#1 of 3 #1 horror movie of Week 13, 2018
Gonjiam: Haunted Asylum (2018)
2018 · Horror, Mystery
$16.8M worldwide · 95% of the chart's total
$115.3K US & Canada · <1% $16.7M elsewhere · 99%
Horror box office · Week 13 · Mar 25–31, 2018
Horror Box Office, Week 13 of 2018: Horror Releases of Mar 25–31
Gonjiam: Haunted Asylum (2018) is the highest-grossing horror movie released in week 13 of 2018 (Mar 25–31), with $16.8M worldwide, ahead of Instinct (2018) at $947.3K and Danur 2: Maddah (2018) at $13.4K. 3 horror films released that week report a worldwide gross, $17.8M in all, <1% of it from the US & Canada.
- week 13 releases with a gross
- 3
- combined worldwide
- $17.8M
- Gonjiam: Haunted Asylum (2018), the #1
- $16.8M
- earned in the US & Canada
- <1%
#1 of 3 Top 3
What Were the Biggest Horror Hits of Week 13 of 2018?
Gonjiam: Haunted Asylum (2018) leads with $16.8M, 95% of the total. The top 3 together took $17.8M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Horror Release of Week 13 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2018 (Mar 25–31).
- 1 Mar 28, 2018 US and Canada: $115.3K Rest of the world: $16.7M Worldwide: $16.8M
- 2 Mar 29, 2018 US and Canada: – Rest of the world: – Worldwide: $947.3K
- 3 Mar 28, 2018 US and Canada: – Rest of the world: – Worldwide: $13.4K
Weeks around it
How Does Week 13 Compare With the Weeks Around It?
Week 13 releases took $17.8M. The biggest of these 9 weeks is week 14 (Apr 1–7) with $342.1M, led by A Quiet Place (2018).
- Week 7 Wk 7 Feb 11–17 But Deliver Us from Evil (2018) $285.2K But Deliver Us from Evil (2018)
- Week 8 Wk 8 Feb 18–24 Game Night (2018) $127.1M Game Night (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Veronica (2018) $11.3M Veronica (2018)
- Week 10 Wk 10 Mar 4–10 The Strangers: Prey at Night (2018) $31M The Strangers: Prey at Night (2018)
- Week 11 Wk 11 Mar 11–17 Terrifier (2018) $439.1K Terrifier (2018)
- Week 12 Wk 12 Mar 18–24 Unsane (2018) $14.5M Unsane (2018)
- Week 13 Wk 13 Mar 25–31 Gonjiam: Haunted Asylum (2018) $17.8M Gonjiam: Haunted Asylum (2018)
- Week 14 Wk 14 Apr 1–7 A Quiet Place (2018) $342.1M A Quiet Place (2018)
- Week 15 Wk 15 Apr 8–14 Blumhouse's Truth or Dare (2018) $108.2M Blumhouse's Truth or Dare (2018)
Earlier years
How Does Week 13 of 2018 Compare With Earlier Years?
Of these 10 years, Week 13, 2009 earned the most: $77.6M from 1 film, led by The Haunting in Connecticut (2009). Week 13, 2018 took $17.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2009 Mar 22–28 1 film | 1 | $77.6M | – | The Haunting in Connecticut (2009) $77.6M |
| Week 13, 2010 Mar 21–27 3 films · −96% | 3 | $3.2M | −96% | Maska (2010) $3M |
| Week 13, 2011 Mar 20–26 1 film · −82% | 1 | $565.9K | −82% | The Last Fashion Show (2011) $565.9K |
| Week 13, 2012 Mar 25–31 1 film · +870% | 1 | $5.5M | +870% | Intruders (2012) $5.5M |
| Week 13, 2013 Mar 24–30 1 film · +281% | 1 | $20.9M | +281% | Pee Mak (2013) $20.9M |
| Week 13, 2014 Mar 23–29 No films | 0 | – | – | – |
| Week 13, 2015 Mar 22–28 1 film | 1 | $77.6K | – | Nightlight (2015) $77.6K |
| Week 13, 2016 Mar 20–26 1 film · +310% | 1 | $318.2K | +310% | Baskin (2016) $318.2K |
| Week 13, 2017 Mar 26–Apr 1 4 films · +9% | 4 | $347K | +9% | Siam Square (2017) $284.8K |
| Week 13, 2018 Mar 25–31 3 films · +5019% | 3 | $17.8M | +5019% | Gonjiam: Haunted Asylum (2018) $16.8M |
Archive
Horror Box Office in 2018, Week by Week
48 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $857M, led by Venom (2018).
- Week 1 $168.5M
- Week 2 $1.5M
- Week 3 $536.2K
- Week 4 $165K
- Week 5 $44.1M
- Week 6 $32.2M
- Week 7 $285.2K
- Week 8 $127.1M
- Week 9 $11.3M
- Week 10 $31M
- Week 11 $439.1K
- Week 12 $14.5M
- Week 13 $17.8M
- Week 14 $342.1M
- Week 15 $108.2M
- Week 16 $4.2M
- Week 17 No grosses
- Week 18 $4.7M
- Week 19 $1.2M
- Week 20 $46.5K
- Week 21 $21.6K
- Week 22 $17M
- Week 23 $88.7M
- Week 24 $10.1M
- Week 25 $7M
- Week 26 $59.8K
- Week 27 $137.1M
- Week 28 $642.2K
- Week 29 $16.2M
- Week 30 $492.3K
- Week 31 $93.4K
- Week 32 $581.3M
- Week 33 $2.7M
- Week 34 $91.7K
- Week 35 $32.9M
- Week 36 $368.2M
- Week 37 $167.6M
- Week 38 No grosses
- Week 39 $18.2M
- Week 40 $857M
- Week 41 $127.2M
- Week 42 $260.1M
- Week 43 $8.1M
- Week 44 $12.7M
- Week 45 No grosses
- Week 46 $231.5K
- Week 47 $834.5K
- Week 48 $44.4M
- Week 49 $5.4M
- Week 50 $3.2M
- Week 51 $145.9K
- Week 52 No grosses
- Week 53 No grosses
FAQ
Horror Box Office Week 13 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing horror movie in week 13 of 2018 (Mar 25–31)?
Gonjiam: Haunted Asylum (2018) leads with $16.8M worldwide, $115.3K of it in the US & Canada. Next come Instinct (2018) at $947.3K and Danur 2: Maddah (2018) at $13.4K.
How much did horror movies released in week 13 of 2018 (Mar 25–31) earn?
3 horror films released in week 13 of 2018 (Mar 25–31) report a worldwide gross, $17.8M in all, or $5.9M per film on average.
How many horror movies released in week 13 of 2018 (Mar 25–31) made $1 billion?
None. The biggest, Gonjiam: Haunted Asylum (2018), earned $16.8M.
How is the week 13, 2018 horror box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2018 (Mar 25–31). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 13, 2018 horror box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.