The Loves of Edgar Allan Poe 1942

Edgar Allan Poe, Shepperd Strudwick, grows up in Richmond, Virginia after being adopted in 1811 by John and Frances Allan following the death of his mother, an actress. The new guardianship is bittersweet: Frances Allan, Mary Howard, is devoted and nurturing, while John Allan, Frank Conroy is often cool or even hostile toward him. The boy’s early life is colored by a longing for belonging and approval that he will carry into his work as a writer.

Poe’s first great love is Elmira Royster, Virginia Gilmore whom he has known since childhood; she marries someone else while Poe attends the University of Virginia, where he accrues gambling debts. In a brief, dreamlike moment the film shows him meeting with the university’s founder, Thomas Jefferson, though history does not prove such an encounter ever happened. Poe cannot forget Elmira, and this passion threads through his poetry even as his foster father’s disapproval of his literary ambitions grows sharper. After a fallout with Allan over his literary goals—Allan disparages Poe’s admiration for Lord Byron—Poe joins the Army and secures an appointment to West Point, from which he is dismissed for skipping classes and neglecting duties.

Seeking new stability, Poe finds shelter in Baltimore with Muddy Clemm and her daughter Virginia Clemm. The Clemm family—led by Muddy Clemm, and with Linda Darnell as Virginia Clemm—provide a home and a quiet, domestic space that allows Poe to focus more intensely on his writing. He marries Virginia and rises to prominence as editor and writer for the Southern Literary Messenger and Graham’s Magazine, working to champion ideas like copyright protections for authors, a stance that places him at odds with some peers. In Philadelphia he meets the famed English author Charles Dickens, Morton Lowry in the film’s portrayal, and the two share a mutual respect that underscores Poe’s ambition and influence.

The relationship between Poe, Virginia, and their circle becomes a blend of creative drive and financial struggle. Poe’s advocacy for copyright laws earns him both supporters and enemies, and his stance ultimately leads to his dismissal from the editorial position. The family later relocates to a New York City cottage in Fordham, where Virginia’s health declines and poverty tightens its grip. Amid hardship, Poe believes he has created his greatest work, the poem “The Raven”, convinced it could fetch $25, a sentiment that sits at odds with the poem’s eventual fame and enduring impact.

Elmira Royster reappears in the story, visiting Virginia and offering financial assistance that Virginia declines, choosing independence over a rescue that might alter their paths. Poe’s confidence in the poem is tested when he offers it to Rufus Griswold, Arthur Shields as Griswald (uncredited), who rejects it, an economic setback that many readers would later view as a paradox given the poem’s lasting accomplishment. The printers’ reactions to Poe’s work are mixed, with one young man among the staff praising it as “wonderful,” even as others remain cold.

Tragedy then deepens: Virginia dies from illness, and Poe returns to her side, reading to her as she fades, including lines from “Annabelle Lee”. The film’s closing scenes cast Poe in the shadow of loss and longing, while he continues to bear witness to his love for Virginia. After a final, frail struggle, Poe is taken to a Baltimore hospital, where he lingers for three days, confessing his enduring love for Virginia. The story ends with him reciting the controversial line of the era from A Dream Within a Dream as he passes away, leaving behind a legacy of haunting verse and a life defined by devotion, despair, and a tireless push toward a voice that would reshape American literature.