
A nervous librarian named Edgar Marsh becomes obsessed with his attractive next‑door neighbor. Consumed by unrequited love and voyeuristic fixation, his anxiety drives him to murder when she remains out of reach. The film weaves Poe’s classic themes of madness, guilt and a haunting conscience into a tense, suspenseful reinterpretation.
Does The Tell-Tale Heart have end credit scenes?
No!
The Tell-Tale Heart does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for The Tell-Tale Heart (1960) via JustWatch.
Explore the complete cast of The Tell-Tale Heart, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Richard Bennett
Mike

John Scott
Police Inspector

John Martin
Police Sergeant

Laurence Payne
Edgar Marsh

David Lander
Jeweller

Adrienne Corri
Betty Clare

Dermot Walsh
Carl Loomis

Annette Carell
Mrs. Fowler, Betty's Landlady

Graham Ashley
Neston

Selma Vaz Dias
Mrs. Vine

Nade Beall
Old Crone

Yvonne Buckingham
Mina

Rosemary Rotheray
Jackie

Suzanne Fuller
Dorothy

David Courtney
Bit Part

Joan Peart
Street Girl

Elizabeth Paget
Elsie

Pamela Plant
Manageress
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Read the complete plot summary of The Tell-Tale Heart, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Edgar Marsh [Laurence Payne], a shy librarian with a fervent fixation on erotica, becomes infatuated with his neighbor Betty Clare [Adrienne Corri] after catching a glimpse of her undressing in her bedroom. He invites her to dinner, and while she clearly feels uncomfortable with the intensity of his attention, he lavishly showers her with jewellery and fantasizes about a future where they are together. The enchantment grows brittle when he introduces her to his friend Carl Loomis [Dermot Walsh], a man Betty finds far more attractive and immediately more appealing.
From his window, Edgar watches as Betty and Carl share a private moment in her bedroom, a sight that unsettles him deeply. In a surge of jealousy and fear, Edgar strikes, bludgeoning Carl to death with a poker and then concealing him beneath the floorboards of his piano room. The act sets off a chain of guilt and paranoia that gnaws at him relentlessly, so that every stray sound—like a ticking metronome or the endless dripping of a tap—seems to mimic the heartbeat of his victim.
As the story unfolds, Betty unexpectedly enters Edgar’s world again. She sneaks into his house and, discovering the hidden poker, reports what she has found to the police. The confrontation with the authorities intensifies the pressure on Edgar, and the imagined heartbeat becomes louder and more insistent as he is questioned. Overwhelmed by fear and guilt, he confesses to the crime, yet the mental strain continues to fray his grip on reality.
In a shocking twist of fate, Edgar attempts to flee up the stairs and is shot, collapsing onto a spike and dying. Then comes the jarring revelation: all the events have been a dream. Yet the final image lingers—Edgar wakes to find Betty arriving in town, and the chilling fear remains that the nightmare could begin again.

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