 24 of 2018 Compare With Earlier Years?
Of these 10 years, Week 24, 2016 earned the most: $325.1M from 2 films, led by The Conjuring 2 (2016). Week 24, 2018 took $10.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2009 Jun 7–13 1 film | 1 | $179.8K | – | Doghouse (2009) $179.8K |
| Week 24, 2010 Jun 6–12 No films | 0 | – | – | – |
| Week 24, 2011 Jun 5–11 1 film | 1 | $5.3M | – | Trollhunter (2011) $5.3M |
| Week 24, 2012 Jun 10–16 No films | 0 | – | – | – |
| Week 24, 2013 Jun 9–15 1 film | 1 | $312.8K | – | Berberian Sound Studio (2013) $312.8K |
| Week 24, 2014 Jun 8–14 3 films · +4086% | 3 | $13.1M | +4086% | Witching and Bitching (2014) $7.4M |
| Week 24, 2015 Jun 7–13 1 film · −100% | 1 | $2.4K | −100% | L.A. Slasher (2015) $2.4K |
| Week 24, 2016 Jun 5–11 2 films · +13430051% | 2 | $325.1M | +13430051% | The Conjuring 2 (2016) $322.8M |
| Week 24, 2017 Jun 11–17 3 films · −80% | 3 | $66.4M | −80% | 47 Meters Down (2017) $62.2M |
| Week 24, 2018 Jun 10–16 4 films · −85% | 4 | $10.1M | −85% | The Mimic (2018) $9.4M |
Archive
Horror Box Office in 2018, Week by Week
48 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $857M, led by Venom (2018).
- Week 1 $168.5M
- Week 2 $1.5M
- Week 3 $536.2K
- Week 4 $165K
- Week 5 $44.1M
- Week 6 $32.2M
- Week 7 $285.2K
- Week 8 $127.1M
- Week 9 $11.3M
- Week 10 $31M
- Week 11 $439.1K
- Week 12 $14.5M
- Week 13 $17.8M
- Week 14 $342.1M
- Week 15 $108.2M
- Week 16 $4.2M
- Week 17 No grosses
- Week 18 $4.7M
- Week 19 $1.2M
- Week 20 $46.5K
- Week 21 $21.6K
- Week 22 $17M
- Week 23 $88.7M
- Week 24 $10.1M
- Week 25 $7M
- Week 26 $59.8K
- Week 27 $137.1M
- Week 28 $642.2K
- Week 29 $16.2M
- Week 30 $492.3K
- Week 31 $93.4K
- Week 32 $581.3M
- Week 33 $2.7M
- Week 34 $91.7K
- Week 35 $32.9M
- Week 36 $368.2M
- Week 37 $167.6M
- Week 38 No grosses
- Week 39 $18.2M
- Week 40 $857M
- Week 41 $127.2M
- Week 42 $260.1M
- Week 43 $8.1M
- Week 44 $12.7M
- Week 45 No grosses
- Week 46 $231.5K
- Week 47 $834.5K
- Week 48 $44.4M
- Week 49 $5.4M
- Week 50 $3.2M
- Week 51 $145.9K
- Week 52 No grosses
- Week 53 No grosses
FAQ
Horror Box Office Week 24 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing horror movie in week 24 of 2018 (Jun 10–16)?
The Mimic (2018) leads with $9.4M worldwide. Next come Deadly Still (2018) at $737.9K and Kuntilanak (2018) at $45.4K.
How much did horror movies released in week 24 of 2018 (Jun 10–16) earn?
4 horror films released in week 24 of 2018 (Jun 10–16) report a worldwide gross, $10.1M in all, or $2.5M per film on average. Week 23, 2018 releases took $88.7M.
How many horror movies released in week 24 of 2018 (Jun 10–16) made $1 billion?
None. The biggest, The Mimic (2018), earned $9.4M.
How is the week 24, 2018 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2018 (Jun 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 24, 2018 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.