
Antonia discovers that her husband has been leading multiple secret lives, and she gradually adopts those roles herself. The story follows a vineyard manager who marries the owner’s very young daughter, after which the patriarch dies, igniting deceit and infidelity. As the husband watches from afar, his wife flourishes socially in his absence, and the tangled web of lies deepens.
Does Wifemistress have end credit scenes?
No!
Wifemistress does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Wifemistress (1977) via JustWatch.
Explore the complete cast of Wifemistress, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Marcello Mastroianni
Luigi De Angelis

Laura Antonelli
Antonia De Angelis

Olga Karlatos
Dr. Paola Pagano

Gastone Moschin
Vincenzo

Leonard Mann
Dr. Dario Favella

Luigi Diberti
Lawyer

William Berger
Count Brandini

Paul Müller
Hotel Concierge

Annie Belle
Clara

Daniele Gabbai
Young official

Enzo Robutti
Priest

Attilio Dottesio

Elsa Vazzoler
Teresa, the maid

Armando Brancia
Head Doctor

Stefano Patrizi
Enrico, Clara's fiancé

Maria Monti
Hotel director

Hélène Chanel
Landlady
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Read the complete plot summary of Wifemistress, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Antonia De Angelis [Laura Antonelli] has been bedridden ever since the night her husband branded her frigid. When Luigi De Angelis [Marcello Mastroianni] disappears, she refuses to remain passive and saddles up a horse and buggy to follow the route he would have taken, driven by a need to uncover what happened to him. Her journey becomes a search not only for truth, but for meaning in a life that had long seemed predetermined.
Along the road, Antonia unravels a complex portrait of her husband: the business he ran, the private passions that fueled him, his political writings, the mistresses who accompanied his ambitions, and a growing indifference to the peasants working on her family’s land. Each revelation edges her closer to a transformation she never anticipated. As knowledge accumulates, she begins to rewrite the terms of her own life: she steps into his world, adopts some of his habits, and even confronts the quiet edge of his influence over her own sense of self and duty.
In a startling turn, Antonia embarks on an affair of her own with a young foreign doctor, Dr. Paola Pagano [Olga Karlatos], while she also presses to improve the conditions of the peasants and to publish her husband’s writings. The intimate and political collide, and Antonia’s agency expands in ways that challenge the social order she was expected to inhabit. The nuance of power shifts as she becomes not merely the wife left to endure, but a formidable force shaping the life around her.
The plot thickens when a murder charge forces Luigi into hiding, directly across the street from his own home. From behind the slats of a boarded window, he watches Antonia evolve into his sexual and social equal, a revelation that both torments and fascinates him. When Antonia becomes aware that she is being watched, she chooses to live with even greater intensity, widening her windows and continuing her erotic escapades, a public-private drama that unsettles the quiet of their neighborhood and unsettles Luigi’s sense of control.
When the police eventually drop the murder charge, Luigi is faced with a stark question: how does he respond to the new, empowered Antonia who has rewritten the terms of their marriage and their shared life? The film lingers on the tension between desire, power, and consequence, inviting spectators to reconsider what it means for a life to be truly awakened and for a relationship to endure when its foundations have been reimagined.

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