A Yank in the R.A.F. 1941

In 1940, amidst the early stages of World War II, the story unfolds around the movement and actions of military personnel and civilians caught in the chaos of war. The film opens with American-built North American Harvard training aircraft being transported to the US-Canada border, where they are discreetly towed across the frontier to be utilized by Britain, a process necessary to comply with the United States’ neutral stance under the Neutrality Acts. Among the American pilots involved is Tyrone Power’s character, a confident and somewhat cocky pilot named Tim Baker.

Tim, eager for adventure, decides to fly across the border to Trenton, Ontario, but soon finds himself in trouble with the Canadian military. He falsely claims he was searching for Trenton, New Jersey, to cover his tracks. The military officer in charge, recognizing Baker’s audacity, suggests that he instead ferry Lockheed Hudson bombers to Britain, offering him $1,000 for each trip. This sets Baker on a path that intertwines his fate with the ongoing war efforts.

Meanwhile, in London, the story shifts focus to Betty Grable’s character, Carol Brown, who leads a double life. She works during the day in the Women’s Auxiliary Air Force and performs at night in a nightclub, showcasing her diverse talents. She is clearly annoyed to see Tim Baker, who reappears in her life, calling him a “worm” due to his womanizing, dishonesty, and absence. Despite her frustrations, it is implied she still harbors genuine feelings for him.

Baker, feeling a sense of duty, chooses to enlist in the Royal Air Force (RAF). His decision fuels a complex romantic and competitive rivalry, especially because Carol catches the attention of two RAF officers, Reginald Gardiner’s character, Wing Commander John Morley, and James Craven’s character, Flying Officer Roger Pillby. Morley persistently seeks her affection despite her initial warnings that she is involved with another man, though she doesn’t specify who.

After completing his training, Baker is disappointed to be assigned to Morley’s bomber squadron rather than a fighter unit. His first mission is notable; during the “Phoney War,” he co-pilots a bomber dropping propaganda leaflets over Berlin, a task that feels more like routine than real combat. This missions underscores the early, tentative phase of war engagement, where actions are more symbolic than destructive.

Romantic tensions escalate when Baker misses a date with Carol due to an encounter with an old friend from America, leading her to accept an invitation from Morley for a weekend at his countryside estate. Morley proposes marriage, and when Carol tells Baker about her plans without revealing who her suitor is, Baker replies in a dismissive manner, causing her to declare they are finished. Back at base, Baker and Morley, now rivals, realize they are both involved with the same woman—adding personal stakes to their professional rivalry.

The tides of war intensify as Germany invades the Netherlands and Belgium. Baker and Morley’s squadron receives an urgent order to bomb Dortmund in Germany, marking a transition from symbolic missions to real combat. During this perilous night raid, their bomber is severely damaged—one engine is disabled. In a display of bravery and resourcefulness, James Craven’s character, Pillby, attempts to assist by knocking out searching lights but is ultimately shot down and killed. Morley commands his crew to bail out of the crippled aircraft, but Baker, demonstrating determination and a sense of duty, disobeys orders and lands the plane on a Dutch beach.

They quickly hide from advancing German soldiers in a nearby building, but are eventually captured when a German officer arrives. A crewman sacrifices himself to allow the others to escape, enduring his fate so Baker and Morley can flee by motorboat. Baker wakes up in a British hospital, having survived exposure and injuries, but his experience leaves him deeply affected.

Determined to stay connected, Baker visits Carol, feigning injury but ultimately revealing his persistent dishonesty by slipping a ring onto her finger—an act that indicates his unwillingness to give her up, despite their tumultuous relationship. Her refusal to accept his engagement and Morley’s breaking of their plans further complicate their emotions. Despite these struggles, Carol still cares for Baker, as evidenced when she shows him her ring during the return from Dunkirk.

As the war reaches its critical moments, Baker is drafted into the fight with the Royal Air Force. He flies a Spitfire during the frantic and desperate Battle of Dunkirk, participating heroically by shooting down two German fighters before himself being shot down. His survival status remains uncertain, causing anxiety for Carol, who is left waiting and hoping. The film captures the grim realities of wartime rescue efforts, with ships returning from Dunkirk bringing back survivors. In a touching moment, Carol spots Baker among the returning troops, still wearing his ring, symbolizing their lingering hope and love despite the chaos and destruction surrounding them.

“What’s After the Movie” portrays a vivid and detailed picture of early World War II, blending personal romance, intense aerial combat, and the resilience of individuals amidst the great upheaval. It emphasizes themes of heroism, sacrifice, and the complicated relationships that sustain people through tumultuous times, all set against the backdrop of wartime Britain and its allies.